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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 192 164 it is the complementary color RGB 48 63 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 192 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 207 192 164: RGB 212 192 159, RGB 229 210 178, RGB 246 228 197, RGB 255 246 216 and RGB 255 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 192 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 207 192 164: RGB 207 192 164, RGB 190 174 145, RGB 173 156 126, RGB 156 138 107 and RGB 139 120 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

Complementary color

CMYK 47 / 31 / 0 / 64

HEX #303F5B

RGB 48 63 91

HSL 219.07, 0.31%, 0.27%

LAB 26.56, 2.45, -18.61

 

CMYK 0 / 9 / 25 / 17

HEX #D4C09F

RGB 212 192 159

HSL 37.36, 0.38%, 0.73%

LAB 78.58, 1.95, 19.22

 

CMYK 0 / 8 / 22 / 10

HEX #E5D2B2

RGB 229 210 178

HSL 37.65, 0.5%, 0.8%

LAB 84.98, 1.61, 18.26

 

CMYK 0 / 7 / 20 / 4

HEX #F6E4C5

RGB 246 228 197

HSL 37.96, 0.73%, 0.87%

LAB 91.28, 1.3, 17.35

 

CMYK 0 / 4 / 15 / 0

HEX #FFF6D8

RGB 255 246 216

HSL 46.15, 1%, 0.92%

LAB 96.87, -1.81, 15.51

 

CMYK 0 / 0 / 8 / 0

HEX #FFFFEB

RGB 255 255 235

HSL 60, 1%, 0.96%

LAB 99.53, -3.36, 9.55

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 0 / 8 / 24 / 25

HEX #BEAE91

RGB 190 174 145

HSL 38.67, 0.26%, 0.66%

LAB 71.73, 1.1, 16.99

 

CMYK 0 / 10 / 27 / 32

HEX #AD9C7E

RGB 173 156 126

HSL 38.3, 0.22%, 0.59%

LAB 65.1, 1.47, 18.01

 

CMYK 0 / 12 / 31 / 39

HEX #9C8A6B

RGB 156 138 107

HSL 37.96, 0.2%, 0.52%

LAB 58.33, 1.91, 19.11

 

CMYK 0 / 14 / 37 / 45

HEX #8B7858

RGB 139 120 88

HSL 37.65, 0.22%, 0.45%

LAB 51.41, 2.43, 20.3

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 0 / 4 / 21 / 19

HEX #CFC7A4

RGB 207 199 164

HSL 48.84, 0.31%, 0.73%

LAB 80.06, -2.89, 18.55

 

CMYK 0 / 0 / 21 / 19

HEX #CFCEA4

RGB 207 206 164

HSL 58.6, 0.31%, 0.73%

LAB 81.89, -6.52, 21.08

 

CMYK 3 / 0 / 21 / 19

HEX #C9CFA4

RGB 201 207 164

HSL 68.37, 0.31%, 0.73%

LAB 81.69, -9.26, 20.73

 

CMYK 7 / 0 / 21 / 19

HEX #C1CFA4

RGB 193 207 164

HSL 79.53, 0.31%, 0.73%

LAB 81.1, -12.2, 19.82

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 0 / 0 / 33 / 99

HEX #030302

RGB 3 3 2

HSL 60, 0.2%, 0.01%

LAB 0.8, -0.14, 0.38

 

CMYK 0 / 7 / 20 / 79

HEX #36322B

RGB 54 50 43

HSL 38.18, 0.11%, 0.19%

LAB 20.98, 0.32, 5.1

 

CMYK 0 / 8 / 21 / 59

HEX #696153

RGB 105 97 83

HSL 38.18, 0.12%, 0.37%

LAB 41.5, 0.62, 9.14

 

CMYK 0 / 7 / 21 / 39

HEX #9C917C

RGB 156 145 124

HSL 39.38, 0.14%, 0.55%

LAB 60.58, 0.5, 12.63

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 17 / 0 / 21 / 19

HEX #ABCFA4

RGB 171 207 164

HSL 110.23, 0.31%, 0.73%

LAB 79.59, -20.02, 17.5

 

CMYK 15 / 21 / 0 / 19

HEX #AFA4CF

RGB 175 164 207

HSL 255.35, 0.31%, 0.73%

LAB 69.59, 12.57, -20.45

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 21 / 0 / 7 / 19

HEX #A4CFC0

RGB 164 207 192

HSL 159.07, 0.31%, 0.73%

LAB 79.8, -17.15, 2.8

 

CMYK 7 / 21 / 0 / 19

HEX #C0A4CF

RGB 192 164 207

HSL 279.07, 0.31%, 0.73%

LAB 71.05, 18.13, -18.1

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 17 / 0 / 21 / 19

HEX #ABCFA4

RGB 171 207 164

HSL 110.23, 0.31%, 0.73%

LAB 79.59, -20.02, 17.5

 

CMYK 21 / 14 / 0 / 19

HEX #A4B3CF

RGB 164 179 207

HSL 219.07, 0.31%, 0.73%

LAB 72.65, 0.8, -15.9

 

CMYK 3 / 21 / 0 / 19

HEX #C9A4CF

RGB 201 164 207

HSL 291.63, 0.31%, 0.73%

LAB 71.88, 21.12, -16.77

 

CMYK 0 / 7 / 21 / 19

HEX #CFC0A4

RGB 207 192 164

HSL 39.07, 0.31%, 0.73%

LAB 78.25, 0.78, 16.03

 

CMYK 21 / 0 / 17 / 19

HEX #A4CFAB

RGB 164 207 171

HSL 129.77, 0.31%, 0.73%

LAB 79.3, -21.17, 13.32

 

CMYK 21 / 14 / 0 / 19

HEX #A4B3CF

RGB 164 179 207

HSL 219.07, 0.31%, 0.73%

LAB 72.65, 0.8, -15.9

 

CMYK 0 / 21 / 3 / 19

HEX #CFA4C9

RGB 207 164 201

HSL 308.37, 0.31%, 0.73%

LAB 72.25, 22.02, -12.85

 

Description

Color code: RGB 207 192 164 | qconv.com Color code: RGB 207 192 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 192 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 192 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 21 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 21% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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