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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 176 255 it is the complementary color RGB 235 79 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 176 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 20 176 255: RGB 25 176 250, RGB 42 194 255, RGB 59 212 255, RGB 76 230 255 and RGB 93 248 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 176 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 20 176 255: RGB 20 176 255, RGB 3 158 236, RGB 0 140 217, RGB 0 122 198 and RGB 0 104 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

Complementary color

CMYK 0 / 66 / 100 / 8

HEX #EB4F00

RGB 235 79 0

HSL 20.17, 1%, 0.46%

LAB 55.33, 57.8, 65.88

 

CMYK 90 / 30 / 0 / 2

HEX #19B0FA

RGB 25 176 250

HSL 199.73, 0.96%, 0.54%

LAB 68.14, -10.6, -46.75

 

CMYK 84 / 24 / 0 / 0

HEX #2AC2FF

RGB 42 194 255

HSL 197.18, 1%, 0.58%

LAB 73.74, -17.5, -40.67

 

CMYK 77 / 17 / 0 / 0

HEX #3BD4FF

RGB 59 212 255

HSL 193.16, 1%, 0.62%

LAB 79.18, -25.23, -32.22

 

CMYK 70 / 10 / 0 / 0

HEX #4CE6FF

RGB 76 230 255

HSL 188.38, 1%, 0.65%

LAB 84.66, -32.09, -23.8

 

CMYK 64 / 3 / 0 / 0

HEX #5DF8FF

RGB 93 248 255

HSL 182.59, 1%, 0.68%

LAB 90.18, -38.16, -15.44

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 99 / 33 / 0 / 7

HEX #039EEC

RGB 3 158 236

HSL 200.09, 0.97%, 0.47%

LAB 62.11, -6.36, -48.62

 

CMYK 100 / 35 / 0 / 15

HEX #008CD9

RGB 0 140 217

HSL 201.29, 1%, 0.43%

LAB 55.85, -3.17, -47.97

 

CMYK 100 / 38 / 0 / 22

HEX #007AC6

RGB 0 122 198

HSL 203.03, 1%, 0.39%

LAB 49.49, 0.26, -47.32

 

CMYK 100 / 42 / 0 / 30

HEX #0068B3

RGB 0 104 179

HSL 205.14, 1%, 0.35%

LAB 43, 3.89, -46.7

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 92 / 46 / 0 / 0

HEX #1489FF

RGB 20 137 255

HSL 210.13, 1%, 0.54%

LAB 57.33, 13.76, -66.7

 

CMYK 92 / 62 / 0 / 0

HEX #1462FF

RGB 20 98 255

HSL 220.09, 1%, 0.54%

LAB 47.11, 38.22, -83.31

 

CMYK 92 / 77 / 0 / 0

HEX #143BFF

RGB 20 59 255

HSL 230.04, 1%, 0.54%

LAB 38.72, 61.05, -97.16

 

CMYK 92 / 92 / 0 / 0

HEX #1414FF

RGB 20 20 255

HSL 240, 1%, 0.54%

LAB 33.71, 75.97, -105.5

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 92 / 31 / 0 / 80

HEX #042333

RGB 4 35 51

HSL 200.43, 0.85%, 0.11%

LAB 12.4, -4.42, -13.71

 

CMYK 92 / 31 / 0 / 60

HEX #084666

RGB 8 70 102

HSL 200.43, 0.85%, 0.22%

LAB 27.82, -5.51, -23.84

 

CMYK 92 / 31 / 0 / 40

HEX #0C6A99

RGB 12 106 153

HSL 200, 0.85%, 0.32%

LAB 42.29, -7.16, -32.48

 

CMYK 92 / 31 / 0 / 20

HEX #108DCC

RGB 16 141 204

HSL 200.11, 0.85%, 0.43%

LAB 55.6, -8.11, -41.04

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 43 / 92 / 0 / 0

HEX #9114FF

RGB 145 20 255

HSL 271.91, 1%, 0.54%

LAB 43.86, 82.34, -88.36

 

CMYK 0 / 6 / 92 / 0

HEX #FFEF14

RGB 255 239 20

HSL 55.91, 1%, 0.54%

LAB 93.03, -13.69, 89.8

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 0 / 92 / 31 / 0

HEX #FF14B0

RGB 255 20 176

HSL 320.17, 1%, 0.54%

LAB 56.97, 87.27, -21.24

 

CMYK 31 / 0 / 92 / 0

HEX #B0FF14

RGB 176 255 20

HSL 80.17, 1%, 0.54%

LAB 92.04, -52.12, 86.74

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 43 / 92 / 0 / 0

HEX #9114FF

RGB 145 20 255

HSL 271.91, 1%, 0.54%

LAB 43.86, 82.34, -88.36

 

CMYK 0 / 62 / 92 / 0

HEX #FF6214

RGB 255 98 20

HSL 19.91, 1%, 0.54%

LAB 61.69, 56.92, 67.19

 

CMYK 49 / 0 / 92 / 0

HEX #81FF14

RGB 129 255 20

HSL 92.17, 1%, 0.54%

LAB 89.97, -67.24, 84.2

 

CMYK 92 / 31 / 0 / 0

HEX #14B0FF

RGB 20 176 255

HSL 200.17, 1%, 0.54%

LAB 68.33, -9.02, -49.17

 

CMYK 16 / 92 / 0 / 0

HEX #D714FF

RGB 215 20 255

HSL 289.79, 1%, 0.54%

LAB 54.2, 90.88, -71.03

 

CMYK 0 / 62 / 92 / 0

HEX #FF6214

RGB 255 98 20

HSL 19.91, 1%, 0.54%

LAB 61.69, 56.92, 67.19

 

CMYK 77 / 0 / 92 / 0

HEX #3BFF14

RGB 59 255 20

HSL 110.04, 1%, 0.54%

LAB 88.21, -81.84, 82.03

 

Description

Color code: RGB 20 176 255 | qconv.com Color code: RGB 20 176 255 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 176 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 176 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 31 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 31% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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