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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 205 201 it is the complementary color RGB 51 50 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 205 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 205 201: RGB 209 205 196, RGB 226 223 215, RGB 243 241 234, RGB 255 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 205 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 205 201: RGB 204 205 201, RGB 187 187 182, RGB 170 169 163, RGB 153 151 144 and RGB 136 133 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

Complementary color

CMYK 6 / 7 / 0 / 79

HEX #333236

RGB 51 50 54

HSL 255, 0.04%, 0.2%

LAB 21.02, 1.39, -2.38

 

CMYK 0 / 2 / 6 / 18

HEX #D1CDC4

RGB 209 205 196

HSL 41.54, 0.12%, 0.79%

LAB 82.49, -0.2, 4.95

 

CMYK 0 / 1 / 5 / 11

HEX #E2DFD7

RGB 226 223 215

HSL 43.64, 0.16%, 0.86%

LAB 88.85, -0.38, 4.26

 

CMYK 0 / 1 / 4 / 5

HEX #F3F1EA

RGB 243 241 234

HSL 46.67, 0.27%, 0.94%

LAB 95.12, -0.54, 3.6

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 0 / 0 / 3 / 27

HEX #BBBBB6

RGB 187 187 182

HSL 60, 0.04%, 0.72%

LAB 75.75, -0.91, 2.52

 

CMYK 0 / 1 / 4 / 33

HEX #AAA9A3

RGB 170 169 163

HSL 51.43, 0.04%, 0.65%

LAB 69.16, -0.75, 3.21

 

CMYK 0 / 1 / 6 / 40

HEX #999790

RGB 153 151 144

HSL 46.67, 0.04%, 0.58%

LAB 62.44, -0.58, 3.93

 

CMYK 0 / 2 / 8 / 47

HEX #88857D

RGB 136 133 125

HSL 43.64, 0.04%, 0.51%

LAB 55.57, -0.39, 4.7

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 1 / 0 / 2 / 19

HEX #CCCEC9

RGB 204 206 201

HSL 84, 0.05%, 0.8%

LAB 82.48, -1.59, 2.23

 

CMYK 1 / 0 / 2 / 19

HEX #CBCEC9

RGB 203 206 201

HSL 96, 0.05%, 0.8%

LAB 82.41, -1.93, 2.11

NCS® S2002-G50Y

CMYK 2 / 0 / 2 / 19

HEX #CACEC9

RGB 202 206 201

HSL 108, 0.05%, 0.8%

LAB 82.33, -2.28, 1.99

 

CMYK 2 / 0 / 2 / 19

HEX #CACEC9

RGB 202 206 201

HSL 108, 0.05%, 0.8%

LAB 82.33, -2.28, 1.99

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 0 / 0 / 2 / 80

HEX #343433

RGB 52 52 51

HSL 60, 0.01%, 0.2%

LAB 21.67, -0.23, 0.63

 

CMYK 1 / 0 / 2 / 60

HEX #666765

RGB 102 103 101

HSL 90, 0.01%, 0.4%

LAB 43.46, -0.8, 0.98

 

CMYK 1 / 0 / 2 / 40

HEX #999A97

RGB 153 154 151

HSL 80, 0.01%, 0.6%

LAB 63.44, -0.93, 1.44

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 2 / 0 / 1 / 19

HEX #C9CECB

RGB 201 206 203

HSL 144, 0.05%, 0.8%

LAB 82.31, -2.25, 0.88

 

CMYK 0 / 2 / 0 / 19

HEX #CDC9CE

RGB 205 201 206

HSL 288, 0.05%, 0.8%

LAB 81.41, 2.3, -2.01

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 2 / 0 / 0 / 19

HEX #C9CDCE

RGB 201 205 206

HSL 192, 0.05%, 0.8%

LAB 82.13, -1.18, -0.98

 

CMYK 0 / 2 / 0 / 19

HEX #CEC9CD

RGB 206 201 205

HSL 312, 0.05%, 0.8%

LAB 81.46, 2.46, -1.39

 

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 2 / 0 / 1 / 19

HEX #C9CECB

RGB 201 206 203

HSL 144, 0.05%, 0.8%

LAB 82.31, -2.25, 0.88

 

CMYK 2 / 2 / 0 / 19

HEX #CAC9CE

RGB 202 201 206

HSL 252, 0.05%, 0.8%

LAB 81.17, 1.27, -2.37

 

CMYK 0 / 2 / 1 / 19

HEX #CEC9CC

RGB 206 201 204

HSL 324, 0.05%, 0.8%

LAB 81.43, 2.27, -0.89

SW® 6267

CMYK 0 / 0 / 2 / 20

HEX #CCCDC9

RGB 204 205 201

HSL 75, 0.04%, 0.8%

LAB 82.23, -1.06, 1.86

 

CMYK 2 / 0 / 0 / 19

HEX #C9CECD

RGB 201 206 205

HSL 168, 0.05%, 0.8%

LAB 82.36, -1.89, -0.11

 

CMYK 2 / 2 / 0 / 19

HEX #CAC9CE

RGB 202 201 206

HSL 252, 0.05%, 0.8%

LAB 81.17, 1.27, -2.37

 

CMYK 0 / 2 / 2 / 19

HEX #CEC9CA

RGB 206 201 202

HSL 348, 0.05%, 0.8%

LAB 81.38, 1.91, 0.11

 

Description

Color code: RGB 204 205 201 | qconv.com Color code: RGB 204 205 201 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 205 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 205 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 2 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 2% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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