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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197.3 198.4 125 it is the complementary color RGB 57.7 56.6 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197.3 198.4 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197.3 198.4 125 shade: RGB 202.3 198.4 120, RGB 219.3 216.4 139, RGB 236.3 234.4 158, RGB 253.3 252.4 177 and RGB 255 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197.3 198.4 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197.3 198.4 125 shade: RGB 197.3 198.4 125, RGB 180.3 180.4 106, RGB 163.3 162.4 87, RGB 146.3 144.4 68 and RGB 129.3 126.4 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197.3 198.4 125 shade: RGB 196 197 124, RGB 197 179 124, RGB 197 159 124, RGB 197 139 124 and RGB 197 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197.3 198.4 125 shade: RGB 196 197 124, RGB 176 197 124, RGB 157 197 124, RGB 137 197 124 and RGB 124 197 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197.3 198.4 125 shade matches the following richer shades: RGB 196 197 124, RGB 211 213 109, RGB 226 228 93 and RGB 241 243 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197.3 198.4 125 shade: RGB 196 197 124, RGB 182 182 139, RGB 167 167 154, RGB 152 152 170 and RGB 137 136 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197.3 198.4 125 shade: RGB 197 158 124, RGB 197 178 124, RGB 197 197 124, RGB 178 197 124 and RGB 158 197 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197.3 198.4 125 shade: RGB 165 166 73, RGB 184 185 95, RGB 196 197 124, RGB 209 210 153 and RGB 222 223 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197.3 198.4 125 shade: RGB 197.3 198.4 125, RGB 124 197 139 and RGB 168 124 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197.3 198.4 125 shade: RGB 197.3 198.4 125, RGB 124 197 197 and RGB 197 124 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197.3 198.4 125 shade: RGB 197.3 198.4 125, RGB 124 197 139, RGB 124 124 197 and RGB 197 124 183

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197.3 198.4 125 shade: RGB 197.3 198.4 125, RGB 124 197 161, RGB 124 124 197 and RGB 197 124 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

Complementary color

CMYK 56 / 56 / 0 / 49

HEX #393882

RGB 57.7 56.6 130

HSL 240.9, 0.39%, 0.37%

LAB 27.82, 22.7, -41.42

 

CMYK 0 / 2 / 41 / 21

HEX #CAC678

RGB 202.3 198.4 120

HSL 57.16, 0.44%, 0.63%

LAB 78.77, -9.99, 39.7

 

CMYK 0 / 1 / 37 / 14

HEX #DBD88B

RGB 219.3 216.4 139

HSL 57.83, 0.53%, 0.7%

LAB 85.14, -10.35, 38.52

 

CMYK 0 / 1 / 33 / 7

HEX #ECEA9E

RGB 236.3 234.4 158

HSL 58.54, 0.68%, 0.77%

LAB 91.43, -10.66, 37.39

 

CMYK 0 / 0 / 30 / 1

HEX #FDFCB1

RGB 253.3 252.4 177

HSL 59.29, 0.96%, 0.84%

LAB 97.63, -10.92, 36.3

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

CMYK 0 / 0 / 41 / 29

HEX #B4B46A

RGB 180.3 180.4 106

HSL 60.08, 0.33%, 0.56%

LAB 71.95, -11.09, 37.85

 

CMYK 0 / 1 / 47 / 36

HEX #A3A257

RGB 163.3 162.4 87

HSL 59.29, 0.3%, 0.49%

LAB 65.35, -10.67, 39.07

 

CMYK 0 / 1 / 54 / 43

HEX #929044

RGB 146.3 144.4 68

HSL 58.54, 0.37%, 0.42%

LAB 58.62, -10.15, 40.28

 

CMYK 0 / 2 / 62 / 49

HEX #817E31

RGB 129.3 126.4 49

HSL 57.83, 0.45%, 0.35%

LAB 51.77, -9.47, 41.37

 

CMYK 1 / 0 / 37 / 23

HEX #C4C57C

RGB 196 197 124

HSL 60.82, 0.39%, 0.63%

LAB 77.95, -11.34, 36.52

 

CMYK 0 / 9 / 37 / 23

HEX #C5B37C

RGB 197 179 124

HSL 45.21, 0.39%, 0.63%

LAB 73.26, -1.56, 30.45

 

CMYK 0 / 19 / 37 / 23

HEX #C59F7C

RGB 197 159 124

HSL 28.77, 0.39%, 0.63%

LAB 68.11, 9.2, 23.59

 

CMYK 0 / 29 / 37 / 23

HEX #C58B7C

RGB 197 139 124

HSL 12.33, 0.39%, 0.63%

LAB 63.17, 20.17, 16.85

 

CMYK 0 / 37 / 37 / 23

HEX #C57C7C

RGB 197 124 124

HSL 0, 0.39%, 0.63%

LAB 59.65, 28.39, 11.95

 

CMYK 1 / 0 / 37 / 23

HEX #C4C57C

RGB 196 197 124

HSL 60.82, 0.39%, 0.63%

LAB 77.95, -11.34, 36.52

 

CMYK 11 / 0 / 37 / 23

HEX #B0C57C

RGB 176 197 124

HSL 77.26, 0.39%, 0.63%

LAB 76.45, -19.13, 34.28

 

CMYK 20 / 0 / 37 / 23

HEX #9DC57C

RGB 157 197 124

HSL 92.88, 0.39%, 0.63%

LAB 75.17, -26.24, 32.38

 

CMYK 30 / 0 / 37 / 23

HEX #89C57C

RGB 137 197 124

HSL 109.32, 0.39%, 0.63%

LAB 74, -33.28, 30.63

 

CMYK 37 / 0 / 34 / 23

HEX #7CC583

RGB 124 197 131

HSL 125.75, 0.39%, 0.63%

LAB 73.45, -36.38, 26.12

 

CMYK 1 / 0 / 37 / 23

HEX #C4C57C

RGB 196 197 124

HSL 60.82, 0.39%, 0.63%

LAB 77.95, -11.34, 36.52

 

CMYK 1 / 0 / 49 / 16

HEX #D3D56D

RGB 211 213 109

HSL 61.15, 0.55%, 0.63%

LAB 83.2, -14.96, 50.69

 

CMYK 1 / 0 / 59 / 11

HEX #E2E45D

RGB 226 228 93

HSL 60.89, 0.71%, 0.63%

LAB 88.18, -17.58, 63.85

 

CMYK 1 / 0 / 68 / 5

HEX #F1F34E

RGB 241 243 78

HSL 60.73, 0.87%, 0.63%

LAB 93.17, -19.66, 75.25

 

CMYK 1 / 0 / 37 / 23

HEX #C4C57C

RGB 196 197 124

HSL 60.82, 0.39%, 0.63%

LAB 77.95, -11.34, 36.52

 

CMYK 0 / 0 / 24 / 29

HEX #B6B68B

RGB 182 182 139

HSL 60, 0.23%, 0.63%

LAB 73.07, -7.1, 21.96

 

CMYK 0 / 0 / 8 / 35

HEX #A7A79A

RGB 167 167 154

HSL 60, 0.07%, 0.63%

LAB 68.16, -2.37, 6.72

 

CMYK 11 / 11 / 0 / 33

HEX #9898AA

RGB 152 152 170

HSL 240, 0.1%, 0.63%

LAB 63.37, 3.65, -9.38

 

CMYK 26 / 26 / 0 / 27

HEX #8988B9

RGB 137 136 185

HSL 241.22, 0.26%, 0.63%

LAB 58.44, 11.33, -25.47

 

CMYK 0 / 20 / 37 / 23

HEX #C59E7C

RGB 197 158 124

HSL 27.95, 0.39%, 0.63%

LAB 67.86, 9.74, 23.25

 

CMYK 0 / 10 / 37 / 23

HEX #C5B27C

RGB 197 178 124

HSL 44.38, 0.39%, 0.63%

LAB 73, -1.03, 30.1

 

CMYK 0 / 0 / 37 / 23

HEX #C5C57C

RGB 197 197 124

HSL 60, 0.39%, 0.63%

LAB 78.03, -10.94, 36.63

 

CMYK 10 / 0 / 37 / 23

HEX #B2C57C

RGB 178 197 124

HSL 75.62, 0.39%, 0.63%

LAB 76.59, -18.36, 34.5

 

CMYK 20 / 0 / 37 / 23

HEX #9EC57C

RGB 158 197 124

HSL 92.05, 0.39%, 0.63%

LAB 75.24, -25.88, 32.48

 

CMYK 1 / 0 / 56 / 35

HEX #A5A649

RGB 165 166 73

HSL 60.65, 0.39%, 0.47%

LAB 66.33, -13.1, 47.13

 

CMYK 1 / 0 / 49 / 27

HEX #B8B95F

RGB 184 185 95

HSL 60.67, 0.39%, 0.55%

LAB 73.36, -13.05, 45.15

 

CMYK 1 / 0 / 37 / 23

HEX #C4C57C

RGB 196 197 124

HSL 60.82, 0.39%, 0.63%

LAB 77.95, -11.34, 36.52

 

CMYK 0 / 0 / 27 / 18

HEX #D1D299

RGB 209 210 153

HSL 61.05, 0.39%, 0.71%

LAB 82.89, -9.35, 28.23

 

CMYK 0 / 0 / 19 / 13

HEX #DEDFB5

RGB 222 223 181

HSL 61.43, 0.4%, 0.79%

LAB 87.8, -7.21, 20.52

 

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

CMYK 37 / 0 / 29 / 23

HEX #7CC58B

RGB 124 197 139

HSL 132.33, 0.39%, 0.63%

LAB 73.6, -35, 22.09

 

CMYK 15 / 37 / 0 / 23

HEX #A87CC5

RGB 168 124 197

HSL 276.16, 0.39%, 0.63%

LAB 58.76, 30.71, -31.56

 

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

CMYK 37 / 0 / 0 / 23

HEX #7CC5C5

RGB 124 197 197

HSL 180, 0.39%, 0.63%

LAB 74.98, -22.67, -7.21

 

CMYK 0 / 37 / 0 / 23

HEX #C57CC5

RGB 197 124 197

HSL 300, 0.39%, 0.63%

LAB 61.93, 39.77, -26.41

 

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

CMYK 37 / 0 / 29 / 23

HEX #7CC58B

RGB 124 197 139

HSL 132.33, 0.39%, 0.63%

LAB 73.6, -35, 22.09

 

CMYK 37 / 37 / 0 / 23

HEX #7C7CC5

RGB 124 124 197

HSL 240, 0.39%, 0.63%

LAB 54.79, 17.74, -38.05

 

CMYK 0 / 37 / 7 / 23

HEX #C57CB7

RGB 197 124 183

HSL 311.51, 0.39%, 0.63%

LAB 61.4, 37.23, -19.28

 

CMYK 1 / 0 / 37 / 22

HEX #C5C67D

RGB 197.3 198.4 125

HSL 60.9, 0.39%, 0.63%

LAB 78.44, -11.42, 36.66

 

CMYK 37 / 0 / 18 / 23

HEX #7CC5A1

RGB 124 197 161

HSL 150.41, 0.39%, 0.63%

LAB 74.06, -30.78, 10.94

 

CMYK 37 / 37 / 0 / 23

HEX #7C7CC5

RGB 124 124 197

HSL 240, 0.39%, 0.63%

LAB 54.79, 17.74, -38.05

 

CMYK 0 / 37 / 18 / 23

HEX #C57CA1

RGB 197 124 161

HSL 329.59, 0.39%, 0.63%

LAB 60.66, 33.57, -7.84

 

Description

Color code: RGB 197.3 198.4 125 | qconv.com Color code: RGB 197.3 198.4 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197.3 red, 198.4 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197.3 198.4 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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