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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212 125 8 it is the complementary color RGB 43 130 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212 125 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212 125 8 shade: RGB 217 125 3, RGB 234 143 22, RGB 251 161 41, RGB 255 179 60 and RGB 255 197 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212 125 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 195 107 0, RGB 178 89 0, RGB 161 71 0 and RGB 144 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 212 70 8, RGB 212 15 8 and RGB 212 8 8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 212 180 8, RGB 189 212 8, RGB 134 212 8 and RGB 79 212 8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212 125 8 shade matches the following richer shades: RGB 212 125 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 194 122 25, RGB 176 119 43, RGB 158 117 61 and RGB 141 114 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212 125 8 shade: RGB 212 14 8, RGB 212 69 8, RGB 212 123 8, RGB 212 178 8 and RGB 191 212 8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212 125 8 shade: RGB 132 78 5, RGB 172 101 6, RGB 212 125 8, RGB 246 147 14 and RGB 248 165 54

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 55 212 8 and RGB 42 8 212

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 8 212 123 and RGB 123 8 212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 55 212 8, RGB 8 96 212 and RGB 164 8 212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212 125 8 shade: RGB 212 125 8, RGB 8 212 21, RGB 8 96 212 and RGB 212 8 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

Complementary color

CMYK 83 / 47 / 0 / 3

HEX #2B82F7

RGB 43 130 247

HSL 214.41, 0.93%, 0.57%

LAB 55.27, 16.4, -65.59

 

CMYK 0 / 42 / 99 / 15

HEX #D97D03

RGB 217 125 3

HSL 34.21, 0.97%, 0.43%

LAB 61.16, 29.08, 67.27

 

CMYK 0 / 39 / 91 / 8

HEX #EA8F16

RGB 234 143 22

HSL 34.25, 0.83%, 0.5%

LAB 67.42, 26.91, 69.35

 

CMYK 0 / 36 / 84 / 2

HEX #FBA129

RGB 251 161 41

HSL 34.29, 0.96%, 0.57%

LAB 73.65, 24.94, 70.05

 

CMYK 0 / 30 / 76 / 0

HEX #FFB33C

RGB 255 179 60

HSL 36.62, 1%, 0.62%

LAB 78.36, 17.8, 67.88

 

CMYK 0 / 23 / 69 / 0

HEX #FFC54F

RGB 255 197 79

HSL 40.23, 1%, 0.65%

LAB 82.78, 9.27, 64.74

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 45 / 100 / 24

HEX #C36B00

RGB 195 107 0

HSL 32.92, 1%, 0.38%

LAB 54.15, 29.38, 61.88

 

CMYK 0 / 50 / 100 / 30

HEX #B25900

RGB 178 89 0

HSL 30, 1%, 0.35%

LAB 47.76, 31.83, 56.73

 

CMYK 0 / 56 / 100 / 37

HEX #A14700

RGB 161 71 0

HSL 26.46, 1%, 0.32%

LAB 41.35, 34.25, 51.59

 

CMYK 0 / 63 / 100 / 44

HEX #903500

RGB 144 53 0

HSL 22.08, 1%, 0.28%

LAB 34.95, 36.49, 46.5

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 67 / 96 / 17

HEX #D44608

RGB 212 70 8

HSL 18.24, 0.93%, 0.43%

LAB 49.97, 53.73, 59.01

 

CMYK 0 / 93 / 96 / 17

HEX #D40F08

RGB 212 15 8

HSL 2.06, 0.93%, 0.43%

LAB 44.74, 68.35, 56.16

 

CMYK 0 / 96 / 96 / 17

HEX #D40808

RGB 212 8 8

HSL 0, 0.93%, 0.43%

LAB 44.5, 69.04, 56.05

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 15 / 96 / 17

HEX #D4B408

RGB 212 180 8

HSL 50.59, 0.93%, 0.43%

LAB 73.97, -2.43, 75.22

 

CMYK 11 / 0 / 96 / 17

HEX #BDD408

RGB 189 212 8

HSL 66.76, 0.93%, 0.43%

LAB 80.7, -28.33, 79.4

 

CMYK 37 / 0 / 96 / 17

HEX #86D408

RGB 134 212 8

HSL 82.94, 0.93%, 0.43%

LAB 77.38, -49.62, 75.4

 

CMYK 63 / 0 / 96 / 17

HEX #4FD408

RGB 79 212 8

HSL 99.12, 0.93%, 0.43%

LAB 75.31, -65.64, 72.86

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 37 / 87 / 24

HEX #C27A19

RGB 194 122 25

HSL 34.44, 0.77%, 0.43%

LAB 57.52, 21.19, 58.73

 

CMYK 0 / 32 / 76 / 31

HEX #B0772B

RGB 176 119 43

HSL 34.29, 0.61%, 0.43%

LAB 54.66, 15.54, 48.64

 

CMYK 0 / 26 / 61 / 38

HEX #9E753D

RGB 158 117 61

HSL 34.64, 0.44%, 0.43%

LAB 52.21, 9.73, 36.66

 

CMYK 0 / 19 / 44 / 45

HEX #8D724F

RGB 141 114 79

HSL 33.87, 0.28%, 0.43%

LAB 49.81, 5.64, 23.38

 

CMYK 0 / 93 / 96 / 17

HEX #D40E08

RGB 212 14 8

HSL 1.76, 0.93%, 0.43%

LAB 44.7, 68.47, 56.14

 

CMYK 0 / 67 / 96 / 17

HEX #D44508

RGB 212 69 8

HSL 17.94, 0.93%, 0.43%

LAB 49.82, 54.13, 58.93

 

CMYK 0 / 42 / 96 / 17

HEX #D47B08

RGB 212 123 8

HSL 33.82, 0.93%, 0.43%

LAB 60.05, 28.09, 65.41

 

CMYK 0 / 16 / 96 / 17

HEX #D4B208

RGB 212 178 8

HSL 50, 0.93%, 0.43%

LAB 73.45, -1.39, 74.84

 

CMYK 10 / 0 / 96 / 17

HEX #BFD408

RGB 191 212 8

HSL 66.18, 0.93%, 0.43%

LAB 80.84, -27.5, 79.57

 

CMYK 0 / 41 / 96 / 48

HEX #844E05

RGB 132 78 5

HSL 34.49, 0.93%, 0.27%

LAB 38.49, 17.81, 46.03

 

CMYK 0 / 41 / 97 / 33

HEX #AC6506

RGB 172 101 6

HSL 34.34, 0.93%, 0.35%

LAB 49.61, 22.81, 56.11

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 0 / 40 / 94 / 4

HEX #F6930E

RGB 246 147 14

HSL 34.4, 0.93%, 0.51%

LAB 69.82, 29.69, 73.26

 

CMYK 0 / 33 / 78 / 3

HEX #F8A536

RGB 248 165 54

HSL 34.33, 0.93%, 0.59%

LAB 74.27, 21.99, 66.01

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 74 / 0 / 96 / 17

HEX #37D408

RGB 55 212 8

HSL 106.18, 0.93%, 0.43%

LAB 74.77, -70.21, 72.21

 

CMYK 80 / 96 / 0 / 17

HEX #2A08D4

RGB 42 8 212

HSL 250, 0.93%, 0.43%

LAB 27.9, 67.91, -90.66

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 96 / 0 / 42 / 17

HEX #08D47B

RGB 8 212 123

HSL 153.82, 0.93%, 0.43%

LAB 75.18, -63.46, 32.06

 

CMYK 42 / 96 / 0 / 17

HEX #7B08D4

RGB 123 8 212

HSL 273.82, 0.93%, 0.43%

LAB 36.25, 72.87, -76.56

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 74 / 0 / 96 / 17

HEX #37D408

RGB 55 212 8

HSL 106.18, 0.93%, 0.43%

LAB 74.77, -70.21, 72.21

 

CMYK 96 / 55 / 0 / 17

HEX #0860D4

RGB 8 96 212

HSL 214.12, 0.93%, 0.43%

LAB 43.02, 22.64, -65.76

 

CMYK 23 / 96 / 0 / 17

HEX #A408D4

RGB 164 8 212

HSL 285.88, 0.93%, 0.43%

LAB 42.49, 77.7, -66.1

 

CMYK 0 / 41 / 96 / 17

HEX #D47D08

RGB 212 125 8

HSL 34.41, 0.93%, 0.43%

LAB 60.5, 27.03, 65.71

 

CMYK 96 / 0 / 90 / 17

HEX #08D415

RGB 8 212 21

HSL 123.82, 0.93%, 0.43%

LAB 74.31, -74.22, 70.02

 

CMYK 96 / 55 / 0 / 17

HEX #0860D4

RGB 8 96 212

HSL 214.12, 0.93%, 0.43%

LAB 43.02, 22.64, -65.76

 

CMYK 0 / 96 / 7 / 17

HEX #D408C6

RGB 212 8 198

HSL 304.12, 0.93%, 0.43%

LAB 49.8, 82.89, -45.82

 

Description

Color code: RGB 212 125 8 | qconv.com Color code: RGB 212 125 8 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212 red, 125 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212 125 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 96 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 96% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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