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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 205.7 218.6 221 it is the complementary color RGB 49.3 36.4 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 205.7 218.6 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 205.7 218.6 221 shade: RGB 210.7 218.6 216, RGB 227.7 236.6 235, RGB 244.7 254.6 254 and RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 205.7 218.6 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 205.7 218.6 221 shade: RGB 205.7 218.6 221, RGB 188.7 200.6 202, RGB 171.7 182.6 183, RGB 154.7 164.6 164 and RGB 137.7 146.6 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 205.7 218.6 221 shade: RGB 207 219 222, RGB 207 215 222, RGB 207 211 222, RGB 207 207 222 and RGB 210 207 222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 205.7 218.6 221 shade: RGB 207 219 222, RGB 207 215 222, RGB 207 211 222 and RGB 207 207 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 205.7 218.6 221 shade matches the following richer shades: RGB 207 219 222, RGB 200 224 228, RGB 194 228 235, RGB 187 233 241 and RGB 180 237 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 205.7 218.6 221 shade: RGB 207 219 222, RGB 213 215 215, RGB 220 210 208, RGB 227 206 202 and RGB 233 201 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 205.7 218.6 221 shade: RGB 207 222 216, RGB 207 222 220, RGB 207 219 222, RGB 207 215 222 and RGB 207 212 222

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 205.7 218.6 221 shade: RGB 158 183 188, RGB 183 201 205, RGB 207 219 222, RGB 231 237 238 and RGB 255 255 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 205.7 218.6 221 shade: RGB 205.7 218.6 221, RGB 212 207 222 and RGB 222 218 207

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 205.7 218.6 221 shade: RGB 205.7 218.6 221, RGB 222 207 219 and RGB 219 222 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 205.7 218.6 221 shade: RGB 205.7 218.6 221, RGB 212 207 222, RGB 222 209 207 and RGB 216 222 207

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 205.7 218.6 221 shade: RGB 205.7 218.6 221, RGB 216 207 222, RGB 222 209 207 and RGB 212 222 207

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

Complementary color

CMYK 0 / 26 / 31 / 81

HEX #312422

RGB 49.3 36.4 34

HSL 9.41, 0.18%, 0.16%

LAB 15.81, 5.66, 3.94

 

CMYK 4 / 0 / 1 / 14

HEX #D2DAD8

RGB 210.7 218.6 216

HSL 160.25, 0.1%, 0.84%

LAB 86.61, -3.13, 0.34

 

CMYK 4 / 0 / 1 / 7

HEX #E3ECEB

RGB 227.7 236.6 235

HSL 169.21, 0.19%, 0.91%

LAB 92.92, -3.24, -0.26

 

CMYK 4 / 0 / 0 / 0

HEX #F4FEFE

RGB 244.7 254.6 254

HSL 176.36, 0.93%, 0.98%

LAB 99.13, -3.34, -0.85

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

CMYK 7 / 1 / 0 / 21

HEX #BCC8CA

RGB 188.7 200.6 202

HSL 186.32, 0.11%, 0.77%

LAB 79.97, -3.78, -2.11

 

CMYK 6 / 0 / 0 / 28

HEX #ABB6B7

RGB 171.7 182.6 183

HSL 182.12, 0.07%, 0.7%

LAB 73.45, -3.69, -1.52

 

CMYK 6 / 0 / 0 / 35

HEX #9AA4A4

RGB 154.7 164.6 164

HSL 176.36, 0.05%, 0.63%

LAB 66.81, -3.61, -0.91

 

CMYK 6 / 0 / 1 / 43

HEX #899291

RGB 137.7 146.6 145

HSL 169.21, 0.04%, 0.56%

LAB 60.04, -3.53, -0.27

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 7 / 3 / 0 / 13

HEX #CFD7DE

RGB 207 215 222

HSL 208, 0.19%, 0.84%

LAB 85.57, -1.37, -4.39

 

CMYK 7 / 5 / 0 / 13

HEX #CFD3DE

RGB 207 211 222

HSL 224, 0.19%, 0.84%

LAB 84.55, 0.72, -5.9

 

CMYK 7 / 7 / 0 / 13

HEX #CFCFDE

RGB 207 207 222

HSL 240, 0.19%, 0.84%

LAB 83.53, 2.82, -7.41

 

CMYK 5 / 7 / 0 / 13

HEX #D2CFDE

RGB 210 207 222

HSL 252, 0.19%, 0.84%

LAB 83.76, 3.82, -7.04

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 7 / 3 / 0 / 13

HEX #CFD7DE

RGB 207 215 222

HSL 208, 0.19%, 0.84%

LAB 85.57, -1.37, -4.39

 

CMYK 7 / 5 / 0 / 13

HEX #CFD3DE

RGB 207 211 222

HSL 224, 0.19%, 0.84%

LAB 84.55, 0.72, -5.9

 

CMYK 7 / 7 / 0 / 13

HEX #CFCFDE

RGB 207 207 222

HSL 240, 0.19%, 0.84%

LAB 83.53, 2.82, -7.41

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 12 / 2 / 0 / 11

HEX #C8E0E4

RGB 200 224 228

HSL 188.57, 0.34%, 0.84%

LAB 87.58, -7.12, -4.66

 

CMYK 17 / 3 / 0 / 8

HEX #C2E4EB

RGB 194 228 235

HSL 190.24, 0.51%, 0.84%

LAB 88.43, -9.63, -7.13

 

CMYK 22 / 3 / 0 / 5

HEX #BBE9F1

RGB 187 233 241

HSL 188.89, 0.66%, 0.84%

LAB 89.48, -13.01, -8.76

 

CMYK 27 / 4 / 0 / 3

HEX #B4EDF8

RGB 180 237 248

HSL 189.71, 0.83%, 0.84%

LAB 90.34, -15.5, -11.18

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 1 / 0 / 0 / 16

HEX #D5D7D7

RGB 213 215 215

HSL 180, 0.02%, 0.84%

LAB 85.83, -0.67, -0.25

 

CMYK 0 / 5 / 5 / 14

HEX #DCD2D0

RGB 220 210 208

HSL 10, 0.15%, 0.84%

LAB 84.93, 3.1, 2.21

 

CMYK 0 / 9 / 11 / 11

HEX #E3CECA

RGB 227 206 202

HSL 9.6, 0.31%, 0.84%

LAB 84.35, 6.64, 4.63

 

CMYK 0 / 14 / 16 / 9

HEX #E9C9C3

RGB 233 201 195

HSL 9.47, 0.46%, 0.84%

LAB 83.46, 10.31, 7.15

 

CMYK 7 / 0 / 3 / 13

HEX #CFDED8

RGB 207 222 216

HSL 156, 0.19%, 0.84%

LAB 87.22, -6.12, 1.2

 

CMYK 7 / 0 / 1 / 13

HEX #CFDEDC

RGB 207 222 220

HSL 172, 0.19%, 0.84%

LAB 87.33, -5.38, -0.76

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 7 / 3 / 0 / 13

HEX #CFD7DE

RGB 207 215 222

HSL 208, 0.19%, 0.84%

LAB 85.57, -1.37, -4.39

 

CMYK 7 / 5 / 0 / 13

HEX #CFD4DE

RGB 207 212 222

HSL 220, 0.19%, 0.84%

LAB 84.81, 0.2, -5.52

 

CMYK 16 / 3 / 0 / 26

HEX #9EB7BC

RGB 158 183 188

HSL 190, 0.18%, 0.68%

LAB 72.74, -7.45, -5.41

 

CMYK 11 / 2 / 0 / 20

HEX #B7C9CD

RGB 183 201 205

HSL 190.91, 0.18%, 0.76%

LAB 79.75, -5.29, -4.08

 

CMYK 7 / 1 / 0 / 13

HEX #CFDBDE

RGB 207 219 222

HSL 192, 0.19%, 0.84%

LAB 86.6, -3.45, -2.87

 

CMYK 3 / 0 / 0 / 7

HEX #E7EDEE

RGB 231 237 238

HSL 188.57, 0.17%, 0.92%

LAB 93.33, -1.81, -1.19

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

CMYK 5 / 7 / 0 / 13

HEX #D4CFDE

RGB 212 207 222

HSL 260, 0.19%, 0.84%

LAB 83.91, 4.48, -6.8

 

CMYK 0 / 2 / 7 / 13

HEX #DEDACF

RGB 222 218 207

HSL 44, 0.19%, 0.84%

LAB 87.08, -0.54, 5.88

 

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

CMYK 0 / 7 / 1 / 13

HEX #DECFDB

RGB 222 207 219

HSL 312, 0.19%, 0.84%

LAB 84.62, 7.3, -4.06

 

CMYK 1 / 0 / 7 / 13

HEX #DBDECF

RGB 219 222 207

HSL 72, 0.19%, 0.84%

LAB 87.88, -3.65, 6.99

 

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

CMYK 5 / 7 / 0 / 13

HEX #D4CFDE

RGB 212 207 222

HSL 260, 0.19%, 0.84%

LAB 83.91, 4.48, -6.8

 

CMYK 0 / 6 / 7 / 13

HEX #DED1CF

RGB 222 209 207

HSL 8, 0.19%, 0.84%

LAB 84.81, 4.15, 2.59

 

CMYK 3 / 0 / 7 / 13

HEX #D8DECF

RGB 216 222 207

HSL 84, 0.19%, 0.84%

LAB 87.65, -4.68, 6.64

 

CMYK 7 / 1 / 0 / 13

HEX #CDDADD

RGB 205.7 218.6 221

HSL 189.41, 0.18%, 0.84%

LAB 86.38, -3.86, -2.68

 

CMYK 3 / 7 / 0 / 13

HEX #D8CFDE

RGB 216 207 222

HSL 276, 0.19%, 0.84%

LAB 84.22, 5.82, -6.3

 

CMYK 0 / 6 / 7 / 13

HEX #DED1CF

RGB 222 209 207

HSL 8, 0.19%, 0.84%

LAB 84.81, 4.15, 2.59

 

CMYK 5 / 0 / 7 / 13

HEX #D4DECF

RGB 212 222 207

HSL 100, 0.19%, 0.84%

LAB 87.36, -6.06, 6.18

 

Description

Color code: RGB 205.7 218.6 221 | qconv.com Color code: RGB 205.7 218.6 221 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205.7 red, 218.6 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205.7 218.6 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 1 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 1% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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