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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 215 220 it is the complementary color RGB 55 40 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 215 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 215 220: RGB 205 215 215, RGB 222 233 234, RGB 239 251 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 215 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 215 220: RGB 200 215 220, RGB 183 197 201, RGB 166 179 182, RGB 149 161 163 and RGB 132 143 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

Complementary color

CMYK 0 / 27 / 36 / 78

HEX #372823

RGB 55 40 35

HSL 15, 0.22%, 0.18%

LAB 17.7, 6.14, 6

 

CMYK 5 / 0 / 0 / 16

HEX #CDD7D7

RGB 205 215 215

HSL 180, 0.11%, 0.82%

LAB 85.24, -3.36, -1.18

 

CMYK 5 / 0 / 0 / 8

HEX #DEE9EA

RGB 222 233 234

HSL 185, 0.22%, 0.89%

LAB 91.57, -3.46, -1.76

 

CMYK 6 / 1 / 0 / 1

HEX #EFFBFD

RGB 239 251 253

HSL 188.57, 0.78%, 0.96%

LAB 97.81, -3.55, -2.33

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 9 / 2 / 0 / 21

HEX #B7C5C9

RGB 183 197 201

HSL 193.33, 0.14%, 0.75%

LAB 78.59, -3.98, -3.65

 

CMYK 9 / 2 / 0 / 29

HEX #A6B3B6

RGB 166 179 182

HSL 191.25, 0.1%, 0.68%

LAB 72.04, -3.9, -3.09

 

CMYK 9 / 1 / 0 / 36

HEX #95A1A3

RGB 149 161 163

HSL 188.57, 0.07%, 0.61%

LAB 65.38, -3.83, -2.51

 

CMYK 8 / 1 / 0 / 44

HEX #848F90

RGB 132 143 144

HSL 185, 0.05%, 0.54%

LAB 58.57, -3.76, -1.9

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 9 / 4 / 0 / 14

HEX #C7D2DB

RGB 199 210 219

HSL 207, 0.22%, 0.82%

LAB 83.63, -1.97, -5.73

 

CMYK 9 / 5 / 0 / 14

HEX #C7CFDB

RGB 199 207 219

HSL 216, 0.22%, 0.82%

LAB 82.85, -0.4, -6.88

 

CMYK 9 / 7 / 0 / 14

HEX #C7CCDB

RGB 199 204 219

HSL 225, 0.22%, 0.82%

LAB 82.08, 1.18, -8.02

 

CMYK 9 / 9 / 0 / 14

HEX #C7C8DB

RGB 199 200 219

HSL 237, 0.22%, 0.82%

LAB 81.05, 3.3, -9.55

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 6 / 0 / 0 / 94

HEX #0F1010

RGB 15 16 16

HSL 180, 0.03%, 0.06%

LAB 4.6, -0.35, -0.12

 

CMYK 9 / 3 / 0 / 74

HEX #3D4143

RGB 61 65 67

HSL 200, 0.05%, 0.25%

LAB 27.24, -1.19, -1.8

 

CMYK 9 / 3 / 0 / 54

HEX #6B7376

RGB 107 115 118

HSL 196.36, 0.05%, 0.44%

LAB 47.87, -2.36, -2.7

 

CMYK 9 / 2 / 0 / 34

HEX #9AA5A9

RGB 154 165 169

HSL 196, 0.08%, 0.63%

LAB 67.01, -3.06, -3.41

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 5 / 9 / 0 / 14

HEX #D0C7DB

RGB 208 199 219

HSL 267, 0.22%, 0.82%

LAB 81.5, 6.82, -8.81

 

CMYK 0 / 1 / 9 / 14

HEX #DBD8C7

RGB 219 216 199

HSL 51, 0.22%, 0.82%

LAB 86.15, -1.9, 8.73

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 0 / 9 / 2 / 14

HEX #DBC7D6

RGB 219 199 214

HSL 315, 0.22%, 0.82%

LAB 82.25, 9.61, -4.92

 

CMYK 2 / 0 / 9 / 14

HEX #D6DBC7

RGB 214 219 199

HSL 75, 0.22%, 0.82%

LAB 86.54, -5.2, 9.24

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 5 / 9 / 0 / 14

HEX #D0C7DB

RGB 208 199 219

HSL 267, 0.22%, 0.82%

LAB 81.5, 6.82, -8.81

 

CMYK 0 / 7 / 9 / 14

HEX #DBCCC7

RGB 219 204 199

HSL 15, 0.22%, 0.82%

LAB 83.11, 4.36, 4.35

 

CMYK 4 / 0 / 9 / 14

HEX #D2DBC7

RGB 210 219 199

HSL 87, 0.22%, 0.82%

LAB 86.25, -6.59, 8.78

 

CMYK 9 / 2 / 0 / 14

HEX #C8D7DC

RGB 200 215 220

HSL 195, 0.22%, 0.82%

LAB 85.02, -4.06, -4.2

 

CMYK 2 / 9 / 0 / 14

HEX #D6C7DB

RGB 214 199 219

HSL 285, 0.22%, 0.82%

LAB 81.98, 8.83, -8.04

 

CMYK 0 / 7 / 9 / 14

HEX #DBCCC7

RGB 219 204 199

HSL 15, 0.22%, 0.82%

LAB 83.11, 4.36, 4.35

 

CMYK 7 / 0 / 9 / 14

HEX #CCDBC7

RGB 204 219 199

HSL 105, 0.22%, 0.82%

LAB 85.82, -8.66, 8.11

 

Description

Color code: RGB 200 215 220 | qconv.com Color code: RGB 200 215 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 215 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 215 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 2 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 2% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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