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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 20 128.2 196.6 it is the complementary color RGB 235 126.8 58.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 20 128.2 196.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 20 128.2 196.6 shade: RGB 25 128.2 191.6, RGB 42 146.2 210.6, RGB 59 164.2 229.6, RGB 76 182.2 248.6 and RGB 93 200.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 20 128.2 196.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 20 128.2 196.6 shade: RGB 20 128.2 196.6, RGB 3 110.2 177.6, RGB 0 92.2 158.6, RGB 0 74.2 139.6 and RGB 0 56.2 120.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 20 128.2 196.6 shade: RGB 19 127 195, RGB 19 80 195, RGB 19 32 195, RGB 54 19 195 and RGB 101 19 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 20 128.2 196.6 shade: RGB 19 127 195, RGB 19 80 195, RGB 19 32 195 and RGB 19 19 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 20 128.2 196.6 shade matches the following richer shades: RGB 19 127 195 and RGB 2 131 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 20 128.2 196.6 shade: RGB 19 127 195, RGB 37 123 178, RGB 54 119 160, RGB 71 115 143 and RGB 89 111 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 20 128.2 196.6 shade: RGB 19 195 169, RGB 19 174 195, RGB 19 128 195, RGB 19 81 195 and RGB 19 34 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 20 128.2 196.6 shade: RGB 12 78 120, RGB 16 102 157, RGB 19 127 195, RGB 23 151 232 and RGB 61 168 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 20 128.2 196.6 shade: RGB 20 128.2 196.6, RGB 122 19 195 and RGB 195 192 19

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 20 128.2 196.6 shade: RGB 20 128.2 196.6, RGB 195 19 128 and RGB 128 195 19

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 20 128.2 196.6 shade: RGB 20 128.2 196.6, RGB 122 19 195, RGB 195 87 19 and RGB 92 195 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 20 128.2 196.6 shade: RGB 20 128.2 196.6, RGB 174 19 195, RGB 195 87 19 and RGB 40 195 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

Complementary color

CMYK 0 / 46 / 75 / 8

HEX #EB7E3A

RGB 235 126.8 58.4

HSL 23.24, 0.82%, 0.58%

LAB 64.24, 36.77, 53.89

 

CMYK 87 / 33 / 0 / 25

HEX #1980BF

RGB 25 128.2 191.6

HSL 202.83, 0.77%, 0.42%

LAB 51.25, -4.79, -40.85

 

CMYK 80 / 31 / 0 / 17

HEX #2A92D2

RGB 42 146.2 210.6

HSL 202.92, 0.67%, 0.5%

LAB 57.84, -6.83, -41.2

 

CMYK 74 / 28 / 0 / 10

HEX #3BA4E5

RGB 59 164.2 229.6

HSL 203, 0.77%, 0.57%

LAB 64.36, -8.44, -41.5

 

CMYK 69 / 27 / 0 / 3

HEX #4CB6F8

RGB 76 182.2 248.6

HSL 203.08, 0.93%, 0.64%

LAB 70.79, -9.74, -41.76

 

CMYK 64 / 21 / 0 / 0

HEX #5DC8FF

RGB 93 200.2 255

HSL 200.3, 1%, 0.68%

LAB 76.65, -14.72, -36.06

 

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

CMYK 98 / 38 / 0 / 30

HEX #036EB1

RGB 3 110.2 177.6

HSL 203.16, 0.97%, 0.35%

LAB 44.82, -0.43, -42.97

 

CMYK 100 / 42 / 0 / 38

HEX #005C9E

RGB 0 92.2 158.6

HSL 205.12, 1%, 0.31%

LAB 38.16, 3.12, -42.38

 

CMYK 100 / 47 / 0 / 45

HEX #004A8B

RGB 0 74.2 139.6

HSL 208.11, 1%, 0.27%

LAB 31.36, 7.09, -41.77

 

CMYK 100 / 53 / 0 / 53

HEX #003878

RGB 0 56.2 120.6

HSL 212.04, 1%, 0.24%

LAB 24.38, 11.41, -41.19

 

CMYK 90 / 35 / 0 / 24

HEX #137FC3

RGB 19 127 195

HSL 203.18, 0.82%, 0.42%

LAB 50.99, -3.16, -43.22

 

CMYK 90 / 59 / 0 / 24

HEX #1350C3

RGB 19 80 195

HSL 219.2, 0.82%, 0.42%

LAB 37.51, 26.89, -64.91

 

CMYK 90 / 84 / 0 / 24

HEX #1320C3

RGB 19 32 195

HSL 235.57, 0.82%, 0.42%

LAB 27.05, 55.38, -82.16

 

CMYK 72 / 90 / 0 / 24

HEX #3613C3

RGB 54 19 195

HSL 251.93, 0.82%, 0.42%

LAB 27.27, 61.54, -81.75

 

CMYK 48 / 90 / 0 / 24

HEX #6513C3

RGB 101 19 195

HSL 267.95, 0.82%, 0.42%

LAB 32.2, 65.13, -73.43

 

CMYK 90 / 35 / 0 / 24

HEX #137FC3

RGB 19 127 195

HSL 203.18, 0.82%, 0.42%

LAB 50.99, -3.16, -43.22

 

CMYK 90 / 59 / 0 / 24

HEX #1350C3

RGB 19 80 195

HSL 219.2, 0.82%, 0.42%

LAB 37.51, 26.89, -64.91

 

CMYK 90 / 84 / 0 / 24

HEX #1320C3

RGB 19 32 195

HSL 235.57, 0.82%, 0.42%

LAB 27.05, 55.38, -82.16

 

CMYK 90 / 90 / 0 / 24

HEX #1313C3

RGB 19 19 195

HSL 240, 0.82%, 0.42%

LAB 25.39, 60.35, -84.92

 

CMYK 90 / 35 / 0 / 24

HEX #137FC3

RGB 19 127 195

HSL 203.18, 0.82%, 0.42%

LAB 50.99, -3.16, -43.22

 

CMYK 99 / 38 / 0 / 17

HEX #0283D4

RGB 2 131 212

HSL 203.14, 0.98%, 0.42%

LAB 52.95, 0.33, -49.77

 

CMYK 90 / 35 / 0 / 24

HEX #137FC3

RGB 19 127 195

HSL 203.18, 0.82%, 0.42%

LAB 50.99, -3.16, -43.22

 

CMYK 79 / 31 / 0 / 30

HEX #257BB2

RGB 37 123 178

HSL 203.4, 0.66%, 0.42%

LAB 49.22, -5.73, -36.21

 

CMYK 66 / 26 / 0 / 37

HEX #3677A0

RGB 54 119 160

HSL 203.21, 0.5%, 0.42%

LAB 47.64, -7.39, -28.16

 

CMYK 50 / 20 / 0 / 44

HEX #47738F

RGB 71 115 143

HSL 203.33, 0.34%, 0.42%

LAB 46.42, -6.99, -19.97

 

CMYK 29 / 12 / 0 / 51

HEX #596F7E

RGB 89 111 126

HSL 204.32, 0.17%, 0.42%

LAB 45.63, -4.33, -10.95

 

CMYK 90 / 0 / 13 / 24

HEX #13C3A9

RGB 19 195 169

HSL 171.14, 0.82%, 0.42%

LAB 70.89, -46.08, 1.7

 

CMYK 90 / 11 / 0 / 24

HEX #13AEC3

RGB 19 174 195

HSL 187.16, 0.82%, 0.42%

LAB 65.24, -28.73, -21.05

 

CMYK 90 / 34 / 0 / 24

HEX #1380C3

RGB 19 128 195

HSL 202.84, 0.82%, 0.42%

LAB 51.29, -3.76, -42.74

 

CMYK 90 / 58 / 0 / 24

HEX #1351C3

RGB 19 81 195

HSL 218.86, 0.82%, 0.42%

LAB 37.78, 26.22, -64.47

 

CMYK 90 / 83 / 0 / 24

HEX #1322C3

RGB 19 34 195

HSL 234.89, 0.82%, 0.42%

LAB 27.36, 54.46, -81.65

 

CMYK 90 / 35 / 0 / 53

HEX #0C4E78

RGB 12 78 120

HSL 203.33, 0.82%, 0.26%

LAB 31.54, -2.92, -29.34

 

CMYK 90 / 35 / 0 / 38

HEX #10669D

RGB 16 102 157

HSL 203.4, 0.82%, 0.34%

LAB 41.29, -2.91, -36.43

 

CMYK 90 / 35 / 0 / 24

HEX #137FC3

RGB 19 127 195

HSL 203.18, 0.82%, 0.42%

LAB 50.99, -3.16, -43.22

 

CMYK 90 / 35 / 0 / 9

HEX #1797E8

RGB 23 151 232

HSL 203.25, 0.82%, 0.5%

LAB 60.02, -3.14, -49.71

 

CMYK 74 / 29 / 0 / 7

HEX #3DA8EC

RGB 61 168 236

HSL 203.31, 0.82%, 0.58%

LAB 65.79, -8.12, -42.76

 

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

CMYK 37 / 90 / 0 / 24

HEX #7A13C3

RGB 122 19 195

HSL 275.11, 0.82%, 0.42%

LAB 35.09, 67.5, -68.57

 

CMYK 0 / 2 / 90 / 24

HEX #C3C013

RGB 195 192 19

HSL 58.98, 0.82%, 0.42%

LAB 75.67, -15.88, 74.44

 

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

CMYK 0 / 90 / 34 / 24

HEX #C31380

RGB 195 19 128

HSL 322.84, 0.82%, 0.42%

LAB 43.69, 69.9, -13.81

 

CMYK 34 / 0 / 90 / 24

HEX #80C313

RGB 128 195 19

HSL 82.84, 0.82%, 0.42%

LAB 72, -44.53, 69.6

 

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

CMYK 37 / 90 / 0 / 24

HEX #7A13C3

RGB 122 19 195

HSL 275.11, 0.82%, 0.42%

LAB 35.09, 67.5, -68.57

 

CMYK 0 / 55 / 90 / 24

HEX #C35713

RGB 195 87 19

HSL 23.18, 0.82%, 0.42%

LAB 50.06, 39.98, 54.8

 

CMYK 53 / 0 / 90 / 24

HEX #5CC313

RGB 92 195 19

HSL 95.11, 0.82%, 0.42%

LAB 70.42, -56.28, 67.64

 

CMYK 90 / 35 / 0 / 23

HEX #1480C4

RGB 20 128.2 196.6

HSL 203.24, 0.82%, 0.42%

LAB 51.44, -3.21, -43.41

 

CMYK 11 / 90 / 0 / 24

HEX #AE13C3

RGB 174 19 195

HSL 292.84, 0.82%, 0.42%

LAB 43.37, 74.97, -54.74

 

CMYK 0 / 55 / 90 / 24

HEX #C35713

RGB 195 87 19

HSL 23.18, 0.82%, 0.42%

LAB 50.06, 39.98, 54.8

 

CMYK 79 / 0 / 90 / 24

HEX #28C313

RGB 40 195 19

HSL 112.84, 0.82%, 0.42%

LAB 69.13, -67.06, 66.03

 

Description

Color code: RGB 20 128.2 196.6 | qconv.com Color code: RGB 20 128.2 196.6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 128.2 green and 196.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 128.2 196.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 35 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 35% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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