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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 209.9 128.2 49 it is the complementary color RGB 45.1 126.8 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 209.9 128.2 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 209.9 128.2 49 shade: RGB 214.9 128.2 44, RGB 231.9 146.2 63, RGB 248.9 164.2 82, RGB 255 182.2 101 and RGB 255 200.2 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 209.9 128.2 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 209.9 128.2 49 shade: RGB 209.9 128.2 49, RGB 192.9 110.2 30, RGB 175.9 92.2 11, RGB 158.9 74.2 0 and RGB 141.9 56.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 209.9 128.2 49 shade: RGB 210 129 50, RGB 210 86 50 and RGB 210 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 209.9 128.2 49 shade: RGB 210 129 50, RGB 210 172 50, RGB 205 210 50, RGB 162 210 50 and RGB 119 210 50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 209.9 128.2 49 shade matches the following richer shades: RGB 210 129 50, RGB 230 128 30 and RGB 250 128 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 209.9 128.2 49 shade: RGB 210 129 50, RGB 190 129 70, RGB 170 129 91, RGB 149 130 111 and RGB 129 130 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 209.9 128.2 49 shade: RGB 210 50 58, RGB 210 85 50, RGB 210 127 50, RGB 210 170 50 and RGB 207 210 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 209.9 128.2 49 shade: RGB 146 88 32, RGB 179 108 39, RGB 210 129 50, RGB 217 150 84 and RGB 225 170 118

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 209.9 128.2 49 shade: RGB 209.9 128.2 49, RGB 101 210 50 and RGB 63 50 210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 209.9 128.2 49 shade: RGB 209.9 128.2 49, RGB 50 210 127 and RGB 127 50 210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 209.9 128.2 49 shade: RGB 209.9 128.2 49, RGB 101 210 50, RGB 50 133 210 and RGB 159 50 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 209.9 128.2 49 shade: RGB 209.9 128.2 49, RGB 53 210 50, RGB 50 133 210 and RGB 207 50 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

Complementary color

CMYK 78 / 38 / 0 / 19

HEX #2D7ECE

RGB 45.1 126.8 206

HSL 209.53, 0.64%, 0.49%

LAB 52, 3.25, -47.85

 

CMYK 0 / 40 / 80 / 16

HEX #D6802C

RGB 214.9 128.2 44

HSL 29.56, 0.68%, 0.51%

LAB 61.74, 27.31, 56.74

 

CMYK 0 / 37 / 73 / 9

HEX #E7923F

RGB 231.9 146.2 63

HSL 29.56, 0.79%, 0.58%

LAB 68.11, 25.58, 55.64

 

CMYK 0 / 34 / 67 / 2

HEX #F8A452

RGB 248.9 164.2 82

HSL 29.55, 0.93%, 0.65%

LAB 74.42, 24.05, 54.27

 

CMYK 0 / 29 / 60 / 0

HEX #FFB665

RGB 255 182.2 101

HSL 31.64, 1%, 0.7%

LAB 79.46, 18.29, 51.11

 

CMYK 0 / 21 / 53 / 0

HEX #FFC878

RGB 255 200.2 120

HSL 35.64, 1%, 0.74%

LAB 83.97, 10.34, 47.21

 

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

CMYK 0 / 43 / 84 / 24

HEX #C06E1E

RGB 192.9 110.2 30

HSL 29.54, 0.73%, 0.44%

LAB 54.67, 27.27, 54.66

 

CMYK 0 / 48 / 94 / 31

HEX #AF5C0B

RGB 175.9 92.2 11

HSL 29.55, 0.88%, 0.37%

LAB 48.17, 29.39, 54.29

 

CMYK 0 / 53 / 100 / 38

HEX #9E4A00

RGB 158.9 74.2 0

HSL 28.02, 1%, 0.31%

LAB 41.67, 31.71, 51.6

 

CMYK 0 / 60 / 100 / 44

HEX #8D3800

RGB 141.9 56.2 0

HSL 23.76, 1%, 0.28%

LAB 35.18, 34.08, 46.42

 

CMYK 0 / 39 / 76 / 18

HEX #D28132

RGB 210 129 50

HSL 29.63, 0.64%, 0.51%

LAB 61.34, 25.05, 53.63

 

CMYK 0 / 59 / 76 / 18

HEX #D25632

RGB 210 86 50

HSL 13.5, 0.64%, 0.51%

LAB 52.5, 47.01, 44.68

 

CMYK 0 / 76 / 76 / 18

HEX #D23232

RGB 210 50 50

HSL 0, 0.64%, 0.51%

LAB 47.25, 61.21, 39.12

 

CMYK 0 / 39 / 76 / 18

HEX #D28132

RGB 210 129 50

HSL 29.63, 0.64%, 0.51%

LAB 61.34, 25.05, 53.63

 

CMYK 0 / 18 / 76 / 18

HEX #D2AC32

RGB 210 172 50

HSL 45.75, 0.64%, 0.51%

LAB 71.85, 1.89, 63.73

 

CMYK 2 / 0 / 76 / 18

HEX #CDD232

RGB 205 210 50

HSL 61.88, 0.64%, 0.51%

LAB 81.46, -19.71, 72.43

 

CMYK 23 / 0 / 76 / 18

HEX #A2D232

RGB 162 210 50

HSL 78, 0.64%, 0.51%

LAB 78.46, -37.15, 68.58

 

CMYK 43 / 0 / 76 / 18

HEX #77D232

RGB 119 210 50

HSL 94.13, 0.64%, 0.51%

LAB 76.22, -52.48, 65.65

 

CMYK 0 / 39 / 76 / 18

HEX #D28132

RGB 210 129 50

HSL 29.63, 0.64%, 0.51%

LAB 61.34, 25.05, 53.63

 

CMYK 0 / 44 / 87 / 10

HEX #E6801E

RGB 230 128 30

HSL 29.4, 0.8%, 0.51%

LAB 63.64, 33.26, 64.12

 

CMYK 0 / 49 / 96 / 2

HEX #FA800A

RGB 250 128 10

HSL 29.5, 0.96%, 0.51%

LAB 66.35, 40.97, 71.8

 

CMYK 0 / 39 / 76 / 18

HEX #D28132

RGB 210 129 50

HSL 29.63, 0.64%, 0.51%

LAB 61.34, 25.05, 53.63

 

CMYK 0 / 32 / 63 / 25

HEX #BE8146

RGB 190 129 70

HSL 29.5, 0.48%, 0.51%

LAB 59.06, 17.63, 40.92

 

CMYK 0 / 24 / 46 / 33

HEX #AA815B

RGB 170 129 91

HSL 28.86, 0.32%, 0.51%

LAB 57.08, 10.9, 26.67

 

CMYK 0 / 13 / 26 / 42

HEX #95826F

RGB 149 130 111

HSL 30, 0.15%, 0.51%

LAB 55.59, 4.12, 12.95

 

CMYK 2 / 1 / 0 / 49

HEX #818283

RGB 129 130 131

HSL 210, 0.01%, 0.51%

LAB 54.31, -0.17, -0.68

 

CMYK 0 / 76 / 72 / 18

HEX #D2323A

RGB 210 50 58

HSL 357, 0.64%, 0.51%

LAB 47.35, 61.53, 34.65

 

CMYK 0 / 60 / 76 / 18

HEX #D25532

RGB 210 85 50

HSL 13.13, 0.64%, 0.51%

LAB 52.32, 47.47, 44.5

 

CMYK 0 / 40 / 76 / 18

HEX #D27F32

RGB 210 127 50

HSL 28.88, 0.64%, 0.51%

LAB 60.88, 26.13, 53.18

 

CMYK 0 / 19 / 76 / 18

HEX #D2AA32

RGB 210 170 50

HSL 45, 0.64%, 0.51%

LAB 71.34, 2.95, 63.25

 

CMYK 1 / 0 / 76 / 18

HEX #CFD232

RGB 207 210 50

HSL 61.13, 0.64%, 0.51%

LAB 81.61, -18.87, 72.63

 

CMYK 0 / 40 / 78 / 43

HEX #925820

RGB 146 88 32

HSL 29.47, 0.64%, 0.35%

LAB 43.06, 19.24, 40.81

 

CMYK 0 / 40 / 78 / 30

HEX #B36C27

RGB 179 108 39

HSL 29.57, 0.64%, 0.43%

LAB 52.35, 22.82, 48.26

 

CMYK 0 / 39 / 76 / 18

HEX #D28132

RGB 210 129 50

HSL 29.63, 0.64%, 0.51%

LAB 61.34, 25.05, 53.63

 

CMYK 0 / 31 / 61 / 15

HEX #D99654

RGB 217 150 84

HSL 29.77, 0.64%, 0.59%

LAB 67.43, 18.55, 44.36

 

CMYK 0 / 24 / 48 / 12

HEX #E1AA76

RGB 225 170 118

HSL 29.16, 0.64%, 0.67%

LAB 73.59, 13.93, 34.55

 

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

CMYK 52 / 0 / 76 / 18

HEX #65D232

RGB 101 210 50

HSL 100.88, 0.64%, 0.51%

LAB 75.51, -57.86, 64.72

 

CMYK 70 / 76 / 0 / 18

HEX #3F32D2

RGB 63 50 210

HSL 244.88, 0.64%, 0.51%

LAB 33.96, 53.77, -79.39

 

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

CMYK 76 / 0 / 40 / 18

HEX #32D27F

RGB 50 210 127

HSL 148.88, 0.64%, 0.51%

LAB 75.02, -58.86, 29.87

 

CMYK 40 / 76 / 0 / 18

HEX #7F32D2

RGB 127 50 210

HSL 268.88, 0.64%, 0.51%

LAB 40.32, 62, -68.71

 

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

CMYK 52 / 0 / 76 / 18

HEX #65D232

RGB 101 210 50

HSL 100.88, 0.64%, 0.51%

LAB 75.51, -57.86, 64.72

 

CMYK 76 / 37 / 0 / 18

HEX #3285D2

RGB 50 133 210

HSL 208.88, 0.64%, 0.51%

LAB 54.14, 1.55, -46.7

 

CMYK 24 / 76 / 0 / 18

HEX #9F32D2

RGB 159 50 210

HSL 280.88, 0.64%, 0.51%

LAB 44.67, 67.48, -61.44

 

CMYK 0 / 39 / 77 / 18

HEX #D18031

RGB 209.9 128.2 49

HSL 29.53, 0.64%, 0.51%

LAB 61.13, 25.4, 53.86

 

CMYK 75 / 0 / 76 / 18

HEX #35D232

RGB 53 210 50

HSL 118.88, 0.64%, 0.51%

LAB 74.24, -68.23, 63.06

 

CMYK 76 / 37 / 0 / 18

HEX #3285D2

RGB 50 133 210

HSL 208.88, 0.64%, 0.51%

LAB 54.14, 1.55, -46.7

 

CMYK 1 / 76 / 0 / 18

HEX #CF32D2

RGB 207 50 210

HSL 298.88, 0.64%, 0.51%

LAB 52.06, 76.6, -49.17

 

Description

Color code: RGB 209.9 128.2 49 | qconv.com Color code: RGB 209.9 128.2 49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209.9 red, 128.2 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209.9 128.2 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 77 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 77% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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