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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 90.8 10.4 it is the complementary color RGB 58 164.2 244.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 90.8 10.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 90.8 10.4 shade: RGB 202 90.8 5.4, RGB 219 108.8 24.4, RGB 236 126.8 43.4, RGB 253 144.8 62.4 and RGB 255 162.8 81.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 90.8 10.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 90.8 10.4 shade: RGB 197 90.8 10.4, RGB 180 72.8 0, RGB 163 54.8 0, RGB 146 36.8 0 and RGB 129 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 90.8 10.4 shade: RGB 199 92 10, RGB 199 41 10 and RGB 199 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 90.8 10.4 shade: RGB 199 92 10, RGB 199 142 10, RGB 199 193 10, RGB 154 199 10 and RGB 103 199 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 90.8 10.4 shade matches the following richer shades: RGB 199 92 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 90.8 10.4 shade: RGB 199 92 10, RGB 182 94 27, RGB 165 96 44, RGB 148 99 61 and RGB 131 101 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 90.8 10.4 shade: RGB 199 10 32, RGB 199 39 10, RGB 199 89 10, RGB 199 139 10 and RGB 199 189 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 90.8 10.4 shade: RGB 120 55 6, RGB 159 73 8, RGB 199 92 10, RGB 238 110 13 and RGB 244 132 48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 90.8 10.4 shade: RGB 197 90.8 10.4, RGB 83 199 10 and RGB 14 10 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 90.8 10.4 shade: RGB 197 90.8 10.4, RGB 10 199 89 and RGB 89 10 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 90.8 10.4 shade: RGB 197 90.8 10.4, RGB 83 199 10, RGB 10 120 199 and RGB 127 10 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 90.8 10.4 shade: RGB 197 90.8 10.4, RGB 26 199 10, RGB 10 120 199 and RGB 183 10 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

Complementary color

CMYK 76 / 33 / 0 / 4

HEX #3AA4F4

RGB 58 164.2 244.6

HSL 205.85, 0.9%, 0.59%

LAB 65.03, -3.36, -48.67

 

CMYK 0 / 55 / 97 / 21

HEX #CA5A05

RGB 202 90.8 5.4

HSL 26.06, 0.95%, 0.41%

LAB 51.86, 40.65, 59.87

 

CMYK 0 / 50 / 89 / 14

HEX #DB6C18

RGB 219 108.8 24.4

HSL 26.02, 0.8%, 0.48%

LAB 58.06, 38.58, 60.8

 

CMYK 0 / 46 / 82 / 7

HEX #EC7E2B

RGB 236 126.8 43.4

HSL 25.98, 0.84%, 0.55%

LAB 64.27, 36.64, 60.33

 

CMYK 0 / 43 / 75 / 1

HEX #FD903E

RGB 253 144.8 62.4

HSL 25.94, 0.98%, 0.62%

LAB 70.47, 34.85, 59.16

 

CMYK 0 / 36 / 68 / 0

HEX #FFA251

RGB 255 162.8 81.4

HSL 28.13, 1%, 0.66%

LAB 74.81, 27.23, 55.19

 

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

CMYK 0 / 60 / 100 / 29

HEX #B44800

RGB 180 72.8 0

HSL 24.27, 1%, 0.35%

LAB 44.86, 40.86, 55.23

 

CMYK 0 / 66 / 100 / 36

HEX #A33600

RGB 163 54.8 0

HSL 20.17, 1%, 0.32%

LAB 38.73, 42.82, 50.36

 

CMYK 0 / 75 / 100 / 43

HEX #922400

RGB 146 36.8 0

HSL 15.12, 1%, 0.29%

LAB 32.75, 44.21, 45.4

 

CMYK 0 / 85 / 100 / 49

HEX #811200

RGB 129 18.8 0

HSL 8.74, 1%, 0.25%

LAB 27.09, 44.52, 39.55

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 0 / 79 / 95 / 22

HEX #C7290A

RGB 199 41 10

HSL 9.84, 0.9%, 0.41%

LAB 43.87, 59.71, 53.68

 

CMYK 0 / 95 / 95 / 22

HEX #C70A0A

RGB 199 10 10

HSL 0, 0.9%, 0.41%

LAB 41.82, 65.58, 52.53

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 0 / 29 / 95 / 22

HEX #C78E0A

RGB 199 142 10

HSL 41.9, 0.9%, 0.41%

LAB 62.94, 12.18, 66.36

 

CMYK 0 / 3 / 95 / 22

HEX #C7C10A

RGB 199 193 10

HSL 58.1, 0.9%, 0.41%

LAB 76.26, -14.78, 76.19

 

CMYK 23 / 0 / 95 / 22

HEX #9AC70A

RGB 154 199 10

HSL 74.29, 0.9%, 0.41%

LAB 74.66, -36.52, 73.53

 

CMYK 48 / 0 / 95 / 22

HEX #67C70A

RGB 103 199 10

HSL 90.48, 0.9%, 0.41%

LAB 72.06, -54.71, 70.37

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 0 / 48 / 85 / 29

HEX #B65E1B

RGB 182 94 27

HSL 25.94, 0.74%, 0.41%

LAB 49.53, 31.32, 50.76

 

CMYK 0 / 42 / 73 / 35

HEX #A5602C

RGB 165 96 44

HSL 25.79, 0.58%, 0.41%

LAB 47.68, 23.66, 40.58

 

CMYK 0 / 33 / 59 / 42

HEX #94633D

RGB 148 99 61

HSL 26.21, 0.42%, 0.41%

LAB 46.39, 15.63, 29.42

 

CMYK 0 / 23 / 40 / 49

HEX #83654E

RGB 131 101 78

HSL 26.04, 0.25%, 0.41%

LAB 45.2, 8.74, 17.65

 

CMYK 0 / 95 / 84 / 22

HEX #C70A20

RGB 199 10 32

HSL 353.02, 0.9%, 0.41%

LAB 41.94, 65.93, 42.97

 

CMYK 0 / 80 / 95 / 22

HEX #C7270A

RGB 199 39 10

HSL 9.21, 0.9%, 0.41%

LAB 43.68, 60.26, 53.57

 

CMYK 0 / 55 / 95 / 22

HEX #C7590A

RGB 199 89 10

HSL 25.08, 0.9%, 0.41%

LAB 51.05, 40.42, 58.14

 

CMYK 0 / 30 / 95 / 22

HEX #C78B0A

RGB 199 139 10

HSL 40.95, 0.9%, 0.41%

LAB 62.19, 13.81, 65.83

 

CMYK 0 / 5 / 95 / 22

HEX #C7BD0A

RGB 199 189 10

HSL 56.83, 0.9%, 0.41%

LAB 75.18, -12.75, 75.37

 

CMYK 0 / 54 / 95 / 53

HEX #783706

RGB 120 55 6

HSL 25.79, 0.9%, 0.25%

LAB 31.2, 25.65, 39.63

 

CMYK 0 / 54 / 95 / 38

HEX #9F4908

RGB 159 73 8

HSL 25.83, 0.9%, 0.33%

LAB 41.46, 32.51, 49.14

 

CMYK 0 / 54 / 95 / 22

HEX #C75C0A

RGB 199 92 10

HSL 26.03, 0.9%, 0.41%

LAB 51.63, 38.93, 58.53

 

CMYK 0 / 54 / 95 / 7

HEX #EE6E0D

RGB 238 110 13

HSL 25.87, 0.9%, 0.49%

LAB 61.1, 45.2, 67.05

 

CMYK 0 / 46 / 80 / 4

HEX #F48430

RGB 244 132 48

HSL 25.71, 0.9%, 0.57%

LAB 66.48, 37.31, 60.94

 

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

CMYK 58 / 0 / 95 / 22

HEX #53C70A

RGB 83 199 10

HSL 96.83, 0.9%, 0.41%

LAB 71.36, -60.31, 69.5

 

CMYK 93 / 95 / 0 / 22

HEX #0E0AC7

RGB 14 10 199

HSL 241.27, 0.9%, 0.41%

LAB 25.06, 63.69, -87.84

 

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

CMYK 95 / 0 / 55 / 22

HEX #0AC759

RGB 10 199 89

HSL 145.08, 0.9%, 0.41%

LAB 70.62, -64.73, 43.12

 

CMYK 55 / 95 / 0 / 22

HEX #590AC7

RGB 89 10 199

HSL 265.08, 0.9%, 0.41%

LAB 30.56, 66.72, -78.54

 

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

CMYK 58 / 0 / 95 / 22

HEX #53C70A

RGB 83 199 10

HSL 96.83, 0.9%, 0.41%

LAB 71.36, -60.31, 69.5

 

CMYK 95 / 40 / 0 / 22

HEX #0A78C7

RGB 10 120 199

HSL 205.08, 0.9%, 0.41%

LAB 49.03, 2.23, -48.62

 

CMYK 36 / 95 / 0 / 22

HEX #7F0AC7

RGB 127 10 199

HSL 277.14, 0.9%, 0.41%

LAB 35.7, 70.38, -69.88

 

CMYK 0 / 54 / 95 / 23

HEX #C55A0A

RGB 197 90.8 10.4

HSL 25.85, 0.9%, 0.41%

LAB 51.08, 38.74, 57.93

 

CMYK 87 / 0 / 95 / 22

HEX #1AC70A

RGB 26 199 10

HSL 114.92, 0.9%, 0.41%

LAB 70.24, -69.9, 68.12

 

CMYK 95 / 40 / 0 / 22

HEX #0A78C7

RGB 10 120 199

HSL 205.08, 0.9%, 0.41%

LAB 49.03, 2.23, -48.62

 

CMYK 8 / 95 / 0 / 22

HEX #B70AC7

RGB 183 10 199

HSL 294.92, 0.9%, 0.41%

LAB 44.81, 78.11, -54.66

 

Description

Color code: RGB 197 90.8 10.4 | qconv.com Color code: RGB 197 90.8 10.4 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 90.8 green and 10.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 90.8 10.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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