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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 74.2 209.6 it is the complementary color RGB 235 180.8 45.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 74.2 209.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 74.2 209.6 shade: RGB 25 74.2 204.6, RGB 42 92.2 223.6, RGB 59 110.2 242.6, RGB 76 128.2 255 and RGB 93 146.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 74.2 209.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 74.2 209.6 shade: RGB 20 74.2 209.6, RGB 3 56.2 190.6, RGB 0 38.2 171.6, RGB 0 20.2 152.6 and RGB 0 2.2 133.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 74.2 209.6 shade: RGB 20 74 210, RGB 20 23 210, RGB 68 20 210, RGB 119 20 210 and RGB 171 20 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 74.2 209.6 shade: RGB 20 74 210, RGB 20 23 210 and RGB 20 20 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 74.2 209.6 shade matches the following richer shades: RGB 20 74 210 and RGB 1 66 229

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 74.2 209.6 shade: RGB 20 74 210, RGB 38 82 191, RGB 57 90 173, RGB 75 98 154 and RGB 94 106 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 74.2 209.6 shade: RGB 20 178 210, RGB 20 127 210, RGB 20 77 210, RGB 20 26 210 and RGB 64 20 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 74.2 209.6 shade: RGB 12 47 134, RGB 16 61 172, RGB 20 74 210, RGB 36 93 235 and RGB 74 121 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 74.2 209.6 shade: RGB 20 74.2 209.6, RGB 191 20 210 and RGB 153 210 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 74.2 209.6 shade: RGB 20 74.2 209.6, RGB 210 20 77 and RGB 77 210 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 74.2 209.6 shade: RGB 20 74.2 209.6, RGB 191 20 210, RGB 210 153 20 and RGB 39 210 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 74.2 209.6 shade: RGB 20 74.2 209.6, RGB 210 20 172, RGB 210 153 20 and RGB 20 210 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

Complementary color

CMYK 0 / 23 / 81 / 8

HEX #EBB42D

RGB 235 180.8 45.4

HSL 42.85, 0.83%, 0.55%

LAB 76.57, 7.89, 70.49

 

CMYK 88 / 64 / 0 / 20

HEX #194ACC

RGB 25 74.2 204.6

HSL 223.56, 0.78%, 0.45%

LAB 36.97, 34.71, -71.37

 

CMYK 81 / 59 / 0 / 12

HEX #2A5CDF

RGB 42 92.2 223.6

HSL 223.41, 0.74%, 0.52%

LAB 43.57, 31.43, -71.45

 

CMYK 76 / 55 / 0 / 5

HEX #3B6EF2

RGB 59 110.2 242.6

HSL 223.27, 0.88%, 0.59%

LAB 50.18, 28.63, -71.35

 

CMYK 70 / 50 / 0 / 0

HEX #4C80FF

RGB 76 128.2 255

HSL 222.5, 1%, 0.65%

LAB 56.33, 23.95, -68.24

 

CMYK 64 / 43 / 0 / 0

HEX #5D92FF

RGB 93 146.2 255

HSL 220.3, 1%, 0.68%

LAB 61.8, 15.64, -59.42

 

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

CMYK 98 / 71 / 0 / 25

HEX #0338BE

RGB 3 56.2 190.6

HSL 222.99, 0.97%, 0.38%

LAB 30.9, 40.16, -73.19

 

CMYK 100 / 78 / 0 / 33

HEX #0026AB

RGB 0 38.2 171.6

HSL 226.64, 1%, 0.34%

LAB 24.83, 44.09, -71.93

 

CMYK 100 / 87 / 0 / 40

HEX #001498

RGB 0 20.2 152.6

HSL 232.06, 1%, 0.3%

LAB 19.2, 47.04, -69.73

 

CMYK 100 / 98 / 0 / 48

HEX #000285

RGB 0 2.2 133.6

HSL 239.01, 1%, 0.26%

LAB 14.16, 48.14, -66.28

 

CMYK 90 / 65 / 0 / 18

HEX #144AD2

RGB 20 74 210

HSL 222.95, 0.83%, 0.45%

LAB 37.3, 36.63, -73.96

 

CMYK 90 / 89 / 0 / 18

HEX #1417D2

RGB 20 23 210

HSL 239.05, 0.83%, 0.45%

LAB 27.88, 63.25, -89.55

 

CMYK 68 / 90 / 0 / 18

HEX #4414D2

RGB 68 20 210

HSL 255.16, 0.83%, 0.45%

LAB 30.36, 65.91, -85.35

 

CMYK 43 / 90 / 0 / 18

HEX #7714D2

RGB 119 20 210

HSL 271.26, 0.83%, 0.45%

LAB 36.13, 70.16, -75.62

 

CMYK 19 / 90 / 0 / 18

HEX #AB14D2

RGB 171 20 210

HSL 287.68, 0.83%, 0.45%

LAB 43.96, 76.9, -62.5

 

CMYK 90 / 65 / 0 / 18

HEX #144AD2

RGB 20 74 210

HSL 222.95, 0.83%, 0.45%

LAB 37.3, 36.63, -73.96

 

CMYK 90 / 89 / 0 / 18

HEX #1417D2

RGB 20 23 210

HSL 239.05, 0.83%, 0.45%

LAB 27.88, 63.25, -89.55

 

CMYK 90 / 90 / 0 / 18

HEX #1414D2

RGB 20 20 210

HSL 240, 0.83%, 0.45%

LAB 27.58, 64.18, -90.06

 

CMYK 90 / 65 / 0 / 18

HEX #144AD2

RGB 20 74 210

HSL 222.95, 0.83%, 0.45%

LAB 37.3, 36.63, -73.96

 

CMYK 100 / 71 / 0 / 10

HEX #0142E5

RGB 1 66 229

HSL 222.89, 0.99%, 0.45%

LAB 37.04, 48.05, -85.28

 

CMYK 90 / 65 / 0 / 18

HEX #144AD2

RGB 20 74 210

HSL 222.95, 0.83%, 0.45%

LAB 37.3, 36.63, -73.96

 

CMYK 80 / 57 / 0 / 25

HEX #2652BF

RGB 38 82 191

HSL 222.75, 0.67%, 0.45%

LAB 38.21, 25.38, -61.41

 

CMYK 67 / 48 / 0 / 32

HEX #395AAD

RGB 57 90 173

HSL 222.93, 0.5%, 0.45%

LAB 39.91, 15.85, -48.04

 

CMYK 51 / 36 / 0 / 40

HEX #4B629A

RGB 75 98 154

HSL 222.53, 0.34%, 0.45%

LAB 42.1, 7.86, -33.22

 

CMYK 31 / 22 / 0 / 47

HEX #5E6A88

RGB 94 106 136

HSL 222.86, 0.18%, 0.45%

LAB 44.89, 2.93, -18.03

 

CMYK 90 / 15 / 0 / 18

HEX #14B2D2

RGB 20 178 210

HSL 190.11, 0.83%, 0.45%

LAB 67.01, -25.73, -26.64

 

CMYK 90 / 40 / 0 / 18

HEX #147FD2

RGB 20 127 210

HSL 206.21, 0.83%, 0.45%

LAB 51.82, 2.64, -50.44

 

CMYK 90 / 63 / 0 / 18

HEX #144DD2

RGB 20 77 210

HSL 222, 0.83%, 0.45%

LAB 38.04, 34.7, -72.74

 

CMYK 90 / 88 / 0 / 18

HEX #141AD2

RGB 20 26 210

HSL 238.11, 0.83%, 0.45%

LAB 28.22, 62.23, -88.98

 

CMYK 70 / 90 / 0 / 18

HEX #4014D2

RGB 64 20 210

HSL 253.89, 0.83%, 0.45%

LAB 30.02, 65.69, -85.93

 

CMYK 91 / 65 / 0 / 47

HEX #0C2F86

RGB 12 47 134

HSL 222.79, 0.84%, 0.29%

LAB 23.11, 24.48, -51.69

 

CMYK 91 / 65 / 0 / 33

HEX #103DAC

RGB 16 61 172

HSL 222.69, 0.83%, 0.37%

LAB 30.46, 30.37, -62.87

 

CMYK 90 / 65 / 0 / 18

HEX #144AD2

RGB 20 74 210

HSL 222.95, 0.83%, 0.45%

LAB 37.3, 36.63, -73.96

 

CMYK 85 / 60 / 0 / 8

HEX #245DEB

RGB 36 93 235

HSL 222.81, 0.83%, 0.53%

LAB 44.52, 34.72, -76.35

 

CMYK 69 / 49 / 0 / 7

HEX #4A79EE

RGB 74 121 238

HSL 222.8, 0.83%, 0.61%

LAB 53.28, 22.14, -63.75

 

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

CMYK 9 / 90 / 0 / 18

HEX #BF14D2

RGB 191 20 210

HSL 294, 0.83%, 0.45%

LAB 47.27, 79.99, -56.98

 

CMYK 27 / 0 / 90 / 18

HEX #99D214

RGB 153 210 20

HSL 78, 0.83%, 0.45%

LAB 77.83, -41.62, 74.77

 

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

CMYK 0 / 90 / 63 / 18

HEX #D2144D

RGB 210 20 77

HSL 342, 0.83%, 0.45%

LAB 45.27, 69.25, 20.57

 

CMYK 63 / 0 / 90 / 18

HEX #4DD214

RGB 77 210 20

HSL 102, 0.83%, 0.45%

LAB 74.65, -65.18, 70.85

 

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

CMYK 9 / 90 / 0 / 18

HEX #BF14D2

RGB 191 20 210

HSL 294, 0.83%, 0.45%

LAB 47.27, 79.99, -56.98

 

CMYK 0 / 27 / 90 / 18

HEX #D29914

RGB 210 153 20

HSL 42, 0.83%, 0.45%

LAB 66.93, 11.21, 68.13

 

CMYK 81 / 0 / 90 / 18

HEX #27D214

RGB 39 210 20

HSL 114, 0.83%, 0.45%

LAB 73.92, -71.5, 69.94

 

CMYK 90 / 65 / 0 / 18

HEX #144AD1

RGB 20 74.2 209.6

HSL 222.85, 0.83%, 0.45%

LAB 37.31, 36.36, -73.7

 

CMYK 0 / 90 / 18 / 18

HEX #D214AC

RGB 210 20 172

HSL 312, 0.83%, 0.45%

LAB 48.49, 77.93, -32.7

 

CMYK 0 / 27 / 90 / 18

HEX #D29914

RGB 210 153 20

HSL 42, 0.83%, 0.45%

LAB 66.93, 11.21, 68.13

 

CMYK 90 / 0 / 72 / 18

HEX #14D23A

RGB 20 210 58

HSL 132, 0.83%, 0.45%

LAB 73.9, -71.03, 59.87

 

Description

Color code: RGB 20 74.2 209.6 | qconv.com Color code: RGB 20 74.2 209.6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 74.2 green and 209.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 74.2 209.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 65 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 65% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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