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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 212.1 219 111 it is the complementary color RGB 42.9 36 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 212.1 219 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 212.1 219 111 shade: RGB 217.1 219 106, RGB 234.1 237 125, RGB 251.1 255 144, RGB 255 255 163 and RGB 255 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 212.1 219 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 212.1 219 111 shade: RGB 212.1 219 111, RGB 195.1 201 92, RGB 178.1 183 73, RGB 161.1 165 54 and RGB 144.1 147 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 212.1 219 111 shade: RGB 212 219 112, RGB 219 197 112, RGB 219 168 112, RGB 219 139 112 and RGB 219 112 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 212.1 219 111 shade: RGB 212 219 112, RGB 184 219 112, RGB 155 219 112, RGB 126 219 112 and RGB 112 219 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 212.1 219 111 shade matches the following richer shades: RGB 212 219 112, RGB 225 234 98 and RGB 238 248 83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 212.1 219 111 shade: RGB 212 219 112, RGB 200 205 127, RGB 187 190 141, RGB 175 176 156 and RGB 162 162 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 212.1 219 111 shade: RGB 219 168 112, RGB 219 196 112, RGB 214 219 112, RGB 185 219 112 and RGB 157 219 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 212.1 219 111 shade: RGB 190 199 50, RGB 203 211 79, RGB 212 219 112, RGB 222 228 145 and RGB 232 236 178

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 212.1 219 111 shade: RGB 212.1 219 111, RGB 112 219 139 and RGB 182 112 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 212.1 219 111 shade: RGB 212.1 219 111, RGB 112 214 219 and RGB 219 112 214

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 212.1 219 111 shade: RGB 212.1 219 111, RGB 112 219 139, RGB 118 112 219 and RGB 219 112 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 212.1 219 111 shade: RGB 212.1 219 111, RGB 112 219 171, RGB 118 112 219 and RGB 219 112 160

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

Complementary color

CMYK 70 / 75 / 0 / 44

HEX #2A2490

RGB 42.9 36 144

HSL 243.83, 0.6%, 0.35%

LAB 22.95, 38.2, -58.12

 

CMYK 1 / 0 / 52 / 14

HEX #D9DB6A

RGB 217.1 219 106

HSL 61.01, 0.61%, 0.64%

LAB 85.24, -15.76, 54.6

 

CMYK 1 / 0 / 47 / 7

HEX #EAED7D

RGB 234.1 237 125

HSL 61.55, 0.76%, 0.71%

LAB 91.49, -16.22, 53.5

 

CMYK 2 / 0 / 44 / 0

HEX #FBFF90

RGB 251.1 255 144

HSL 62.11, 1%, 0.78%

LAB 97.66, -16.61, 52.37

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

CMYK 3 / 0 / 54 / 21

HEX #C3C95C

RGB 195.1 201 92

HSL 63.25, 0.5%, 0.57%

LAB 78.56, -16.86, 52.88

 

CMYK 3 / 0 / 60 / 28

HEX #B2B749

RGB 178.1 183 73

HSL 62.67, 0.43%, 0.5%

LAB 72.11, -16.3, 53.85

 

CMYK 2 / 0 / 67 / 35

HEX #A1A536

RGB 161.1 165 54

HSL 62.11, 0.51%, 0.43%

LAB 65.56, -15.59, 54.55

 

CMYK 2 / 0 / 76 / 42

HEX #909323

RGB 144.1 147 35

HSL 61.55, 0.62%, 0.36%

LAB 58.91, -14.69, 54.71

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB70

RGB 212 219 112

HSL 63.93, 0.6%, 0.65%

LAB 84.91, -17.27, 51.33

 

CMYK 0 / 10 / 49 / 14

HEX #DBC570

RGB 219 197 112

HSL 47.66, 0.6%, 0.65%

LAB 79.71, -3.31, 45.17

 

CMYK 0 / 23 / 49 / 14

HEX #DBA870

RGB 219 168 112

HSL 31.4, 0.6%, 0.65%

LAB 72.39, 11.99, 36.04

 

CMYK 0 / 37 / 49 / 14

HEX #DB8B70

RGB 219 139 112

HSL 15.14, 0.6%, 0.65%

LAB 65.51, 27.59, 27.14

 

CMYK 0 / 49 / 49 / 14

HEX #DB7070

RGB 219 112 112

HSL 0, 0.6%, 0.65%

LAB 59.72, 41.73, 19.39

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB70

RGB 212 219 112

HSL 63.93, 0.6%, 0.65%

LAB 84.91, -17.27, 51.33

 

CMYK 16 / 0 / 49 / 14

HEX #B8DB70

RGB 184 219 112

HSL 79.63, 0.6%, 0.65%

LAB 82.93, -28.17, 48.47

 

CMYK 29 / 0 / 49 / 14

HEX #9BDB70

RGB 155 219 112

HSL 95.89, 0.6%, 0.65%

LAB 81.18, -38.74, 45.95

 

CMYK 42 / 0 / 49 / 14

HEX #7EDB70

RGB 126 219 112

HSL 112.15, 0.6%, 0.65%

LAB 79.77, -48.16, 43.89

 

CMYK 49 / 0 / 42 / 14

HEX #70DB7F

RGB 112 219 127

HSL 128.41, 0.6%, 0.65%

LAB 79.41, -50, 35.92

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB70

RGB 212 219 112

HSL 63.93, 0.6%, 0.65%

LAB 84.91, -17.27, 51.33

 

CMYK 4 / 0 / 58 / 8

HEX #E1EA62

RGB 225 234 98

HSL 63.97, 0.76%, 0.65%

LAB 89.74, -20.55, 63.42

 

CMYK 4 / 0 / 67 / 3

HEX #EEF853

RGB 238 248 83

HSL 63.64, 0.92%, 0.65%

LAB 94.29, -23, 74.48

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB70

RGB 212 219 112

HSL 63.93, 0.6%, 0.65%

LAB 84.91, -17.27, 51.33

 

CMYK 2 / 0 / 38 / 20

HEX #C8CD7F

RGB 200 205 127

HSL 63.85, 0.44%, 0.65%

LAB 80.45, -13.49, 38.25

 

CMYK 2 / 0 / 26 / 25

HEX #BBBE8D

RGB 187 190 141

HSL 63.67, 0.27%, 0.65%

LAB 75.65, -9.08, 24.47

 

CMYK 1 / 0 / 11 / 31

HEX #AFB09C

RGB 175 176 156

HSL 63, 0.11%, 0.65%

LAB 71.26, -3.92, 10.13

 

CMYK 5 / 5 / 0 / 33

HEX #A2A2AA

RGB 162 162 170

HSL 240, 0.04%, 0.65%

LAB 66.84, 1.56, -4.14

 

CMYK 0 / 23 / 49 / 14

HEX #DBA870

RGB 219 168 112

HSL 31.4, 0.6%, 0.65%

LAB 72.39, 11.99, 36.04

 

CMYK 0 / 11 / 49 / 14

HEX #DBC470

RGB 219 196 112

HSL 47.1, 0.6%, 0.65%

LAB 79.45, -2.8, 44.86

 

CMYK 2 / 0 / 49 / 14

HEX #D6DB70

RGB 214 219 112

HSL 62.8, 0.6%, 0.65%

LAB 85.06, -16.48, 51.54

 

CMYK 16 / 0 / 49 / 14

HEX #B9DB70

RGB 185 219 112

HSL 79.07, 0.6%, 0.65%

LAB 82.99, -27.79, 48.57

 

CMYK 28 / 0 / 49 / 14

HEX #9DDB70

RGB 157 219 112

HSL 94.77, 0.6%, 0.65%

LAB 81.29, -38.04, 46.11

 

CMYK 5 / 0 / 75 / 22

HEX #BEC732

RGB 190 199 50

HSL 63.62, 0.6%, 0.49%

LAB 77.3, -20.59, 68.18

 

CMYK 4 / 0 / 63 / 17

HEX #CBD34F

RGB 203 211 79

HSL 63.64, 0.6%, 0.57%

LAB 81.76, -19.54, 62.24

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB70

RGB 212 219 112

HSL 63.93, 0.6%, 0.65%

LAB 84.91, -17.27, 51.33

 

CMYK 3 / 0 / 36 / 11

HEX #DEE491

RGB 222 228 145

HSL 64.34, 0.61%, 0.73%

LAB 88.48, -14.43, 39.85

 

CMYK 2 / 0 / 25 / 7

HEX #E8ECB2

RGB 232 236 178

HSL 64.14, 0.6%, 0.81%

LAB 91.85, -10.52, 27.76

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

CMYK 49 / 0 / 37 / 14

HEX #70DB8B

RGB 112 219 139

HSL 135.14, 0.6%, 0.65%

LAB 79.6, -48.05, 30.08

 

CMYK 17 / 49 / 0 / 14

HEX #B670DB

RGB 182 112 219

HSL 279.25, 0.6%, 0.65%

LAB 58.65, 46.17, -44.05

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

CMYK 49 / 2 / 0 / 14

HEX #70D6DB

RGB 112 214 219

HSL 182.8, 0.6%, 0.65%

LAB 79.98, -28.36, -11.66

 

CMYK 0 / 49 / 2 / 14

HEX #DB70D6

RGB 219 112 214

HSL 302.8, 0.6%, 0.65%

LAB 62.93, 55.58, -34.21

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

CMYK 49 / 0 / 37 / 14

HEX #70DB8B

RGB 112 219 139

HSL 135.14, 0.6%, 0.65%

LAB 79.6, -48.05, 30.08

 

CMYK 46 / 49 / 0 / 14

HEX #7670DB

RGB 118 112 219

HSL 243.36, 0.6%, 0.65%

LAB 52.46, 29.71, -54.26

 

CMYK 0 / 49 / 12 / 14

HEX #DB70C1

RGB 219 112 193

HSL 314.58, 0.6%, 0.65%

LAB 62.08, 52.08, -23.67

 

CMYK 3 / 0 / 49 / 14

HEX #D4DB6F

RGB 212.1 219 111

HSL 63.83, 0.6%, 0.65%

LAB 84.91, -17.32, 51.79

 

CMYK 49 / 0 / 22 / 14

HEX #70DBAB

RGB 112 219 171

HSL 153.08, 0.6%, 0.65%

LAB 80.21, -41.98, 14.23

 

CMYK 46 / 49 / 0 / 14

HEX #7670DB

RGB 118 112 219

HSL 243.36, 0.6%, 0.65%

LAB 52.46, 29.71, -54.26

 

CMYK 0 / 49 / 27 / 14

HEX #DB70A0

RGB 219 112 160

HSL 333.08, 0.6%, 0.65%

LAB 60.95, 47.21, -6.54

 

Description

Color code: RGB 212.1 219 111 | qconv.com Color code: RGB 212.1 219 111 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 212.1 red, 219 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
212.1 219 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 49 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 49% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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