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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 216 222 it is the complementary color RGB 52 39 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 216 222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 203 216 222: RGB 208 216 217, RGB 225 234 236, RGB 242 252 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 216 222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 203 216 222: RGB 203 216 222, RGB 186 198 203, RGB 169 180 184, RGB 152 162 165 and RGB 135 144 146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

Complementary color

CMYK 0 / 25 / 37 / 80

HEX #342721

RGB 52 39 33

HSL 18.95, 0.22%, 0.17%

LAB 16.95, 5.01, 6.29

 

CMYK 4 / 0 / 0 / 15

HEX #D0D8D9

RGB 208 216 217

HSL 186.67, 0.11%, 0.83%

LAB 85.77, -2.51, -1.44

 

CMYK 5 / 1 / 0 / 7

HEX #E1EAEC

RGB 225 234 236

HSL 190.91, 0.22%, 0.9%

LAB 92.09, -2.61, -2.02

 

CMYK 5 / 1 / 0 / 0

HEX #F2FCFF

RGB 242 252 255

HSL 193.85, 1%, 0.97%

LAB 98.32, -2.72, -2.58

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 8 / 2 / 0 / 20

HEX #BAC6CB

RGB 186 198 203

HSL 197.65, 0.14%, 0.76%

LAB 79.12, -3.11, -3.92

 

CMYK 8 / 2 / 0 / 28

HEX #A9B4B8

RGB 169 180 184

HSL 196, 0.1%, 0.69%

LAB 72.59, -3.02, -3.36

 

CMYK 8 / 2 / 0 / 35

HEX #98A2A5

RGB 152 162 165

HSL 193.85, 0.07%, 0.62%

LAB 65.93, -2.93, -2.79

 

CMYK 8 / 1 / 0 / 43

HEX #879092

RGB 135 144 146

HSL 190.91, 0.05%, 0.55%

LAB 59.13, -2.84, -2.19

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 9 / 4 / 0 / 13

HEX #CAD4DD

RGB 202 212 221

HSL 208.42, 0.22%, 0.83%

LAB 84.41, -1.64, -5.61

 

CMYK 9 / 5 / 0 / 13

HEX #CAD1DD

RGB 202 209 221

HSL 217.89, 0.22%, 0.83%

LAB 83.64, -0.07, -6.75

 

CMYK 9 / 7 / 0 / 13

HEX #CACDDD

RGB 202 205 221

HSL 230.53, 0.22%, 0.83%

LAB 82.61, 2.04, -8.27

 

CMYK 9 / 9 / 0 / 13

HEX #CACADD

RGB 202 202 221

HSL 240, 0.22%, 0.83%

LAB 81.85, 3.62, -9.41

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 11 / 0 / 0 / 93

HEX #101212

RGB 16 18 18

HSL 180, 0.06%, 0.07%

LAB 5.3, -0.75, -0.26

 

CMYK 9 / 3 / 0 / 73

HEX #3F4345

RGB 63 67 69

HSL 200, 0.05%, 0.26%

LAB 28.12, -1.18, -1.79

 

CMYK 8 / 3 / 0 / 53

HEX #6E7578

RGB 110 117 120

HSL 198, 0.04%, 0.45%

LAB 48.75, -1.99, -2.56

 

CMYK 9 / 3 / 0 / 33

HEX #9CA6AB

RGB 156 166 171

HSL 200, 0.08%, 0.64%

LAB 67.49, -2.51, -3.8

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 5 / 9 / 0 / 13

HEX #D3CADD

RGB 211 202 221

HSL 268.42, 0.22%, 0.83%

LAB 82.55, 6.61, -8.3

 

CMYK 0 / 1 / 9 / 13

HEX #DDDBCA

RGB 221 219 202

HSL 53.68, 0.22%, 0.83%

LAB 87.14, -2.24, 8.59

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 0 / 9 / 3 / 13

HEX #DDCAD7

RGB 221 202 215

HSL 318.95, 0.22%, 0.83%

LAB 83.19, 8.88, -4.05

 

CMYK 3 / 0 / 9 / 13

HEX #D7DDCA

RGB 215 221 202

HSL 78.95, 0.22%, 0.83%

LAB 87.2, -5.37, 8.62

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 5 / 9 / 0 / 13

HEX #D3CADD

RGB 211 202 221

HSL 268.42, 0.22%, 0.83%

LAB 82.55, 6.61, -8.3

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFCA

RGB 221 207 202

HSL 15.79, 0.22%, 0.83%

LAB 84.1, 4, 4.21

 

CMYK 5 / 0 / 9 / 13

HEX #D3DDCA

RGB 211 221 202

HSL 91.58, 0.22%, 0.83%

LAB 86.91, -6.76, 8.16

 

CMYK 9 / 3 / 0 / 13

HEX #CBD8DE

RGB 203 216 222

HSL 198.95, 0.22%, 0.83%

LAB 85.55, -3.2, -4.46

 

CMYK 2 / 9 / 0 / 13

HEX #D9CADD

RGB 217 202 221

HSL 287.37, 0.22%, 0.83%

LAB 83.03, 8.62, -7.53

 

CMYK 0 / 6 / 9 / 13

HEX #DDCFCA

RGB 221 207 202

HSL 15.79, 0.22%, 0.83%

LAB 84.1, 4, 4.21

 

CMYK 7 / 0 / 9 / 13

HEX #CDDDCA

RGB 205 221 202

HSL 110.53, 0.22%, 0.83%

LAB 86.48, -8.82, 7.49

 

Description

Color code: RGB 203 216 222 | qconv.com Color code: RGB 203 216 222 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 216 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 216 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 3 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 3% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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