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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 189 174 it is the complementary color RGB 53 66 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 189 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 189 174: RGB 207 189 169, RGB 224 207 188, RGB 241 225 207, RGB 255 243 226 and RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 189 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 189 174: RGB 202 189 174, RGB 185 171 155, RGB 168 153 136, RGB 151 135 117 and RGB 134 117 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

Complementary color

CMYK 35 / 19 / 0 / 68

HEX #354251

RGB 53 66 81

HSL 212.14, 0.21%, 0.26%

LAB 27.43, -1.08, -10.73

 

CMYK 0 / 9 / 18 / 19

HEX #CFBDA9

RGB 207 189 169

HSL 31.58, 0.28%, 0.74%

LAB 77.59, 3.12, 12.41

 

CMYK 0 / 8 / 16 / 12

HEX #E0CFBC

RGB 224 207 188

HSL 31.67, 0.37%, 0.81%

LAB 84.02, 2.82, 11.57

 

CMYK 0 / 7 / 14 / 5

HEX #F1E1CF

RGB 241 225 207

HSL 31.76, 0.55%, 0.88%

LAB 90.35, 2.54, 10.76

 

CMYK 0 / 5 / 11 / 0

HEX #FFF3E2

RGB 255 243 226

HSL 35.17, 1%, 0.94%

LAB 96.35, 1.24, 9.62

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 0 / 8 / 16 / 27

HEX #B9AB9B

RGB 185 171 155

HSL 32, 0.18%, 0.67%

LAB 70.74, 2.34, 10.05

 

CMYK 0 / 9 / 19 / 34

HEX #A89988

RGB 168 153 136

HSL 31.88, 0.16%, 0.6%

LAB 64.07, 2.66, 10.93

 

CMYK 0 / 11 / 23 / 41

HEX #978775

RGB 151 135 117

HSL 31.76, 0.14%, 0.53%

LAB 57.26, 3.02, 11.88

 

CMYK 0 / 13 / 27 / 47

HEX #867562

RGB 134 117 98

HSL 31.67, 0.16%, 0.45%

LAB 50.3, 3.44, 12.91

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 0 / 4 / 14 / 21

HEX #CAC2AE

RGB 202 194 174

HSL 42.86, 0.21%, 0.74%

LAB 78.58, -0.59, 11.06

 

CMYK 0 / 2 / 14 / 21

HEX #CAC6AE

RGB 202 198 174

HSL 51.43, 0.21%, 0.74%

LAB 79.61, -2.69, 12.53

 

CMYK 0 / 0 / 14 / 21

HEX #C9CAAE

RGB 201 202 174

HSL 62.14, 0.21%, 0.74%

LAB 80.58, -5.14, 13.88

 

CMYK 2 / 0 / 14 / 21

HEX #C5CAAE

RGB 197 202 174

HSL 70.71, 0.21%, 0.74%

LAB 80.27, -6.59, 13.41

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 0 / 6 / 14 / 1

HEX #FDEDDA

RGB 253 237 218

HSL 32.57, 0.9%, 0.92%

LAB 94.53, 2.34, 11.14

 

CMYK 0 / 6 / 14 / 81

HEX #312E2A

RGB 49 46 42

HSL 34.29, 0.08%, 0.18%

LAB 19.12, 0.47, 3.06

 

CMYK 0 / 6 / 14 / 61

HEX #645E56

RGB 100 94 86

HSL 34.29, 0.08%, 0.36%

LAB 40.22, 0.86, 5.44

 

CMYK 0 / 7 / 14 / 41

HEX #978D82

RGB 151 141 130

HSL 31.43, 0.09%, 0.55%

LAB 59.2, 1.76, 7.2

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 10 / 0 / 14 / 21

HEX #B6CAAE

RGB 182 202 174

HSL 102.86, 0.21%, 0.74%

LAB 79.18, -11.95, 11.71

 

CMYK 12 / 14 / 0 / 21

HEX #B2AECA

RGB 178 174 202

HSL 248.57, 0.21%, 0.74%

LAB 72.23, 6.95, -13.69

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 14 / 0 / 6 / 21

HEX #AECABD

RGB 174 202 189

HSL 152.14, 0.21%, 0.74%

LAB 78.99, -11.94, 3.32

 

CMYK 6 / 14 / 0 / 21

HEX #BDAECA

RGB 189 174 202

HSL 272.14, 0.21%, 0.74%

LAB 73.13, 10.62, -12.25

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 10 / 0 / 14 / 21

HEX #B6CAAE

RGB 182 202 174

HSL 102.86, 0.21%, 0.74%

LAB 79.18, -11.95, 11.71

 

CMYK 14 / 7 / 0 / 21

HEX #AEBBCA

RGB 174 187 202

HSL 212.14, 0.21%, 0.74%

LAB 75.33, -1.42, -9.09

 

CMYK 3 / 14 / 0 / 21

HEX #C3AECA

RGB 195 174 202

HSL 285, 0.21%, 0.74%

LAB 73.64, 12.65, -11.44

 

CMYK 0 / 6 / 14 / 21

HEX #CABDAE

RGB 202 189 174

HSL 32.14, 0.21%, 0.74%

LAB 77.29, 2.06, 9.22

 

CMYK 14 / 0 / 13 / 21

HEX #AECAAF

RGB 174 202 175

HSL 122.14, 0.21%, 0.74%

LAB 78.66, -14.55, 10.35

 

CMYK 14 / 7 / 0 / 21

HEX #AEBBCA

RGB 174 187 202

HSL 212.14, 0.21%, 0.74%

LAB 75.33, -1.42, -9.09

 

CMYK 0 / 14 / 0 / 21

HEX #CAAEC9

RGB 202 174 201

HSL 302.14, 0.21%, 0.74%

LAB 74.22, 14.85, -9.95

 

Description

Color code: RGB 202 189 174 | qconv.com Color code: RGB 202 189 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 189 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 189 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 14% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

45% - 百度钱包
Link: https://www.baifubao.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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