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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 200 100 200 it is the complementary color RGB 55 155 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 200 100 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 200 100 200: RGB 205 100 195, RGB 222 118 214, RGB 239 136 233, RGB 255 154 252 and RGB 255 172 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 200 100 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 200 100 200: RGB 200 100 200, RGB 183 82 181, RGB 166 64 162, RGB 149 46 143 and RGB 132 28 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

Complementary color

CMYK 65 / 0 / 65 / 39

HEX #379B37

RGB 55 155 55

HSL 120, 0.48%, 0.41%

LAB 56.62, -49.02, 42.81

 

CMYK 0 / 51 / 5 / 20

HEX #CD64C3

RGB 205 100 195

HSL 305.71, 0.51%, 0.6%

LAB 58.07, 54.13, -31.16

 

CMYK 0 / 47 / 4 / 13

HEX #DE76D6

RGB 222 118 214

HSL 304.62, 0.61%, 0.67%

LAB 64.44, 53.5, -31.84

 

CMYK 0 / 43 / 3 / 6

HEX #EF88E9

RGB 239 136 233

HSL 303.5, 0.76%, 0.74%

LAB 70.76, 52.81, -32.41

 

CMYK 0 / 40 / 1 / 0

HEX #FF9AFC

RGB 255 154 252

HSL 301.78, 1%, 0.8%

LAB 76.92, 51.8, -33.1

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 55 / 1 / 28

HEX #B752B5

RGB 183 82 181

HSL 301.19, 0.41%, 0.52%

LAB 51.2, 54.11, -34.04

 

CMYK 0 / 61 / 2 / 35

HEX #A640A2

RGB 166 64 162

HSL 302.35, 0.44%, 0.45%

LAB 44.78, 54.42, -33.11

 

CMYK 0 / 69 / 4 / 42

HEX #952E8F

RGB 149 46 143

HSL 303.5, 0.53%, 0.38%

LAB 38.42, 54.29, -31.84

 

CMYK 0 / 79 / 6 / 48

HEX #841C7C

RGB 132 28 124

HSL 304.62, 0.65%, 0.31%

LAB 32.24, 53.4, -30.03

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 50 / 9 / 22

HEX #C864B7

RGB 200 100 183

HSL 310.2, 0.48%, 0.59%

LAB 56.89, 50.64, -26.16

 

CMYK 0 / 50 / 17 / 22

HEX #C864A7

RGB 200 100 167

HSL 319.8, 0.48%, 0.59%

LAB 56.27, 48.06, -17.87

 

CMYK 0 / 50 / 25 / 22

HEX #C86496

RGB 200 100 150

HSL 330, 0.48%, 0.59%

LAB 55.68, 45.56, -8.86

 

CMYK 0 / 50 / 34 / 22

HEX #C86485

RGB 200 100 133

HSL 340.2, 0.48%, 0.59%

LAB 55.16, 43.3, 0.34

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 50 / 0 / 2

HEX #FB7EFB

RGB 251 126 251

HSL 300, 0.94%, 0.74%

LAB 71.14, 64.12, -41.56

 

CMYK 0 / 49 / 0 / 82

HEX #2F182F

RGB 47 24 47

HSL 300, 0.32%, 0.14%

LAB 12.37, 16.03, -10.58

 

CMYK 0 / 50 / 0 / 62

HEX #623162

RGB 98 49 98

HSL 300, 0.33%, 0.29%

LAB 28.58, 30.04, -19.59

 

CMYK 0 / 50 / 0 / 42

HEX #954B95

RGB 149 75 149

HSL 300, 0.33%, 0.44%

LAB 43.64, 41.97, -27.29

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 40 / 50 / 22

HEX #C87864

RGB 200 120 100

HSL 12, 0.48%, 0.59%

LAB 58.63, 29.15, 24.32

 

CMYK 50 / 0 / 20 / 22

HEX #64C8A0

RGB 100 200 160

HSL 156, 0.48%, 0.59%

LAB 73.9, -38.76, 11.12

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 0 / 50 / 22

HEX #C8C864

RGB 200 200 100

HSL 60, 0.48%, 0.59%

LAB 78.76, -13.68, 49.47

 

CMYK 50 / 0 / 0 / 22

HEX #64C8C8

RGB 100 200 200

HSL 180, 0.48%, 0.59%

LAB 74.94, -29.11, -9

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 40 / 50 / 22

HEX #C87864

RGB 200 120 100

HSL 12, 0.48%, 0.59%

LAB 58.63, 29.15, 24.32

 

CMYK 50 / 0 / 50 / 22

HEX #64C864

RGB 100 200 100

HSL 120, 0.48%, 0.59%

LAB 72.85, -49.46, 40.95

 

CMYK 50 / 10 / 0 / 22

HEX #64B4C8

RGB 100 180 200

HSL 192, 0.48%, 0.59%

LAB 69.13, -19.09, -17.73

 

CMYK 0 / 50 / 0 / 22

HEX #C864C8

RGB 200 100 200

HSL 300, 0.48%, 0.59%

LAB 57.62, 53.58, -34.76

 

CMYK 0 / 25 / 50 / 22

HEX #C89664

RGB 200 150 100

HSL 30, 0.48%, 0.59%

LAB 65.76, 12.76, 33.56

 

CMYK 50 / 0 / 50 / 22

HEX #64C864

RGB 100 200 100

HSL 120, 0.48%, 0.59%

LAB 72.85, -49.46, 40.95

 

CMYK 50 / 25 / 0 / 22

HEX #6496C8

RGB 100 150 200

HSL 210, 0.48%, 0.59%

LAB 60.51, -2.78, -30.94

 

Description

Color code: RGB 200 100 200 | qconv.com Color code: RGB 200 100 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 100 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 100 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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