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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 216.4 253.4 it is the complementary color RGB 45 38.6 1.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 216.4 253.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 210 216.4 253.4 shade: RGB 215 216.4 248.4, RGB 232 234.4 255, RGB 249 252.4 255 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 216.4 253.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 210 216.4 253.4 shade: RGB 210 216.4 253.4, RGB 193 198.4 234.4, RGB 176 180.4 215.4, RGB 159 162.4 196.4 and RGB 142 144.4 177.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 210 216.4 253.4 shade: RGB 211 217 253, RGB 216 211 253, RGB 227 211 253, RGB 239 211 253 and RGB 250 211 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 210 216.4 253.4 shade: RGB 211 217 253 and RGB 211 211 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 210 216.4 253.4 shade matches the following richer shades: RGB 211 217 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 210 216.4 253.4 shade: RGB 211 217 253, RGB 214 220 250, RGB 218 222 246, RGB 222 225 242 and RGB 226 227 239

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 210 216.4 253.4 shade: RGB 211 240 253, RGB 211 228 253, RGB 211 217 253, RGB 216 211 253 and RGB 227 211 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 210 216.4 253.4 shade: RGB 131 149 251, RGB 171 183 252, RGB 211 217 253, RGB 251 251 255 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 210 216.4 253.4 shade: RGB 210 216.4 253.4, RGB 253 211 251 and RGB 234 253 211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 210 216.4 253.4 shade: RGB 210 216.4 253.4, RGB 253 211 217 and RGB 217 253 211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 210 216.4 253.4 shade: RGB 210 216.4 253.4, RGB 253 211 251, RGB 253 247 211 and RGB 211 253 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 210 216.4 253.4 shade: RGB 210 216.4 253.4, RGB 253 211 238, RGB 253 247 211 and RGB 211 253 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

Complementary color

CMYK 0 / 14 / 96 / 82

HEX #2D2601

RGB 45 38.6 1.6

HSL 51.15, 0.93%, 0.09%

LAB 15.42, -2.05, 21.8

 

CMYK 13 / 13 / 0 / 3

HEX #D7D8F8

RGB 215 216.4 248.4

HSL 237.49, 0.72%, 0.91%

LAB 87.27, 5.72, -15.75

 

CMYK 9 / 8 / 0 / 0

HEX #E8EAFF

RGB 232 234.4 255

HSL 233.74, 1%, 0.95%

LAB 93.21, 3.05, -10.21

 

CMYK 2 / 1 / 0 / 0

HEX #F9FCFF

RGB 249 252.4 255

HSL 206, 1%, 0.99%

LAB 98.92, -0.65, -1.64

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

CMYK 18 / 15 / 0 / 8

HEX #C1C6EA

RGB 193 198.4 234.4

HSL 232.17, 0.5%, 0.84%

LAB 80.67, 5.44, -18.42

 

CMYK 18 / 16 / 0 / 16

HEX #B0B4D7

RGB 176 180.4 215.4

HSL 233.3, 0.33%, 0.77%

LAB 74.16, 5.69, -18.11

 

CMYK 19 / 17 / 0 / 23

HEX #9FA2C4

RGB 159 162.4 196.4

HSL 234.55, 0.24%, 0.7%

LAB 67.54, 5.96, -17.81

 

CMYK 20 / 19 / 0 / 30

HEX #8E90B1

RGB 142 144.4 177.4

HSL 235.93, 0.19%, 0.63%

LAB 60.79, 6.25, -17.53

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 15 / 17 / 0 / 1

HEX #D8D3FD

RGB 216 211 253

HSL 247.14, 0.91%, 0.91%

LAB 86.15, 9.83, -19.87

 

CMYK 10 / 17 / 0 / 1

HEX #E3D3FD

RGB 227 211 253

HSL 262.86, 0.91%, 0.91%

LAB 87, 13.3, -18.49

 

CMYK 6 / 17 / 0 / 1

HEX #EFD3FD

RGB 239 211 253

HSL 280, 0.91%, 0.91%

LAB 87.98, 17.14, -16.92

 

CMYK 1 / 17 / 0 / 1

HEX #FAD3FD

RGB 250 211 253

HSL 295.71, 0.91%, 0.91%

LAB 88.92, 20.7, -15.41

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 17 / 17 / 0 / 1

HEX #D3D3FD

RGB 211 211 253

HSL 240, 0.91%, 0.91%

LAB 85.77, 8.28, -20.47

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 14 / 12 / 0 / 2

HEX #D6DCFA

RGB 214 220 250

HSL 230, 0.78%, 0.91%

LAB 88.15, 3.84, -15.28

 

CMYK 11 / 10 / 0 / 4

HEX #DADEF6

RGB 218 222 246

HSL 231.43, 0.61%, 0.91%

LAB 88.83, 3.25, -12.14

 

CMYK 8 / 7 / 0 / 5

HEX #DEE1F2

RGB 222 225 242

HSL 231, 0.43%, 0.91%

LAB 89.76, 2.18, -8.62

 

CMYK 5 / 5 / 0 / 6

HEX #E2E3EF

RGB 226 227 239

HSL 235.38, 0.29%, 0.91%

LAB 90.48, 1.88, -5.95

 

CMYK 17 / 5 / 0 / 1

HEX #D3F0FD

RGB 211 240 253

HSL 198.57, 0.91%, 0.91%

LAB 93.13, -6.8, -9.45

 

CMYK 17 / 10 / 0 / 1

HEX #D3E4FD

RGB 211 228 253

HSL 215.71, 0.91%, 0.91%

LAB 90.06, -0.64, -14.02

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 15 / 17 / 0 / 1

HEX #D8D3FD

RGB 216 211 253

HSL 247.14, 0.91%, 0.91%

LAB 86.15, 9.83, -19.87

 

CMYK 10 / 17 / 0 / 1

HEX #E3D3FD

RGB 227 211 253

HSL 262.86, 0.91%, 0.91%

LAB 87, 13.3, -18.49

 

CMYK 48 / 41 / 0 / 2

HEX #8395FB

RGB 131 149 251

HSL 231, 0.94%, 0.75%

LAB 64.39, 20.27, -52.98

 

CMYK 32 / 27 / 0 / 1

HEX #ABB7FC

RGB 171 183 252

HSL 231.11, 0.93%, 0.83%

LAB 75.79, 11.43, -35.46

 

CMYK 17 / 14 / 0 / 1

HEX #D3D9FD

RGB 211 217 253

HSL 231.43, 0.91%, 0.91%

LAB 87.27, 5.11, -18.2

 

CMYK 2 / 2 / 0 / 0

HEX #FBFBFF

RGB 251 251 255

HSL 240, 1%, 0.99%

LAB 98.72, 0.71, -1.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

CMYK 0 / 17 / 1 / 1

HEX #FDD3FB

RGB 253 211 251

HSL 302.86, 0.91%, 0.91%

LAB 89.13, 21.32, -14.02

 

CMYK 8 / 0 / 17 / 1

HEX #EAFDD3

RGB 234 253 211

HSL 87.14, 0.91%, 0.91%

LAB 97, -13.4, 18.04

 

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

CMYK 0 / 17 / 14 / 1

HEX #FDD3D9

RGB 253 211 217

HSL 351.43, 0.91%, 0.91%

LAB 88.2, 15.61, 2.54

 

CMYK 14 / 0 / 17 / 1

HEX #D9FDD3

RGB 217 253 211

HSL 111.43, 0.91%, 0.91%

LAB 95.87, -19.16, 16.29

 

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

CMYK 0 / 17 / 1 / 1

HEX #FDD3FB

RGB 253 211 251

HSL 302.86, 0.91%, 0.91%

LAB 89.13, 21.32, -14.02

 

CMYK 0 / 2 / 17 / 1

HEX #FDF7D3

RGB 253 247 211

HSL 51.43, 0.91%, 0.91%

LAB 96.86, -3.77, 18.04

 

CMYK 17 / 0 / 16 / 1

HEX #D3FDD5

RGB 211 253 213

HSL 122.86, 0.91%, 0.91%

LAB 95.54, -20.8, 14.74

 

CMYK 17 / 15 / 0 / 1

HEX #D2D8FD

RGB 210 216.4 253.4

HSL 231.15, 0.93%, 0.91%

LAB 87.06, 5.2, -18.74

 

CMYK 0 / 17 / 6 / 1

HEX #FDD3EE

RGB 253 211 238

HSL 321.43, 0.91%, 0.91%

LAB 88.75, 19.05, -7.73

 

CMYK 0 / 2 / 17 / 1

HEX #FDF7D3

RGB 253 247 211

HSL 51.43, 0.91%, 0.91%

LAB 96.86, -3.77, 18.04

 

CMYK 17 / 0 / 11 / 1

HEX #D3FDE2

RGB 211 253 226

HSL 141.43, 0.91%, 0.91%

LAB 95.83, -18.51, 8.47

 

Description

Color code: RGB 210 216.4 253.4 | qconv.com Color code: RGB 210 216.4 253.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 216.4 green and 253.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 216.4 253.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 15 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 15% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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