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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 210 151 123 it is the complementary color RGB 45 104 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 210 151 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 210 151 123: RGB 215 151 118, RGB 232 169 137, RGB 249 187 156, RGB 255 205 175 and RGB 255 223 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 210 151 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 210 151 123: RGB 210 151 123, RGB 193 133 104, RGB 176 115 85, RGB 159 97 66 and RGB 142 79 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

Complementary color

CMYK 66 / 21 / 0 / 48

HEX #2D6884

RGB 45 104 132

HSL 199.31, 0.49%, 0.35%

LAB 41.41, -9.89, -21.2

 

CMYK 0 / 30 / 45 / 16

HEX #D79776

RGB 215 151 118

HSL 20.41, 0.55%, 0.65%

LAB 67.94, 20.12, 26.97

 

CMYK 0 / 27 / 41 / 9

HEX #E8A989

RGB 232 169 137

HSL 20.21, 0.67%, 0.72%

LAB 74.41, 19.21, 25.64

 

CMYK 0 / 25 / 37 / 2

HEX #F9BB9C

RGB 249 187 156

HSL 20, 0.89%, 0.79%

LAB 80.78, 18.41, 24.41

 

CMYK 0 / 20 / 31 / 0

HEX #FFCDAF

RGB 255 205 175

HSL 22.5, 1%, 0.84%

LAB 86.02, 13.55, 21.64

 

CMYK 0 / 13 / 24 / 0

HEX #FFDFC2

RGB 255 223 194

HSL 28.52, 1%, 0.88%

LAB 90.75, 6.72, 18.27

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 0 / 31 / 46 / 24

HEX #C18568

RGB 193 133 104

HSL 19.55, 0.42%, 0.58%

LAB 60.88, 19.61, 24.89

 

CMYK 0 / 35 / 52 / 31

HEX #B07355

RGB 176 115 85

HSL 19.78, 0.37%, 0.51%

LAB 54.18, 20.7, 26.42

 

CMYK 0 / 39 / 58 / 38

HEX #9F6142

RGB 159 97 66

HSL 20, 0.41%, 0.44%

LAB 47.38, 21.97, 28.14

 

CMYK 0 / 44 / 67 / 44

HEX #8E4F2F

RGB 142 79 47

HSL 20.21, 0.5%, 0.37%

LAB 40.49, 23.46, 30.05

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 0 / 22 / 42 / 18

HEX #D1A47A

RGB 209 164 122

HSL 28.97, 0.49%, 0.65%

LAB 70.53, 11.1, 28.12

 

CMYK 0 / 15 / 42 / 18

HEX #D1B27A

RGB 209 178 122

HSL 38.62, 0.49%, 0.65%

LAB 74.06, 3.59, 32.75

 

CMYK 0 / 8 / 42 / 18

HEX #D1C17A

RGB 209 193 122

HSL 48.97, 0.49%, 0.65%

LAB 77.93, -4.31, 37.74

 

CMYK 0 / 0 / 42 / 18

HEX #D1D07A

RGB 209 208 122

HSL 59.31, 0.49%, 0.65%

LAB 81.88, -12, 42.72

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 0 / 33 / 33 / 98

HEX #060404

RGB 6 4 4

HSL 0, 0.2%, 0.02%

LAB 1.21, 0.52, 0.18

 

CMYK 0 / 28 / 42 / 78

HEX #392921

RGB 57 41 33

HSL 20, 0.27%, 0.18%

LAB 18.21, 6.12, 8.14

 

CMYK 0 / 28 / 42 / 58

HEX #6C4E3F

RGB 108 78 63

HSL 20, 0.26%, 0.34%

LAB 35.98, 10.47, 13.84

 

CMYK 0 / 28 / 42 / 38

HEX #9F725D

RGB 159 114 93

HSL 19.09, 0.26%, 0.49%

LAB 52.06, 14.99, 18.66

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 22 / 0 / 42 / 18

HEX #A4D17A

RGB 164 209 122

HSL 91.03, 0.49%, 0.65%

LAB 78.98, -29.71, 38.4

 

CMYK 42 / 38 / 0 / 18

HEX #7A81D1

RGB 122 129 209

HSL 235.17, 0.49%, 0.65%

LAB 56.53, 17.62, -42.13

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 42 / 0 / 29 / 18

HEX #7AD195

RGB 122 209 149

HSL 138.62, 0.49%, 0.65%

LAB 77.23, -39.23, 21.75

 

CMYK 29 / 42 / 0 / 18

HEX #957AD1

RGB 149 122 209

HSL 258.62, 0.49%, 0.65%

LAB 56.99, 29.05, -41.26

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 22 / 0 / 42 / 18

HEX #A4D17A

RGB 164 209 122

HSL 91.03, 0.49%, 0.65%

LAB 78.98, -29.71, 38.4

 

CMYK 42 / 13 / 0 / 18

HEX #7AB5D1

RGB 122 181 209

HSL 199.31, 0.49%, 0.65%

LAB 70.73, -11.86, -20.15

 

CMYK 20 / 42 / 0 / 18

HEX #A77AD1

RGB 167 122 209

HSL 271.03, 0.49%, 0.65%

LAB 58.73, 34.22, -38.4

 

CMYK 0 / 28 / 41 / 18

HEX #D2977B

RGB 210 151 123

HSL 19.31, 0.49%, 0.65%

LAB 67.48, 18.66, 23.52

 

CMYK 34 / 0 / 42 / 18

HEX #8AD17A

RGB 138 209 122

HSL 108.97, 0.49%, 0.65%

LAB 77.52, -38.72, 36.24

 

CMYK 42 / 13 / 0 / 18

HEX #7AB5D1

RGB 122 181 209

HSL 199.31, 0.49%, 0.65%

LAB 70.73, -11.86, -20.15

 

CMYK 8 / 42 / 0 / 18

HEX #C17AD1

RGB 193 122 209

HSL 288.97, 0.49%, 0.65%

LAB 61.53, 41.93, -33.81

 

Description

Color code: RGB 210 151 123 | qconv.com Color code: RGB 210 151 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 151 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 151 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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