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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 168 150 it is the complementary color RGB 44 87 105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 168 150. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 168 150: RGB 216 168 145, RGB 233 186 164, RGB 250 204 183, RGB 255 222 202 and RGB 255 240 221

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 168 150. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 168 150: RGB 211 168 150, RGB 194 150 131, RGB 177 132 112, RGB 160 114 93 and RGB 143 96 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

Complementary color

CMYK 58 / 17 / 0 / 59

HEX #2C5769

RGB 44 87 105

HSL 197.7, 0.41%, 0.29%

LAB 34.75, -9.18, -14.9

 

CMYK 0 / 22 / 33 / 15

HEX #D8A891

RGB 216 168 145

HSL 19.44, 0.48%, 0.71%

LAB 72.66, 14.44, 18.65

 

CMYK 0 / 20 / 30 / 9

HEX #E9BAA4

RGB 233 186 164

HSL 19.13, 0.61%, 0.78%

LAB 79.11, 13.8, 17.58

 

CMYK 0 / 18 / 27 / 2

HEX #FACCB7

RGB 250 204 183

HSL 18.81, 0.87%, 0.85%

LAB 85.47, 13.23, 16.58

 

CMYK 0 / 13 / 21 / 0

HEX #FFDECA

RGB 255 222 202

HSL 22.64, 1%, 0.9%

LAB 90.67, 8.36, 14

 

CMYK 0 / 6 / 13 / 0

HEX #FFF0DD

RGB 255 240 221

HSL 33.53, 1%, 0.93%

LAB 95.5, 1.98, 10.98

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 0 / 23 / 32 / 24

HEX #C29683

RGB 194 150 131

HSL 18.1, 0.34%, 0.64%

LAB 65.69, 13.81, 16.36

 

CMYK 0 / 25 / 37 / 31

HEX #B18470

RGB 177 132 112

HSL 18.46, 0.29%, 0.57%

LAB 58.99, 14.55, 17.54

 

CMYK 0 / 29 / 42 / 37

HEX #A0725D

RGB 160 114 93

HSL 18.81, 0.26%, 0.5%

LAB 52.17, 15.41, 18.83

 

CMYK 0 / 33 / 48 / 44

HEX #8F604A

RGB 143 96 74

HSL 19.13, 0.32%, 0.43%

LAB 45.22, 16.43, 20.3

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 0 / 16 / 29 / 17

HEX #D3B296

RGB 211 178 150

HSL 27.54, 0.41%, 0.71%

LAB 74.76, 7.78, 18.76

 

CMYK 0 / 11 / 29 / 17

HEX #D3BC96

RGB 211 188 150

HSL 37.38, 0.41%, 0.71%

LAB 77.29, 2.46, 22.24

 

CMYK 0 / 6 / 29 / 17

HEX #D3C696

RGB 211 198 150

HSL 47.21, 0.41%, 0.71%

LAB 79.86, -2.79, 25.74

 

CMYK 0 / 1 / 29 / 17

HEX #D3D096

RGB 211 208 150

HSL 57.05, 0.41%, 0.71%

LAB 82.47, -7.96, 29.25

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 0 / 14 / 29 / 97

HEX #070605

RGB 7 6 5

HSL 30, 0.17%, 0.02%

LAB 1.68, 0.12, 0.47

 

CMYK 0 / 21 / 29 / 77

HEX #3A2E29

RGB 58 46 41

HSL 17.65, 0.17%, 0.19%

LAB 20.1, 4.53, 5.28

 

CMYK 0 / 20 / 29 / 57

HEX #6D574D

RGB 109 87 77

HSL 18.75, 0.17%, 0.36%

LAB 38.9, 7.41, 9.24

 

CMYK 0 / 21 / 29 / 37

HEX #A07F72

RGB 160 127 114

HSL 16.96, 0.19%, 0.54%

LAB 55.95, 10.74, 11.9

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 14 / 0 / 29 / 17

HEX #B6D396

RGB 182 211 150

HSL 88.52, 0.41%, 0.71%

LAB 81.15, -20.31, 27.11

 

CMYK 29 / 26 / 0 / 17

HEX #969DD3

RGB 150 157 211

HSL 233.11, 0.41%, 0.71%

LAB 65.98, 9.7, -28.36

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 29 / 0 / 21 / 17

HEX #96D3A7

RGB 150 211 167

HSL 136.72, 0.41%, 0.71%

LAB 79.54, -28.41, 15.65

 

CMYK 21 / 29 / 0 / 17

HEX #A796D3

RGB 167 150 211

HSL 256.72, 0.41%, 0.71%

LAB 65.54, 18.81, -28.93

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 14 / 0 / 29 / 17

HEX #B6D396

RGB 182 211 150

HSL 88.52, 0.41%, 0.71%

LAB 81.15, -20.31, 27.11

 

CMYK 29 / 8 / 0 / 17

HEX #96C2D3

RGB 150 194 211

HSL 196.72, 0.41%, 0.71%

LAB 75.93, -10.55, -13.24

 

CMYK 15 / 29 / 0 / 17

HEX #B496D3

RGB 180 150 211

HSL 269.51, 0.41%, 0.71%

LAB 66.69, 22.87, -27.07

 

CMYK 0 / 20 / 29 / 17

HEX #D3A896

RGB 211 168 150

HSL 17.7, 0.41%, 0.71%

LAB 72.27, 13.16, 15.29

 

CMYK 23 / 0 / 29 / 17

HEX #A3D396

RGB 163 211 150

HSL 107.21, 0.41%, 0.71%

LAB 79.94, -27.03, 25.27

 

CMYK 29 / 8 / 0 / 17

HEX #96C2D3

RGB 150 194 211

HSL 196.72, 0.41%, 0.71%

LAB 75.93, -10.55, -13.24

 

CMYK 6 / 29 / 0 / 17

HEX #C696D3

RGB 198 150 211

HSL 287.21, 0.41%, 0.71%

LAB 68.4, 28.62, -24.29

 

Description

Color code: RGB 211 168 150 | qconv.com Color code: RGB 211 168 150 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 168 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 168 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 29 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 29% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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