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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 1 146 201 it is the complementary color RGB 254 109 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 1 146 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 1 146 201: RGB 6 146 196, RGB 23 164 215, RGB 40 182 234, RGB 57 200 253 and RGB 74 218 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 1 146 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 1 146 201: RGB 1 146 201, RGB 0 128 182, RGB 0 110 163, RGB 0 92 144 and RGB 0 74 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

Complementary color

CMYK 0 / 57 / 79 / 0

HEX #FE6D36

RGB 254 109 54

HSL 16.5, 0.99%, 0.6%

LAB 63.57, 52.44, 56.15

 

CMYK 97 / 26 / 0 / 23

HEX #0692C4

RGB 6 146 196

HSL 195.79, 0.94%, 0.4%

LAB 56.67, -14.25, -34.86

 

CMYK 89 / 24 / 0 / 16

HEX #17A4D7

RGB 23 164 215

HSL 195.94, 0.81%, 0.47%

LAB 63.04, -16.57, -35.53

 

CMYK 83 / 22 / 0 / 8

HEX #28B6EA

RGB 40 182 234

HSL 196.08, 0.82%, 0.54%

LAB 69.36, -18.46, -36.13

 

CMYK 77 / 21 / 0 / 1

HEX #39C8FD

RGB 57 200 253

HSL 196.22, 0.98%, 0.61%

LAB 75.62, -19.99, -36.65

 

CMYK 71 / 15 / 0 / 0

HEX #4ADAFF

RGB 74 218 255

HSL 192.27, 1%, 0.65%

LAB 81.19, -26.52, -29.1

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 100 / 30 / 0 / 29

HEX #0080B6

RGB 0 128 182

HSL 197.8, 1%, 0.36%

LAB 50.47, -9.5, -36.58

 

CMYK 100 / 33 / 0 / 36

HEX #006EA3

RGB 0 110 163

HSL 199.51, 1%, 0.32%

LAB 43.94, -6.23, -35.81

 

CMYK 100 / 36 / 0 / 44

HEX #005C90

RGB 0 92 144

HSL 201.67, 1%, 0.28%

LAB 37.24, -2.76, -35.06

 

CMYK 100 / 41 / 0 / 51

HEX #004A7D

RGB 0 74 125

HSL 204.48, 1%, 0.25%

LAB 30.35, 0.96, -34.36

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 100 / 43 / 0 / 21

HEX #0173CA

RGB 1 115 202

HSL 205.97, 0.99%, 0.4%

LAB 47.67, 6.21, -52.53

 

CMYK 100 / 60 / 0 / 21

HEX #0151CA

RGB 1 81 202

HSL 216.12, 0.99%, 0.4%

LAB 38.12, 28.34, -67.99

 

CMYK 100 / 76 / 0 / 21

HEX #0130CA

RGB 1 48 202

HSL 225.97, 0.99%, 0.4%

LAB 30.36, 49.1, -80.77

 

CMYK 100 / 93 / 0 / 21

HEX #010ECA

RGB 1 14 202

HSL 236.12, 0.99%, 0.4%

LAB 25.52, 63.45, -88.84

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 100 / 27 / 0 / 1

HEX #01B7FC

RGB 1 183 252

HSL 196.49, 0.99%, 0.5%

LAB 70.11, -14.43, -44.75

 

CMYK 100 / 27 / 0 / 81

HEX #002330

RGB 0 35 48

HSL 196.25, 1%, 0.09%

LAB 12.06, -6.68, -12.09

 

CMYK 100 / 27 / 0 / 61

HEX #004863

RGB 0 72 99

HSL 196.36, 1%, 0.19%

LAB 28.21, -8.75, -21.32

 

CMYK 99 / 27 / 0 / 41

HEX #016D96

RGB 1 109 150

HSL 196.51, 0.99%, 0.3%

LAB 42.98, -10.67, -29.61

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 53 / 100 / 0 / 21

HEX #5F01CA

RGB 95 1 202

HSL 268.06, 0.99%, 0.4%

LAB 31.16, 69.26, -79.28

 

CMYK 0 / 13 / 100 / 21

HEX #CAB001

RGB 202 176 1

HSL 52.24, 0.99%, 0.4%

LAB 71.97, -4.82, 74.13

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 0 / 100 / 26 / 21

HEX #CA0195

RGB 202 1 149

HSL 315.82, 0.99%, 0.4%

LAB 45.29, 75.48, -24.05

 

CMYK 26 / 0 / 100 / 21

HEX #95CA01

RGB 149 202 1

HSL 75.82, 0.99%, 0.4%

LAB 75.22, -39.94, 74.76

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 53 / 100 / 0 / 21

HEX #5F01CA

RGB 95 1 202

HSL 268.06, 0.99%, 0.4%

LAB 31.16, 69.26, -79.28

 

CMYK 0 / 73 / 100 / 21

HEX #CA3601

RGB 202 54 1

HSL 15.82, 0.99%, 0.4%

LAB 45.9, 56.42, 57.66

 

CMYK 47 / 0 / 100 / 21

HEX #6CCA01

RGB 108 202 1

HSL 88.06, 0.99%, 0.4%

LAB 73.18, -54.44, 72.28

 

CMYK 100 / 27 / 0 / 21

HEX #0192C9

RGB 1 146 201

HSL 196.5, 0.99%, 0.4%

LAB 56.86, -12.59, -37.38

 

CMYK 23 / 100 / 0 / 21

HEX #9B01CA

RGB 155 1 202

HSL 285.97, 0.99%, 0.4%

LAB 40.01, 75.45, -64.41

 

CMYK 0 / 73 / 100 / 21

HEX #CA3601

RGB 202 54 1

HSL 15.82, 0.99%, 0.4%

LAB 45.9, 56.42, 57.66

 

CMYK 76 / 0 / 100 / 21

HEX #30CA01

RGB 48 202 1

HSL 105.97, 0.99%, 0.4%

LAB 71.47, -68.42, 70.21

 

Description

Color code: RGB 1 146 201 | qconv.com Color code: RGB 1 146 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 146 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 146 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 27 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 27% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to HEX

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to CMYK

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NCS® to HEX

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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