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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 202 124 57 it is the complementary color RGB 53 131 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 202 124 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 202 124 57: RGB 207 124 52, RGB 224 142 71, RGB 241 160 90, RGB 255 178 109 and RGB 255 196 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 202 124 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 202 124 57: RGB 202 124 57, RGB 185 106 38, RGB 168 88 19, RGB 151 70 0 and RGB 134 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

Complementary color

CMYK 73 / 34 / 0 / 22

HEX #3583C6

RGB 53 131 198

HSL 207.72, 0.58%, 0.49%

LAB 53.02, -1.22, -41.66

 

CMYK 0 / 40 / 75 / 19

HEX #CF7C34

RGB 207 124 52

HSL 27.87, 0.62%, 0.51%

LAB 59.82, 26.57, 51.11

 

CMYK 0 / 37 / 68 / 12

HEX #E08E47

RGB 224 142 71

HSL 27.84, 0.71%, 0.58%

LAB 66.25, 24.95, 49.66

 

CMYK 0 / 34 / 63 / 5

HEX #F1A05A

RGB 241 160 90

HSL 27.81, 0.84%, 0.65%

LAB 72.61, 23.52, 48.12

 

CMYK 0 / 30 / 57 / 0

HEX #FFB26D

RGB 255 178 109

HSL 28.36, 1%, 0.71%

LAB 78.58, 21.05, 46.12

 

CMYK 0 / 23 / 50 / 0

HEX #FFC480

RGB 255 196 128

HSL 32.13, 1%, 0.75%

LAB 83.07, 13.2, 42.09

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 0 / 43 / 79 / 27

HEX #B96A26

RGB 185 106 38

HSL 27.76, 0.66%, 0.44%

LAB 52.69, 26.46, 49.3

 

CMYK 0 / 48 / 89 / 34

HEX #A85813

RGB 168 88 19

HSL 27.79, 0.8%, 0.37%

LAB 46.11, 28.46, 49.96

 

CMYK 0 / 54 / 100 / 41

HEX #974600

RGB 151 70 0

HSL 27.81, 1%, 0.3%

LAB 39.51, 30.64, 49.68

 

CMYK 0 / 61 / 100 / 47

HEX #863400

RGB 134 52 0

HSL 23.28, 1%, 0.26%

LAB 32.97, 33.01, 44.41

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 0 / 28 / 72 / 21

HEX #CA9239

RGB 202 146 57

HSL 36.83, 0.58%, 0.51%

LAB 64.49, 12.71, 53.45

 

CMYK 0 / 15 / 72 / 21

HEX #CAAB39

RGB 202 171 57

HSL 47.17, 0.58%, 0.51%

LAB 70.86, -0.75, 59.87

 

CMYK 0 / 3 / 72 / 21

HEX #CAC339

RGB 202 195 57

HSL 57.1, 0.58%, 0.51%

LAB 77.21, -13.2, 66.08

 

CMYK 8 / 0 / 72 / 21

HEX #B9CA39

RGB 185 202 57

HSL 67.03, 0.58%, 0.51%

LAB 77.79, -23.82, 66.17

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 0 / 39 / 72 / 1

HEX #FD9B47

RGB 253 155 71

HSL 27.69, 0.98%, 0.64%

LAB 72.75, 29.96, 57.68

 

CMYK 0 / 39 / 71 / 81

HEX #311E0E

RGB 49 30 14

HSL 27.43, 0.56%, 0.12%

LAB 13.31, 7.19, 13.92

 

CMYK 0 / 39 / 72 / 61

HEX #643D1C

RGB 100 61 28

HSL 27.5, 0.56%, 0.25%

LAB 29.74, 13.76, 26.93

 

CMYK 0 / 38 / 72 / 41

HEX #975D2B

RGB 151 93 43

HSL 27.78, 0.56%, 0.38%

LAB 45.06, 19.16, 37.7

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 47 / 0 / 72 / 21

HEX #6CCA39

RGB 108 202 57

HSL 98.9, 0.58%, 0.51%

LAB 73.37, -52.34, 60.32

 

CMYK 68 / 72 / 0 / 21

HEX #4039CA

RGB 64 57 202

HSL 242.9, 0.58%, 0.51%

LAB 34.56, 47.61, -73.76

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 72 / 0 / 40 / 21

HEX #39CA7A

RGB 57 202 122

HSL 146.9, 0.58%, 0.51%

LAB 72.57, -55.87, 29.24

 

CMYK 40 / 72 / 0 / 21

HEX #7A39CA

RGB 122 57 202

HSL 266.9, 0.58%, 0.51%

LAB 40.13, 56.21, -64.42

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 47 / 0 / 72 / 21

HEX #6CCA39

RGB 108 202 57

HSL 98.9, 0.58%, 0.51%

LAB 73.37, -52.34, 60.32

 

CMYK 72 / 32 / 0 / 21

HEX #3989CA

RGB 57 137 202

HSL 206.9, 0.58%, 0.51%

LAB 55.1, -2.79, -40.65

 

CMYK 25 / 72 / 0 / 21

HEX #9739CA

RGB 151 57 202

HSL 278.9, 0.58%, 0.51%

LAB 43.9, 61.68, -58.12

 

CMYK 0 / 39 / 72 / 21

HEX #CA7C39

RGB 202 124 57

HSL 27.72, 0.58%, 0.51%

LAB 59.22, 24.7, 47.96

 

CMYK 68 / 0 / 72 / 21

HEX #40CA39

RGB 64 202 57

HSL 117.1, 0.58%, 0.51%

LAB 71.98, -63.3, 58.46

 

CMYK 72 / 32 / 0 / 21

HEX #3989CA

RGB 57 137 202

HSL 206.9, 0.58%, 0.51%

LAB 55.1, -2.79, -40.65

 

CMYK 3 / 72 / 0 / 21

HEX #C339CA

RGB 195 57 202

HSL 297.1, 0.58%, 0.51%

LAB 50.44, 70.72, -47.27

 

Description

Color code: RGB 202 124 57 | qconv.com Color code: RGB 202 124 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 124 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 124 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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