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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 186 225 it is the complementary color RGB 44 69 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 186 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 186 225: RGB 216 186 220, RGB 233 204 239, RGB 250 222 255, RGB 255 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 186 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 186 225: RGB 211 186 225, RGB 194 168 206, RGB 177 150 187, RGB 160 132 168 and RGB 143 114 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

Complementary color

CMYK 36 / 0 / 57 / 73

HEX #2C451E

RGB 44 69 30

HSL 98.46, 0.39%, 0.19%

LAB 26.41, -18.02, 20.41

 

CMYK 2 / 15 / 0 / 14

HEX #D8BADC

RGB 216 186 220

HSL 292.94, 0.33%, 0.8%

LAB 78.97, 16.66, -13.04

 

CMYK 3 / 15 / 0 / 6

HEX #E9CCEF

RGB 233 204 239

HSL 289.71, 0.52%, 0.87%

LAB 85.37, 16.24, -13.48

 

CMYK 2 / 13 / 0 / 0

HEX #FADEFF

RGB 250 222 255

HSL 290.91, 1%, 0.94%

LAB 91.59, 15.31, -12.47

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 6 / 18 / 0 / 19

HEX #C2A8CE

RGB 194 168 206

HSL 281.05, 0.28%, 0.73%

LAB 72.18, 16.39, -15.82

 

CMYK 5 / 20 / 0 / 27

HEX #B196BB

RGB 177 150 187

HSL 283.78, 0.21%, 0.66%

LAB 65.55, 16.85, -15.44

 

CMYK 5 / 21 / 0 / 34

HEX #A084A8

RGB 160 132 168

HSL 286.67, 0.17%, 0.59%

LAB 58.79, 17.36, -15.06

 

CMYK 4 / 23 / 0 / 42

HEX #8F7295

RGB 143 114 149

HSL 289.71, 0.14%, 0.52%

LAB 51.89, 17.92, -14.67

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 4 / 17 / 0 / 12

HEX #D9BBE1

RGB 217 187 225

HSL 287.37, 0.39%, 0.81%

LAB 79.46, 17.4, -15

 

CMYK 0 / 17 / 0 / 12

HEX #E0BBE1

RGB 224 187 225

HSL 298.42, 0.39%, 0.81%

LAB 80.08, 19.73, -14.01

 

CMYK 0 / 17 / 2 / 12

HEX #E1BBDC

RGB 225 187 220

HSL 307.89, 0.39%, 0.81%

LAB 80.02, 19.15, -11.4

 

CMYK 0 / 17 / 5 / 12

HEX #E1BBD6

RGB 225 187 214

HSL 317.37, 0.39%, 0.81%

LAB 79.84, 18.08, -8.42

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 5 / 19 / 0 / 92

HEX #141115

RGB 20 17 21

HSL 285, 0.11%, 0.07%

LAB 5.45, 2.07, -1.94

 

CMYK 6 / 17 / 0 / 72

HEX #443C48

RGB 68 60 72

HSL 280, 0.09%, 0.26%

LAB 26.53, 6.12, -6.06

 

CMYK 7 / 17 / 0 / 52

HEX #73667B

RGB 115 102 123

HSL 277.14, 0.09%, 0.44%

LAB 45.05, 9.42, -9.82

 

CMYK 6 / 17 / 0 / 32

HEX #A390AE

RGB 163 144 174

HSL 278, 0.16%, 0.62%

LAB 62.33, 12.79, -13.11

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 0 / 17 / 14 / 12

HEX #E1BBC1

RGB 225 187 193

HSL 350.53, 0.39%, 0.81%

LAB 79.27, 14.54, 2.07

 

CMYK 17 / 0 / 13 / 12

HEX #BBE1C4

RGB 187 225 196

HSL 134.21, 0.39%, 0.81%

LAB 86.21, -17.96, 10.09

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 0 / 6 / 17 / 12

HEX #E1D3BB

RGB 225 211 187

HSL 37.89, 0.39%, 0.81%

LAB 85.09, 0.94, 13.62

 

CMYK 17 / 0 / 6 / 12

HEX #BBE1D3

RGB 187 225 211

HSL 157.89, 0.39%, 0.81%

LAB 86.56, -15.13, 2.71

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 0 / 17 / 14 / 12

HEX #E1BBC1

RGB 225 187 193

HSL 350.53, 0.39%, 0.81%

LAB 79.27, 14.54, 2.07

 

CMYK 11 / 0 / 17 / 12

HEX #C9E1BB

RGB 201 225 187

HSL 97.89, 0.39%, 0.81%

LAB 86.93, -14.77, 15.95

 

CMYK 17 / 0 / 3 / 12

HEX #BBE1DB

RGB 187 225 219

HSL 170.53, 0.39%, 0.81%

LAB 86.77, -13.55, -1.21

 

CMYK 6 / 17 / 0 / 12

HEX #D3BAE1

RGB 211 186 225

HSL 278.46, 0.39%, 0.81%

LAB 78.7, 15.96, -16.2

 

CMYK 0 / 15 / 17 / 12

HEX #E1C0BB

RGB 225 192 187

HSL 7.89, 0.39%, 0.81%

LAB 80.35, 10.93, 6.86

 

CMYK 11 / 0 / 17 / 12

HEX #C9E1BB

RGB 201 225 187

HSL 97.89, 0.39%, 0.81%

LAB 86.93, -14.77, 15.95

 

CMYK 17 / 2 / 0 / 12

HEX #BBDCE1

RGB 187 220 225

HSL 187.89, 0.39%, 0.81%

LAB 85.6, -9.78, -6.09

 

Description

Color code: RGB 211 186 225 | qconv.com Color code: RGB 211 186 225 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 186 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 186 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 17 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 17% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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