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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206.7 92.6 55 it is the complementary color RGB 48.3 162.4 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206.7 92.6 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206.7 92.6 55 shade: RGB 211.7 92.6 50, RGB 228.7 110.6 69, RGB 245.7 128.6 88, RGB 255 146.6 107 and RGB 255 164.6 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206.7 92.6 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206.7 92.6 55 shade: RGB 206.7 92.6 55, RGB 189.7 74.6 36, RGB 172.7 56.6 17, RGB 155.7 38.6 0 and RGB 138.7 20.6 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206.7 92.6 55 shade: RGB 206 92 54 and RGB 206 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206.7 92.6 55 shade: RGB 206 92 54, RGB 206 133 54, RGB 206 174 54, RGB 198 206 54 and RGB 156 206 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206.7 92.6 55 shade matches the following richer shades: RGB 206 92 54, RGB 226 81 34 and RGB 247 71 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206.7 92.6 55 shade: RGB 206 92 54, RGB 186 102 74, RGB 166 112 94, RGB 146 122 114 and RGB 125 132 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206.7 92.6 55 shade: RGB 206 54 100, RGB 206 54 59, RGB 206 89 54, RGB 206 130 54 and RGB 206 171 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206.7 92.6 55 shade: RGB 143 61 35, RGB 176 76 43, RGB 206 92 54, RGB 214 119 87 and RGB 222 146 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206.7 92.6 55 shade: RGB 206.7 92.6 55, RGB 140 206 54 and RGB 54 79 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206.7 92.6 55 shade: RGB 206.7 92.6 55, RGB 54 206 89 and RGB 89 54 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206.7 92.6 55 shade: RGB 206.7 92.6 55, RGB 140 206 54, RGB 54 171 206 and RGB 120 54 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206.7 92.6 55 shade: RGB 206.7 92.6 55, RGB 94 206 54, RGB 54 171 206 and RGB 166 54 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

Complementary color

CMYK 76 / 19 / 0 / 22

HEX #30A2C8

RGB 48.3 162.4 200

HSL 194.87, 0.61%, 0.49%

LAB 62.33, -18.77, -28.27

 

CMYK 0 / 56 / 76 / 17

HEX #D35C32

RGB 211.7 92.6 50

HSL 15.81, 0.65%, 0.51%

LAB 53.96, 44.52, 46.29

 

CMYK 0 / 52 / 70 / 10

HEX #E46E45

RGB 228.7 110.6 69

HSL 15.63, 0.75%, 0.58%

LAB 60.18, 42.98, 44.07

 

CMYK 0 / 48 / 64 / 4

HEX #F58058

RGB 245.7 128.6 88

HSL 15.45, 0.89%, 0.65%

LAB 66.4, 41.52, 41.97

 

CMYK 0 / 43 / 58 / 0

HEX #FF926B

RGB 255 146.6 107

HSL 16.05, 1%, 0.71%

LAB 71.6, 37.21, 38.56

 

CMYK 0 / 35 / 51 / 0

HEX #FFA47E

RGB 255 164.6 126

HSL 17.95, 1%, 0.75%

LAB 75.78, 29.43, 33.81

 

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

CMYK 0 / 61 / 81 / 26

HEX #BD4A24

RGB 189.7 74.6 36

HSL 15.07, 0.68%, 0.44%

LAB 46.99, 44.37, 45.04

 

CMYK 0 / 67 / 90 / 32

HEX #AC3811

RGB 172.7 56.6 17

HSL 15.26, 0.82%, 0.37%

LAB 40.86, 45.78, 46.92

 

CMYK 0 / 75 / 100 / 39

HEX #9B2600

RGB 155.7 38.6 0

HSL 14.87, 1%, 0.31%

LAB 34.93, 46.81, 47.69

 

CMYK 0 / 85 / 100 / 46

HEX #8A1400

RGB 138.7 20.6 0

HSL 8.91, 1%, 0.27%

LAB 29.37, 47.03, 42.31

 

CMYK 0 / 55 / 74 / 19

HEX #CE5C36

RGB 206 92 54

HSL 15, 0.61%, 0.51%

LAB 53, 42.83, 42.96

 

CMYK 0 / 74 / 74 / 19

HEX #CE3636

RGB 206 54 54

HSL 0, 0.61%, 0.51%

LAB 47.01, 58.86, 36.37

 

CMYK 0 / 55 / 74 / 19

HEX #CE5C36

RGB 206 92 54

HSL 15, 0.61%, 0.51%

LAB 53, 42.83, 42.96

 

CMYK 0 / 35 / 74 / 19

HEX #CE8536

RGB 206 133 54

HSL 31.18, 0.61%, 0.51%

LAB 61.79, 21.37, 52.17

 

CMYK 0 / 16 / 74 / 19

HEX #CEAE36

RGB 206 174 54

HSL 47.37, 0.61%, 0.51%

LAB 72, -0.74, 62.27

 

CMYK 4 / 0 / 74 / 19

HEX #C6CE36

RGB 198 206 54

HSL 63.16, 0.61%, 0.51%

LAB 79.85, -20.51, 69.49

 

CMYK 24 / 0 / 74 / 19

HEX #9CCE36

RGB 156 206 54

HSL 79.74, 0.61%, 0.51%

LAB 76.97, -37.46, 65.74

 

CMYK 0 / 55 / 74 / 19

HEX #CE5C36

RGB 206 92 54

HSL 15, 0.61%, 0.51%

LAB 53, 42.83, 42.96

 

CMYK 0 / 64 / 85 / 11

HEX #E25122

RGB 226 81 34

HSL 14.69, 0.77%, 0.51%

LAB 54.21, 54.38, 54.73

 

CMYK 0 / 71 / 95 / 3

HEX #F7470D

RGB 247 71 13

HSL 14.87, 0.94%, 0.51%

LAB 56.4, 64.76, 64.9

 

CMYK 0 / 55 / 74 / 19

HEX #CE5C36

RGB 206 92 54

HSL 15, 0.61%, 0.51%

LAB 53, 42.83, 42.96

 

CMYK 0 / 45 / 60 / 27

HEX #BA664A

RGB 186 102 74

HSL 15, 0.45%, 0.51%

LAB 52.33, 31.05, 30.55

 

CMYK 0 / 33 / 43 / 35

HEX #A6705E

RGB 166 112 94

HSL 15, 0.29%, 0.51%

LAB 52.4, 19.16, 18.68

 

CMYK 0 / 16 / 22 / 43

HEX #927A72

RGB 146 122 114

HSL 15, 0.13%, 0.51%

LAB 53.22, 7.95, 7.84

 

CMYK 7 / 2 / 0 / 47

HEX #7D8487

RGB 125 132 135

HSL 198, 0.04%, 0.51%

LAB 54.67, -1.95, -2.51

 

CMYK 0 / 74 / 51 / 19

HEX #CE3664

RGB 206 54 100

HSL 341.84, 0.61%, 0.51%

LAB 47.85, 61.65, 9.77

 

CMYK 0 / 74 / 71 / 19

HEX #CE363B

RGB 206 54 59

HSL 358.03, 0.61%, 0.51%

LAB 47.07, 59.08, 33.55

 

CMYK 0 / 57 / 74 / 19

HEX #CE5936

RGB 206 89 54

HSL 13.82, 0.61%, 0.51%

LAB 52.43, 44.29, 42.36

 

CMYK 0 / 37 / 74 / 19

HEX #CE8236

RGB 206 130 54

HSL 30, 0.61%, 0.51%

LAB 61.09, 23, 51.45

 

CMYK 0 / 17 / 74 / 19

HEX #CEAB36

RGB 206 171 54

HSL 46.18, 0.61%, 0.51%

LAB 71.22, 0.85, 61.52

 

CMYK 0 / 57 / 76 / 44

HEX #8F3D23

RGB 143 61 35

HSL 14.44, 0.61%, 0.35%

LAB 36.55, 33.06, 32.4

 

CMYK 0 / 57 / 76 / 31

HEX #B04C2B

RGB 176 76 43

HSL 14.89, 0.61%, 0.43%

LAB 45.04, 38.79, 38.79

 

CMYK 0 / 55 / 74 / 19

HEX #CE5C36

RGB 206 92 54

HSL 15, 0.61%, 0.51%

LAB 53, 42.83, 42.96

 

CMYK 0 / 44 / 59 / 16

HEX #D67757

RGB 214 119 87

HSL 15.12, 0.61%, 0.59%

LAB 60.05, 34.13, 33.77

 

CMYK 0 / 34 / 46 / 13

HEX #DE9278

RGB 222 146 120

HSL 15.29, 0.61%, 0.67%

LAB 67.61, 25.8, 25.58

 

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

CMYK 32 / 0 / 74 / 19

HEX #8CCE36

RGB 140 206 54

HSL 86.05, 0.61%, 0.51%

LAB 76.06, -43.44, 64.54

 

CMYK 74 / 62 / 0 / 19

HEX #364FCE

RGB 54 79 206

HSL 230.13, 0.61%, 0.51%

LAB 39.3, 34.57, -68.33

 

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

CMYK 74 / 0 / 57 / 19

HEX #36CE59

RGB 54 206 89

HSL 133.82, 0.61%, 0.51%

LAB 73.32, -62.94, 46.46

 

CMYK 57 / 74 / 0 / 19

HEX #5936CE

RGB 89 54 206

HSL 253.82, 0.61%, 0.51%

LAB 36.4, 53.5, -72.98

 

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

CMYK 32 / 0 / 74 / 19

HEX #8CCE36

RGB 140 206 54

HSL 86.05, 0.61%, 0.51%

LAB 76.06, -43.44, 64.54

 

CMYK 74 / 17 / 0 / 19

HEX #36ABCE

RGB 54 171 206

HSL 193.82, 0.61%, 0.51%

LAB 65.25, -20.63, -27.09

 

CMYK 42 / 74 / 0 / 19

HEX #7836CE

RGB 120 54 206

HSL 266.05, 0.61%, 0.51%

LAB 39.73, 58.2, -67.4

 

CMYK 0 / 55 / 73 / 19

HEX #CE5C37

RGB 206.7 92.6 55

HSL 14.87, 0.61%, 0.51%

LAB 53.23, 42.85, 42.73

 

CMYK 54 / 0 / 74 / 19

HEX #5ECE36

RGB 94 206 54

HSL 104.21, 0.61%, 0.51%

LAB 74.05, -58.05, 61.89

 

CMYK 74 / 17 / 0 / 19

HEX #36ABCE

RGB 54 171 206

HSL 193.82, 0.61%, 0.51%

LAB 65.25, -20.63, -27.09

 

CMYK 19 / 74 / 0 / 19

HEX #A636CE

RGB 166 54 206

HSL 284.21, 0.61%, 0.51%

LAB 45.91, 66.58, -57.08

 

Description

Color code: RGB 206.7 92.6 55 | qconv.com Color code: RGB 206.7 92.6 55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206.7 red, 92.6 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206.7 92.6 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 73 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 73% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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