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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 204 125 49 it is the complementary color RGB 51 130 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 204 125 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 204 125 49: RGB 209 125 44, RGB 226 143 63, RGB 243 161 82, RGB 255 179 101 and RGB 255 197 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 204 125 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 204 125 49: RGB 204 125 49, RGB 187 107 30, RGB 170 89 11, RGB 153 71 0 and RGB 136 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

Complementary color

CMYK 75 / 37 / 0 / 19

HEX #3382CE

RGB 51 130 206

HSL 209.42, 0.61%, 0.5%

LAB 53.09, 2.01, -46.11

 

CMYK 0 / 40 / 79 / 18

HEX #D17D2C

RGB 209 125 44

HSL 29.45, 0.65%, 0.5%

LAB 60.25, 26.55, 55.07

 

CMYK 0 / 37 / 72 / 11

HEX #E28F3F

RGB 226 143 63

HSL 29.45, 0.74%, 0.57%

LAB 66.65, 24.83, 53.9

 

CMYK 0 / 34 / 66 / 5

HEX #F3A152

RGB 243 161 82

HSL 29.44, 0.87%, 0.64%

LAB 72.99, 23.32, 52.5

 

CMYK 0 / 30 / 60 / 0

HEX #FFB365

RGB 255 179 101

HSL 30.39, 1%, 0.7%

LAB 78.72, 19.96, 50.24

 

CMYK 0 / 23 / 53 / 0

HEX #FFC578

RGB 255 197 120

HSL 34.22, 1%, 0.74%

LAB 83.2, 12, 46.27

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 0 / 43 / 84 / 27

HEX #BB6B1E

RGB 187 107 30

HSL 29.43, 0.72%, 0.43%

LAB 53.14, 26.5, 53.02

 

CMYK 0 / 48 / 94 / 33

HEX #AA590B

RGB 170 89 11

HSL 29.43, 0.88%, 0.35%

LAB 46.6, 28.61, 52.76

 

CMYK 0 / 54 / 100 / 40

HEX #994700

RGB 153 71 0

HSL 27.84, 1%, 0.3%

LAB 40.05, 30.95, 50.16

 

CMYK 0 / 61 / 100 / 47

HEX #883500

RGB 136 53 0

HSL 23.38, 1%, 0.27%

LAB 33.52, 33.32, 44.93

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 14 / 76 / 20

HEX #CDB031

RGB 205 176 49

HSL 48.85, 0.61%, 0.5%

LAB 72.4, -2.44, 64.42

 

CMYK 0 / 1 / 76 / 20

HEX #CDCA31

RGB 205 202 49

HSL 58.85, 0.61%, 0.5%

LAB 79.3, -15.78, 70.77

 

CMYK 12 / 0 / 76 / 20

HEX #B5CD31

RGB 181 205 49

HSL 69.23, 0.61%, 0.5%

LAB 78.29, -27.28, 69.17

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 39 / 76 / 80

HEX #331F0C

RGB 51 31 12

HSL 29.23, 0.62%, 0.12%

LAB 13.89, 7.39, 15.69

 

CMYK 0 / 38 / 75 / 60

HEX #663F19

RGB 102 63 25

HSL 29.61, 0.61%, 0.25%

LAB 30.52, 13.29, 29.52

 

CMYK 0 / 39 / 76 / 40

HEX #995E25

RGB 153 94 37

HSL 29.48, 0.61%, 0.37%

LAB 45.51, 19.16, 41.23

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 52 / 0 / 76 / 20

HEX #62CD31

RGB 98 205 49

HSL 101.15, 0.61%, 0.5%

LAB 73.86, -56.92, 63.41

 

CMYK 70 / 76 / 0 / 20

HEX #3E31CD

RGB 62 49 205

HSL 245, 0.61%, 0.5%

LAB 33.2, 52.66, -77.76

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 76 / 0 / 40 / 20

HEX #31CD7C

RGB 49 205 124

HSL 148.85, 0.61%, 0.5%

LAB 73.4, -57.72, 29.27

 

CMYK 40 / 76 / 0 / 20

HEX #7C31CD

RGB 124 49 205

HSL 268.85, 0.61%, 0.5%

LAB 39.39, 60.75, -67.35

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 52 / 0 / 76 / 20

HEX #62CD31

RGB 98 205 49

HSL 101.15, 0.61%, 0.5%

LAB 73.86, -56.92, 63.41

 

CMYK 76 / 37 / 0 / 20

HEX #3182CD

RGB 49 130 205

HSL 208.85, 0.61%, 0.5%

LAB 52.98, 1.4, -45.72

 

CMYK 24 / 76 / 0 / 20

HEX #9C31CD

RGB 156 49 205

HSL 281.15, 0.61%, 0.5%

LAB 43.76, 66.27, -60.05

 

CMYK 0 / 39 / 76 / 20

HEX #CC7D31

RGB 204 125 49

HSL 29.42, 0.61%, 0.5%

LAB 59.64, 24.64, 52.13

 

CMYK 75 / 0 / 76 / 20

HEX #34CD31

RGB 52 205 49

HSL 118.85, 0.61%, 0.5%

LAB 72.64, -66.9, 61.8

 

CMYK 76 / 37 / 0 / 20

HEX #3182CD

RGB 49 130 205

HSL 208.85, 0.61%, 0.5%

LAB 52.98, 1.4, -45.72

 

CMYK 1 / 76 / 0 / 20

HEX #CA31CD

RGB 202 49 205

HSL 298.85, 0.61%, 0.5%

LAB 50.87, 75.09, -48.24

 

Description

Color code: RGB 204 125 49 | qconv.com Color code: RGB 204 125 49 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 125 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 125 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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