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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 150 121 it is the complementary color RGB 44 105 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 150 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 211 150 121: RGB 216 150 116, RGB 233 168 135, RGB 250 186 154, RGB 255 204 173 and RGB 255 222 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 150 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 211 150 121: RGB 211 150 121, RGB 194 132 102, RGB 177 114 83, RGB 160 96 64 and RGB 143 78 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

Complementary color

CMYK 67 / 22 / 0 / 47

HEX #2C6986

RGB 44 105 134

HSL 199.33, 0.51%, 0.35%

LAB 41.78, -9.96, -21.84

 

CMYK 0 / 31 / 46 / 15

HEX #D89674

RGB 216 150 116

HSL 20.4, 0.56%, 0.65%

LAB 67.78, 20.86, 27.87

 

CMYK 0 / 28 / 42 / 9

HEX #E9A887

RGB 233 168 135

HSL 20.2, 0.69%, 0.72%

LAB 74.24, 19.92, 26.51

 

CMYK 0 / 26 / 38 / 2

HEX #FABA9A

RGB 250 186 154

HSL 20, 0.91%, 0.79%

LAB 80.61, 19.09, 25.26

 

CMYK 0 / 20 / 32 / 0

HEX #FFCCAD

RGB 255 204 173

HSL 22.68, 1%, 0.84%

LAB 85.74, 13.82, 22.3

 

CMYK 0 / 13 / 25 / 0

HEX #FFDEC0

RGB 255 222 192

HSL 28.57, 1%, 0.88%

LAB 90.46, 6.96, 18.92

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 0 / 32 / 47 / 24

HEX #C28466

RGB 194 132 102

HSL 19.57, 0.43%, 0.58%

LAB 60.72, 20.36, 25.82

 

CMYK 0 / 36 / 53 / 31

HEX #B17253

RGB 177 114 83

HSL 19.79, 0.38%, 0.51%

LAB 54.03, 21.49, 27.39

 

CMYK 0 / 40 / 60 / 37

HEX #A06040

RGB 160 96 64

HSL 20, 0.43%, 0.44%

LAB 47.25, 22.81, 29.14

 

CMYK 0 / 45 / 69 / 44

HEX #8F4E2D

RGB 143 78 45

HSL 20.2, 0.52%, 0.37%

LAB 40.37, 24.33, 31.09

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 0 / 22 / 43 / 17

HEX #D3A478

RGB 211 164 120

HSL 29.01, 0.51%, 0.65%

LAB 70.7, 11.69, 29.46

 

CMYK 0 / 15 / 43 / 17

HEX #D3B378

RGB 211 179 120

HSL 38.9, 0.51%, 0.65%

LAB 74.47, 3.65, 34.37

 

CMYK 0 / 8 / 43 / 17

HEX #D3C278

RGB 211 194 120

HSL 48.79, 0.51%, 0.65%

LAB 78.34, -4.23, 39.31

 

CMYK 0 / 1 / 43 / 17

HEX #D3D178

RGB 211 209 120

HSL 58.68, 0.51%, 0.65%

LAB 82.27, -11.91, 44.24

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 0 / 29 / 43 / 97

HEX #070504

RGB 7 5 4

HSL 20, 0.27%, 0.02%

LAB 1.47, 0.38, 0.56

 

CMYK 0 / 29 / 43 / 77

HEX #3A2921

RGB 58 41 33

HSL 19.2, 0.27%, 0.18%

LAB 18.34, 6.62, 8.34

 

CMYK 0 / 29 / 42 / 57

HEX #6D4D3F

RGB 109 77 63

HSL 18.26, 0.27%, 0.34%

LAB 35.83, 11.53, 13.65

 

CMYK 0 / 29 / 43 / 37

HEX #A0725C

RGB 160 114 92

HSL 19.41, 0.27%, 0.49%

LAB 52.15, 15.29, 19.39

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 22 / 0 / 43 / 17

HEX #A4D378

RGB 164 211 120

HSL 90.99, 0.51%, 0.65%

LAB 79.52, -30.91, 40.08

 

CMYK 43 / 40 / 0 / 17

HEX #787FD3

RGB 120 127 211

HSL 235.38, 0.51%, 0.65%

LAB 55.96, 18.88, -44.16

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 43 / 0 / 29 / 17

HEX #78D395

RGB 120 211 149

HSL 139.12, 0.51%, 0.65%

LAB 77.73, -40.69, 22.42

 

CMYK 29 / 43 / 0 / 17

HEX #9578D3

RGB 149 120 211

HSL 259.12, 0.51%, 0.65%

LAB 56.61, 30.71, -42.98

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 22 / 0 / 43 / 17

HEX #A4D378

RGB 164 211 120

HSL 90.99, 0.51%, 0.65%

LAB 79.52, -30.91, 40.08

 

CMYK 43 / 14 / 0 / 17

HEX #78B6D3

RGB 120 182 211

HSL 199.12, 0.51%, 0.65%

LAB 70.98, -12.36, -20.87

 

CMYK 21 / 43 / 0 / 17

HEX #A778D3

RGB 167 120 211

HSL 270.99, 0.51%, 0.65%

LAB 58.37, 35.8, -40.09

 

CMYK 0 / 29 / 43 / 17

HEX #D39679

RGB 211 150 121

HSL 19.33, 0.51%, 0.65%

LAB 67.31, 19.38, 24.41

 

CMYK 36 / 0 / 43 / 17

HEX #88D378

RGB 136 211 120

HSL 109.45, 0.51%, 0.65%

LAB 77.98, -40.54, 37.81

 

CMYK 43 / 14 / 0 / 17

HEX #78B6D3

RGB 120 182 211

HSL 199.12, 0.51%, 0.65%

LAB 70.98, -12.36, -20.87

 

CMYK 8 / 43 / 0 / 17

HEX #C278D3

RGB 194 120 211

HSL 288.79, 0.51%, 0.65%

LAB 61.31, 43.69, -35.27

 

Description

Color code: RGB 211 150 121 | qconv.com Color code: RGB 211 150 121 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 150 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 150 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 43 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 43% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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