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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 180.8 20.4 it is the complementary color RGB 44 74.2 234.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 180.8 20.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 180.8 20.4 shade: RGB 216 180.8 15.4, RGB 233 198.8 34.4, RGB 250 216.8 53.4, RGB 255 234.8 72.4 and RGB 255 252.8 91.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 180.8 20.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 180.8 20.4 shade: RGB 211 180.8 20.4, RGB 194 162.8 1.4, RGB 177 144.8 0, RGB 160 126.8 0 and RGB 143 108.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 180.8 20.4 shade: RGB 209 179 21, RGB 209 128 21, RGB 209 78 21, RGB 209 27 21 and RGB 209 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 180.8 20.4 shade: RGB 209 179 21, RGB 188 209 21, RGB 137 209 21, RGB 86 209 21 and RGB 36 209 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 180.8 20.4 shade matches the following richer shades: RGB 209 179 21 and RGB 227 192 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 180.8 20.4 shade: RGB 209 179 21, RGB 190 166 39, RGB 172 154 58, RGB 153 141 76 and RGB 135 128 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 180.8 20.4 shade: RGB 209 77 21, RGB 209 127 21, RGB 209 177 21, RGB 190 209 21 and RGB 140 209 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 180.8 20.4 shade: RGB 134 115 13, RGB 171 147 17, RGB 209 179 21, RGB 233 202 37 and RGB 237 211 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 180.8 20.4 shade: RGB 211 180.8 20.4, RGB 21 209 27 and RGB 102 21 209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 180.8 20.4 shade: RGB 211 180.8 20.4, RGB 21 209 177 and RGB 177 21 209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 180.8 20.4 shade: RGB 211 180.8 20.4, RGB 21 209 27, RGB 21 52 209 and RGB 209 21 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 180.8 20.4 shade: RGB 211 180.8 20.4, RGB 21 209 83, RGB 21 52 209 and RGB 209 21 146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

Complementary color

CMYK 81 / 68 / 0 / 8

HEX #2C4AEA

RGB 44 74.2 234.6

HSL 230.49, 0.82%, 0.55%

LAB 40.3, 46.76, -83.04

 

CMYK 0 / 16 / 93 / 15

HEX #D8B40F

RGB 216 180.8 15.4

HSL 49.47, 0.87%, 0.45%

LAB 74.57, -1.02, 74.95

 

CMYK 0 / 15 / 85 / 9

HEX #E9C622

RGB 233 198.8 34.4

HSL 49.67, 0.82%, 0.52%

LAB 80.85, -2.63, 77

 

CMYK 0 / 13 / 79 / 2

HEX #FAD835

RGB 250 216.8 53.4

HSL 49.87, 0.95%, 0.59%

LAB 87.05, -4.03, 77.87

 

CMYK 0 / 8 / 72 / 0

HEX #FFEA48

RGB 255 234.8 72.4

HSL 53.36, 1%, 0.64%

LAB 92.15, -10.2, 76.61

 

CMYK 0 / 1 / 64 / 0

HEX #FFFC5B

RGB 255 252.8 91.4

HSL 59.19, 1%, 0.68%

LAB 96.88, -18.02, 74.39

 

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

CMYK 0 / 16 / 99 / 24

HEX #C2A201

RGB 194 162.8 1.4

HSL 50.28, 0.99%, 0.38%

LAB 67.72, -1.41, 70.71

 

CMYK 0 / 18 / 100 / 31

HEX #B19000

RGB 177 144.8 0

HSL 49.08, 1%, 0.35%

LAB 61.25, 0.6, 65.55

 

CMYK 0 / 21 / 100 / 37

HEX #A07E00

RGB 160 126.8 0

HSL 47.55, 1%, 0.31%

LAB 54.66, 2.71, 60.11

 

CMYK 0 / 24 / 100 / 44

HEX #8F6C00

RGB 143 108.8 0

HSL 45.65, 1%, 0.28%

LAB 47.92, 4.93, 54.56

 

CMYK 0 / 14 / 90 / 18

HEX #D1B315

RGB 209 179 21

HSL 50.43, 0.82%, 0.45%

LAB 73.45, -3.06, 72.91

 

CMYK 0 / 39 / 90 / 18

HEX #D18015

RGB 209 128 21

HSL 34.15, 0.82%, 0.45%

LAB 60.82, 24.32, 63.22

 

CMYK 0 / 63 / 90 / 18

HEX #D14E15

RGB 209 78 21

HSL 18.19, 0.82%, 0.45%

LAB 50.76, 49.46, 55.7

 

CMYK 0 / 87 / 90 / 18

HEX #D11B15

RGB 209 27 21

HSL 1.91, 0.82%, 0.45%

LAB 44.79, 65.93, 51.4

 

CMYK 0 / 90 / 90 / 18

HEX #D11515

RGB 209 21 21

HSL 0, 0.82%, 0.45%

LAB 44.44, 66.93, 51.15

 

CMYK 0 / 14 / 90 / 18

HEX #D1B315

RGB 209 179 21

HSL 50.43, 0.82%, 0.45%

LAB 73.45, -3.06, 72.91

 

CMYK 10 / 0 / 90 / 18

HEX #BCD115

RGB 188 209 21

HSL 66.7, 0.82%, 0.45%

LAB 79.81, -27.14, 77.16

 

CMYK 34 / 0 / 90 / 18

HEX #89D115

RGB 137 209 21

HSL 82.98, 0.82%, 0.45%

LAB 76.66, -47.09, 73.31

 

CMYK 59 / 0 / 90 / 18

HEX #56D115

RGB 86 209 21

HSL 99.26, 0.82%, 0.45%

LAB 74.59, -62.73, 70.74

 

CMYK 83 / 0 / 90 / 18

HEX #24D115

RGB 36 209 21

HSL 115.21, 0.82%, 0.45%

LAB 73.57, -71.51, 69.46

 

CMYK 0 / 14 / 90 / 18

HEX #D1B315

RGB 209 179 21

HSL 50.43, 0.82%, 0.45%

LAB 73.45, -3.06, 72.91

 

CMYK 0 / 15 / 99 / 11

HEX #E3C002

RGB 227 192 2

HSL 50.67, 0.98%, 0.45%

LAB 78.48, -2.18, 79.75

 

CMYK 0 / 14 / 90 / 18

HEX #D1B315

RGB 209 179 21

HSL 50.43, 0.82%, 0.45%

LAB 73.45, -3.06, 72.91

 

CMYK 0 / 13 / 79 / 25

HEX #BEA627

RGB 190 166 39

HSL 50.46, 0.66%, 0.45%

LAB 68.29, -4.13, 63.46

 

CMYK 0 / 10 / 66 / 33

HEX #AC9A3A

RGB 172 154 58

HSL 50.53, 0.5%, 0.45%

LAB 63.5, -4.77, 51.02

 

CMYK 0 / 8 / 50 / 40

HEX #998D4C

RGB 153 141 76

HSL 50.65, 0.34%, 0.45%

LAB 58.36, -4.64, 36.03

 

CMYK 0 / 5 / 30 / 47

HEX #87805F

RGB 135 128 95

HSL 49.5, 0.17%, 0.45%

LAB 53.4, -2.86, 18.91

 

CMYK 0 / 63 / 90 / 18

HEX #D14D15

RGB 209 77 21

HSL 17.87, 0.82%, 0.45%

LAB 50.59, 49.9, 55.58

 

CMYK 0 / 39 / 90 / 18

HEX #D17F15

RGB 209 127 21

HSL 33.83, 0.82%, 0.45%

LAB 60.59, 24.86, 63.05

 

CMYK 0 / 15 / 90 / 18

HEX #D1B115

RGB 209 177 21

HSL 49.79, 0.82%, 0.45%

LAB 72.93, -2.01, 72.51

 

CMYK 9 / 0 / 90 / 18

HEX #BED115

RGB 190 209 21

HSL 66.06, 0.82%, 0.45%

LAB 79.96, -26.31, 77.34

 

CMYK 33 / 0 / 90 / 18

HEX #8CD115

RGB 140 209 21

HSL 82.02, 0.82%, 0.45%

LAB 76.82, -46.01, 73.5

 

CMYK 0 / 14 / 90 / 47

HEX #86730D

RGB 134 115 13

HSL 50.58, 0.82%, 0.29%

LAB 48.71, -2.64, 51.93

 

CMYK 0 / 14 / 90 / 33

HEX #AB9311

RGB 171 147 17

HSL 50.65, 0.82%, 0.37%

LAB 61.28, -3.08, 62.6

 

CMYK 0 / 14 / 90 / 18

HEX #D1B315

RGB 209 179 21

HSL 50.43, 0.82%, 0.45%

LAB 73.45, -3.06, 72.91

 

CMYK 0 / 13 / 84 / 9

HEX #E9CA25

RGB 233 202 37

HSL 50.51, 0.82%, 0.53%

LAB 81.67, -4.2, 77.06

 

CMYK 0 / 11 / 68 / 7

HEX #EDD34B

RGB 237 211 75

HSL 50.37, 0.82%, 0.61%

LAB 84.54, -5.65, 67.61

 

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

CMYK 90 / 0 / 87 / 18

HEX #15D11B

RGB 21 209 27

HSL 121.91, 0.82%, 0.45%

LAB 73.44, -72.56, 68.21

 

CMYK 51 / 90 / 0 / 18

HEX #6615D1

RGB 102 21 209

HSL 265.85, 0.82%, 0.45%

LAB 33.91, 68, -78.78

 

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

CMYK 90 / 0 / 15 / 18

HEX #15D1B1

RGB 21 209 177

HSL 169.79, 0.82%, 0.45%

LAB 75.41, -49.67, 3.92

 

CMYK 15 / 90 / 0 / 18

HEX #B115D1

RGB 177 21 209

HSL 289.79, 0.82%, 0.45%

LAB 44.92, 77.48, -60.32

 

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

CMYK 90 / 0 / 87 / 18

HEX #15D11B

RGB 21 209 27

HSL 121.91, 0.82%, 0.45%

LAB 73.44, -72.56, 68.21

 

CMYK 90 / 75 / 0 / 18

HEX #1534D1

RGB 21 52 209

HSL 230.11, 0.82%, 0.45%

LAB 32.3, 49.73, -81.62

 

CMYK 0 / 90 / 3 / 18

HEX #D115CB

RGB 209 21 203

HSL 301.91, 0.82%, 0.45%

LAB 49.98, 81.8, -48.44

 

CMYK 0 / 14 / 90 / 17

HEX #D3B414

RGB 211 180.8 20.4

HSL 50.49, 0.82%, 0.45%

LAB 74.1, -3.13, 73.6

 

CMYK 90 / 0 / 60 / 18

HEX #15D153

RGB 21 209 83

HSL 139.79, 0.82%, 0.45%

LAB 73.79, -68.1, 49.64

 

CMYK 90 / 75 / 0 / 18

HEX #1534D1

RGB 21 52 209

HSL 230.11, 0.82%, 0.45%

LAB 32.3, 49.73, -81.62

 

CMYK 0 / 90 / 30 / 18

HEX #D11592

RGB 209 21 146

HSL 320.11, 0.82%, 0.45%

LAB 47.19, 74.55, -19.19

 

Description

Color code: RGB 211 180.8 20.4 | qconv.com Color code: RGB 211 180.8 20.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 180.8 green and 20.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 180.8 20.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 90 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 90% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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