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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209 212 0 it is the complementary color RGB 46 43 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209 212 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 209 212 0: RGB 214 212 0, RGB 231 230 14, RGB 248 248 33, RGB 255 255 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209 212 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 209 212 0: RGB 209 212 0, RGB 192 194 0, RGB 175 176 0, RGB 158 158 0 and RGB 141 140 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

Complementary color

CMYK 82 / 83 / 0 / 0

HEX #2E2BFF

RGB 46 43 255

HSL 240.85, 1%, 0.58%

LAB 36.98, 69.22, -100.02

 

CMYK 0 / 1 / 100 / 16

HEX #D6D400

RGB 214 212 0

HSL 59.44, 1%, 0.42%

LAB 82.58, -17.9, 82.38

 

CMYK 0 / 0 / 94 / 9

HEX #E7E60E

RGB 231 230 14

HSL 59.72, 0.89%, 0.48%

LAB 88.74, -19.4, 86.34

 

CMYK 0 / 0 / 87 / 3

HEX #F8F821

RGB 248 248 33

HSL 60, 0.94%, 0.55%

LAB 94.82, -20.73, 89.07

 

CMYK 0 / 0 / 80 / 0

HEX #FFFF34

RGB 255 255 52

HSL 60, 1%, 0.6%

LAB 97.24, -20.74, 87.3

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 1 / 0 / 100 / 24

HEX #C0C200

RGB 192 194 0

HSL 60.62, 1%, 0.38%

LAB 75.94, -18.41, 76.72

 

CMYK 1 / 0 / 100 / 31

HEX #AFB000

RGB 175 176 0

HSL 60.34, 1%, 0.35%

LAB 69.59, -16.76, 71.45

 

CMYK 0 / 0 / 100 / 38

HEX #9E9E00

RGB 158 158 0

HSL 60, 1%, 0.31%

LAB 63.11, -15.07, 66.07

 

CMYK 0 / 1 / 100 / 45

HEX #8D8C00

RGB 141 140 0

HSL 59.57, 1%, 0.28%

LAB 56.5, -13.34, 60.58

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 17 / 0 / 100 / 16

HEX #B2D600

RGB 178 214 0

HSL 70.09, 1%, 0.42%

LAB 80.49, -33.85, 79.65

 

CMYK 34 / 0 / 100 / 16

HEX #8ED600

RGB 142 214 0

HSL 80.19, 1%, 0.42%

LAB 78.37, -47.7, 77.11

 

CMYK 50 / 0 / 100 / 16

HEX #6BD600

RGB 107 214 0

HSL 90, 1%, 0.42%

LAB 76.81, -59.2, 75.22

 

CMYK 67 / 0 / 100 / 16

HEX #47D600

RGB 71 214 0

HSL 100.09, 1%, 0.42%

LAB 75.72, -68.11, 73.89

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 0 / 0 / 100 / 97

HEX #080800

RGB 8 8 0

HSL 60, 1%, 0.02%

LAB 2.04, -1.11, 3.03

 

CMYK 2 / 0 / 100 / 77

HEX #3A3B00

RGB 58 59 0

HSL 61.02, 1%, 0.12%

LAB 23.76, -8.13, 32.34

 

CMYK 2 / 0 / 100 / 57

HEX #6C6E00

RGB 108 110 0

HSL 61.09, 1%, 0.22%

LAB 44.72, -12.56, 50.64

 

CMYK 1 / 0 / 100 / 37

HEX #9FA100

RGB 159 161 0

HSL 60.75, 1%, 0.32%

LAB 64.05, -16.18, 66.79

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 100 / 0 / 80 / 16

HEX #00D62A

RGB 0 214 42

HSL 131.78, 1%, 0.42%

LAB 74.99, -74.14, 66

 

CMYK 40 / 100 / 0 / 16

HEX #8000D6

RGB 128 0 214

HSL 275.89, 1%, 0.42%

LAB 36.83, 74.76, -76.74

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 100 / 0 / 0 / 16

HEX #00D6D6

RGB 0 214 214

HSL 180, 1%, 0.42%

LAB 77.84, -42.12, -12.39

 

CMYK 0 / 100 / 0 / 16

HEX #D600D6

RGB 214 0 214

HSL 300, 1%, 0.42%

LAB 50.86, 86.08, -53.3

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 100 / 0 / 80 / 16

HEX #00D62A

RGB 0 214 42

HSL 131.78, 1%, 0.42%

LAB 74.99, -74.14, 66

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 0 / 100 / 20 / 16

HEX #D600AB

RGB 214 0 171

HSL 312.06, 1%, 0.42%

LAB 48.56, 80.4, -31.94

 

CMYK 1 / 0 / 100 / 17

HEX #D1D400

RGB 209 212 0

HSL 60.85, 1%, 0.42%

LAB 82.19, -20.02, 81.91

 

CMYK 100 / 0 / 50 / 16

HEX #00D66B

RGB 0 214 107

HSL 150, 1%, 0.42%

LAB 75.55, -67.14, 40.5

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 0 / 100 / 50 / 16

HEX #D6006B

RGB 214 0 107

HSL 330, 1%, 0.42%

LAB 46.12, 74.12, 3.19

 

Description

Color code: RGB 209 212 0 | qconv.com Color code: RGB 209 212 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 212 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 212 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 100 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 100% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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