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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 147 123 it is the complementary color RGB 58 108 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 147 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 197 147 123: RGB 202 147 118, RGB 219 165 137, RGB 236 183 156, RGB 253 201 175 and RGB 255 219 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 147 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 197 147 123: RGB 197 147 123, RGB 180 129 104, RGB 163 111 85, RGB 146 93 66 and RGB 129 75 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

Complementary color

CMYK 56 / 18 / 0 / 48

HEX #3A6C84

RGB 58 108 132

HSL 199.46, 0.39%, 0.37%

LAB 43.2, -9.51, -18.41

 

CMYK 0 / 27 / 42 / 21

HEX #CA9376

RGB 202 147 118

HSL 20.71, 0.44%, 0.63%

LAB 65.54, 17.08, 23.52

 

CMYK 0 / 25 / 37 / 14

HEX #DBA589

RGB 219 165 137

HSL 20.49, 0.53%, 0.7%

LAB 72.08, 16.25, 22.26

 

CMYK 0 / 22 / 34 / 7

HEX #ECB79C

RGB 236 183 156

HSL 20.25, 0.68%, 0.77%

LAB 78.52, 15.53, 21.1

 

CMYK 0 / 21 / 31 / 1

HEX #FDC9AF

RGB 253 201 175

HSL 20, 0.95%, 0.84%

LAB 84.87, 14.88, 20.02

 

CMYK 0 / 14 / 24 / 0

HEX #FFDBC2

RGB 255 219 194

HSL 24.59, 1%, 0.88%

LAB 89.77, 8.78, 16.91

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 0 / 28 / 42 / 29

HEX #B48168

RGB 180 129 104

HSL 19.74, 0.34%, 0.56%

LAB 58.42, 16.5, 21.34

 

CMYK 0 / 32 / 48 / 36

HEX #A36F55

RGB 163 111 85

HSL 20, 0.31%, 0.49%

LAB 51.62, 17.5, 22.78

 

CMYK 0 / 36 / 55 / 43

HEX #925D42

RGB 146 93 66

HSL 20.25, 0.38%, 0.42%

LAB 44.71, 18.67, 24.4

 

CMYK 0 / 42 / 64 / 49

HEX #814B2F

RGB 129 75 47

HSL 20.49, 0.47%, 0.35%

LAB 37.67, 20.07, 26.25

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 0 / 19 / 38 / 23

HEX #C59F7B

RGB 197 159 123

HSL 29.19, 0.39%, 0.63%

LAB 68.09, 9.08, 24.11

 

CMYK 0 / 13 / 38 / 23

HEX #C5AB7B

RGB 197 171 123

HSL 38.92, 0.39%, 0.63%

LAB 71.16, 2.59, 28.21

 

CMYK 0 / 7 / 38 / 23

HEX #C5B77B

RGB 197 183 123

HSL 48.65, 0.39%, 0.63%

LAB 74.3, -3.79, 32.33

 

CMYK 0 / 1 / 38 / 23

HEX #C5C47B

RGB 197 196 123

HSL 59.19, 0.39%, 0.63%

LAB 77.75, -10.54, 36.78

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 0 / 25 / 38 / 3

HEX #F8B99B

RGB 248 185 155

HSL 19.35, 0.87%, 0.79%

LAB 80.19, 18.96, 24.12

 

CMYK 0 / 25 / 39 / 83

HEX #2C211B

RGB 44 33 27

HSL 21.18, 0.24%, 0.14%

LAB 13.84, 4.17, 6.07

 

CMYK 0 / 25 / 38 / 63

HEX #5F473B

RGB 95 71 59

HSL 20, 0.23%, 0.3%

LAB 32.38, 8.39, 11.18

 

CMYK 0 / 25 / 38 / 43

HEX #926D5B

RGB 146 109 91

HSL 19.64, 0.23%, 0.46%

LAB 49.26, 12.15, 15.77

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 19 / 0 / 38 / 23

HEX #9FC57B

RGB 159 197 123

HSL 90.81, 0.39%, 0.63%

LAB 75.29, -25.65, 33.07

 

CMYK 38 / 35 / 0 / 23

HEX #7B81C5

RGB 123 129 197

HSL 235.14, 0.39%, 0.63%

LAB 56.03, 14.5, -36.12

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 38 / 0 / 25 / 23

HEX #7BC593

RGB 123 197 147

HSL 139.46, 0.39%, 0.63%

LAB 73.71, -33.83, 17.96

 

CMYK 25 / 38 / 0 / 23

HEX #937BC5

RGB 147 123 197

HSL 259.46, 0.39%, 0.63%

LAB 56.49, 24.91, -35.26

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 19 / 0 / 38 / 23

HEX #9FC57B

RGB 159 197 123

HSL 90.81, 0.39%, 0.63%

LAB 75.29, -25.65, 33.07

 

CMYK 38 / 12 / 0 / 23

HEX #7BAEC5

RGB 123 174 197

HSL 198.65, 0.39%, 0.63%

LAB 68.4, -11.01, -17.07

 

CMYK 18 / 38 / 0 / 23

HEX #A17BC5

RGB 161 123 197

HSL 270.81, 0.39%, 0.63%

LAB 57.82, 29.12, -33.07

 

CMYK 0 / 25 / 38 / 23

HEX #C5937B

RGB 197 147 123

HSL 19.46, 0.39%, 0.63%

LAB 65.1, 15.65, 20.05

 

CMYK 30 / 0 / 38 / 23

HEX #89C57B

RGB 137 197 123

HSL 108.65, 0.39%, 0.63%

LAB 73.99, -33.43, 31.12

 

CMYK 38 / 12 / 0 / 23

HEX #7BAEC5

RGB 123 174 197

HSL 198.65, 0.39%, 0.63%

LAB 68.4, -11.01, -17.07

 

CMYK 7 / 38 / 0 / 23

HEX #B77BC5

RGB 183 123 197

HSL 288.65, 0.39%, 0.63%

LAB 60.13, 35.93, -29.32

 

Description

Color code: RGB 197 147 123 | qconv.com Color code: RGB 197 147 123 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 147 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 147 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 38 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 38% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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