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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 201 54 240 it is the complementary color RGB 54 201 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 201 54 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 201 54 240: RGB 206 54 235, RGB 223 72 254, RGB 240 90 255, RGB 255 108 255 and RGB 255 126 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 201 54 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 201 54 240: RGB 201 54 240, RGB 184 36 221, RGB 167 18 202, RGB 150 0 183 and RGB 133 0 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

Complementary color

CMYK 73 / 0 / 93 / 21

HEX #36C90F

RGB 54 201 15

HSL 107.42, 0.86%, 0.42%

LAB 71.28, -66.92, 68.54

 

CMYK 12 / 77 / 0 / 8

HEX #CE36EB

RGB 206 54 235

HSL 290.39, 0.82%, 0.57%

LAB 53.77, 79.4, -60.62

 

CMYK 12 / 72 / 0 / 0

HEX #DF48FE

RGB 223 72 254

HSL 289.78, 0.99%, 0.64%

LAB 59.41, 80.27, -62.02

 

CMYK 6 / 65 / 0 / 0

HEX #F05AFF

RGB 240 90 255

HSL 294.55, 1%, 0.68%

LAB 64.21, 77.5, -54.78

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 17 / 84 / 0 / 13

HEX #B824DD

RGB 184 36 221

HSL 288, 0.73%, 0.5%

LAB 47.84, 77.82, -62.42

 

CMYK 17 / 91 / 0 / 21

HEX #A712CA

RGB 167 18 202

HSL 288.59, 0.84%, 0.43%

LAB 42.63, 75.21, -60.06

 

CMYK 18 / 100 / 0 / 28

HEX #9600B7

RGB 150 0 183

HSL 289.18, 1%, 0.36%

LAB 37.67, 71.54, -57.1

 

CMYK 19 / 100 / 0 / 36

HEX #8500A4

RGB 133 0 164

HSL 288.66, 1%, 0.32%

LAB 33.28, 65.8, -53

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 4 / 77 / 0 / 6

HEX #E637F0

RGB 230 55 240

HSL 296.76, 0.86%, 0.58%

LAB 57.89, 84.4, -56.62

 

CMYK 0 / 77 / 9 / 6

HEX #F037DA

RGB 240 55 218

HSL 307.14, 0.86%, 0.58%

LAB 58.34, 83.08, -43.43

 

CMYK 0 / 77 / 22 / 6

HEX #F037BB

RGB 240 55 187

HSL 317.19, 0.86%, 0.58%

LAB 56.92, 79, -27.92

 

CMYK 0 / 77 / 35 / 6

HEX #F0379D

RGB 240 55 157

HSL 326.92, 0.86%, 0.58%

LAB 55.78, 75.6, -12.18

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 17 / 78 / 0 / 86

HEX #1E0824

RGB 30 8 36

HSL 287.14, 0.64%, 0.09%

LAB 5.21, 15.92, -13.71

 

CMYK 16 / 77 / 0 / 66

HEX #491457

RGB 73 20 87

HSL 287.46, 0.63%, 0.21%

LAB 18.39, 35.54, -28.7

 

CMYK 16 / 78 / 0 / 46

HEX #741F8A

RGB 116 31 138

HSL 287.66, 0.63%, 0.33%

LAB 30.71, 51.44, -41.38

 

CMYK 16 / 77 / 0 / 26

HEX #9E2BBD

RGB 158 43 189

HSL 287.26, 0.63%, 0.45%

LAB 42.26, 65.55, -53.14

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 77 / 0 / 48 / 6

HEX #37F07E

RGB 55 240 126

HSL 143.03, 0.86%, 0.58%

LAB 84.3, -68.88, 42.36

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 0 / 17 / 77 / 6

HEX #F0C837

RGB 240 200 55

HSL 47.03, 0.86%, 0.58%

LAB 81.9, 0.36, 72.38

 

CMYK 77 / 0 / 17 / 6

HEX #37F0C8

RGB 55 240 200

HSL 167.03, 0.86%, 0.58%

LAB 85.66, -53.86, 6.56

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 0 / 77 / 76 / 6

HEX #F0373A

RGB 240 55 58

HSL 359.03, 0.86%, 0.58%

LAB 53.56, 68.72, 43.16

 

CMYK 60 / 0 / 77 / 6

HEX #5FF037

RGB 95 240 55

HSL 107.03, 0.86%, 0.58%

LAB 84.5, -69.52, 71.76

 

CMYK 77 / 0 / 2 / 6

HEX #37F0EC

RGB 55 240 236

HSL 178.7, 0.86%, 0.58%

LAB 86.6, -44.4, -10.94

 

CMYK 16 / 78 / 0 / 6

HEX #C936F0

RGB 201 54 240

HSL 287.42, 0.86%, 0.58%

LAB 53.33, 79.38, -64.18

 

CMYK 0 / 55 / 77 / 6

HEX #F06B37

RGB 240 107 55

HSL 16.86, 0.86%, 0.58%

LAB 61.06, 48.33, 52.49

 

CMYK 60 / 0 / 77 / 6

HEX #5FF037

RGB 95 240 55

HSL 107.03, 0.86%, 0.58%

LAB 84.5, -69.52, 71.76

 

CMYK 77 / 22 / 0 / 6

HEX #37BBF0

RGB 55 187 240

HSL 197.19, 0.86%, 0.58%

LAB 71.31, -17.71, -36.33

 

Description

Color code: RGB 201 54 240 | qconv.com Color code: RGB 201 54 240 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 54 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 54 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 78 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 78% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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