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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 184 30 it is the complementary color RGB 60 71 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 184 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 184 30: RGB 200 184 25, RGB 217 202 44, RGB 234 220 63, RGB 251 238 82 and RGB 255 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 184 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 184 30: RGB 195 184 30, RGB 178 166 11, RGB 161 148 0, RGB 144 130 0 and RGB 127 112 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

Complementary color

CMYK 73 / 68 / 0 / 12

HEX #3C47E1

RGB 60 71 225

HSL 236, 0.73%, 0.56%

LAB 39.42, 46.7, -79.02

 

CMYK 0 / 8 / 88 / 22

HEX #C8B819

RGB 200 184 25

HSL 54.51, 0.78%, 0.44%

LAB 73.95, -9.52, 72.2

 

CMYK 0 / 7 / 80 / 15

HEX #D9CA2C

RGB 217 202 44

HSL 54.8, 0.69%, 0.51%

LAB 80.28, -10.85, 73.49

 

CMYK 0 / 6 / 73 / 8

HEX #EADC3F

RGB 234 220 63

HSL 55.09, 0.8%, 0.58%

LAB 86.52, -11.99, 73.83

 

CMYK 0 / 5 / 67 / 2

HEX #FBEE52

RGB 251 238 82

HSL 55.38, 0.95%, 0.65%

LAB 92.69, -12.96, 73.57

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 0 / 7 / 94 / 30

HEX #B2A60B

RGB 178 166 11

HSL 55.69, 0.88%, 0.37%

LAB 67.1, -10.14, 68.36

 

CMYK 0 / 8 / 100 / 37

HEX #A19400

RGB 161 148 0

HSL 55.16, 1%, 0.32%

LAB 60.57, -8.44, 64.34

 

CMYK 0 / 10 / 100 / 44

HEX #908200

RGB 144 130 0

HSL 54.17, 1%, 0.28%

LAB 53.91, -6.54, 58.83

 

CMYK 0 / 12 / 100 / 50

HEX #7F7000

RGB 127 112 0

HSL 52.91, 1%, 0.25%

LAB 47.11, -4.56, 53.19

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 9 / 0 / 85 / 24

HEX #B1C21E

RGB 177 194 30

HSL 66.22, 0.73%, 0.44%

LAB 74.84, -24.32, 71.1

 

CMYK 23 / 0 / 85 / 24

HEX #96C21E

RGB 150 194 30

HSL 76.1, 0.73%, 0.44%

LAB 73, -35.4, 68.8

 

CMYK 37 / 0 / 85 / 24

HEX #7BC21E

RGB 123 194 30

HSL 85.98, 0.73%, 0.44%

LAB 71.48, -45.59, 66.9

 

CMYK 51 / 0 / 85 / 24

HEX #5FC21E

RGB 95 194 30

HSL 96.22, 0.73%, 0.44%

LAB 70.25, -54.68, 65.35

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 0 / 6 / 85 / 4

HEX #F6E826

RGB 246 232 38

HSL 55.96, 0.92%, 0.56%

LAB 90.53, -13.71, 84.58

 

CMYK 0 / 5 / 86 / 84

HEX #2A2806

RGB 42 40 6

HSL 56.67, 0.75%, 0.09%

LAB 15.61, -4.3, 20.18

 

CMYK 0 / 5 / 85 / 64

HEX #5D580E

RGB 93 88 14

HSL 56.2, 0.74%, 0.21%

LAB 36.63, -6.96, 39.86

 

CMYK 0 / 6 / 85 / 44

HEX #908816

RGB 144 136 22

HSL 56.07, 0.73%, 0.33%

LAB 55.68, -9.36, 55.82

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 85 / 0 / 73 / 24

HEX #1EC234

RGB 30 194 52

HSL 128.05, 0.73%, 0.44%

LAB 68.83, -66.05, 56.87

 

CMYK 40 / 85 / 0 / 24

HEX #751EC2

RGB 117 30 194

HSL 271.83, 0.73%, 0.44%

LAB 35.21, 63.91, -67.81

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 85 / 0 / 6 / 24

HEX #1EC2B7

RGB 30 194 183

HSL 175.98, 0.73%, 0.44%

LAB 71.06, -41.1, -5.68

 

CMYK 6 / 85 / 0 / 24

HEX #B71EC2

RGB 183 30 194

HSL 295.98, 0.73%, 0.44%

LAB 45.48, 74.39, -50.67

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 85 / 0 / 73 / 24

HEX #1EC234

RGB 30 194 52

HSL 128.05, 0.73%, 0.44%

LAB 68.83, -66.05, 56.87

 

CMYK 85 / 79 / 0 / 24

HEX #1E29C2

RGB 30 41 194

HSL 235.98, 0.73%, 0.44%

LAB 28.79, 51.08, -78.67

 

CMYK 0 / 85 / 11 / 24

HEX #C21EAC

RGB 194 30 172

HSL 308.05, 0.73%, 0.44%

LAB 46.15, 73.16, -36.58

 

CMYK 0 / 6 / 85 / 24

HEX #C3B81E

RGB 195 184 30

HSL 56, 0.73%, 0.44%

LAB 73.53, -11.59, 70.59

 

CMYK 85 / 0 / 48 / 24

HEX #1EC265

RGB 30 194 101

HSL 145.98, 0.73%, 0.44%

LAB 69.33, -59.97, 35.7

 

CMYK 85 / 79 / 0 / 24

HEX #1E29C2

RGB 30 41 194

HSL 235.98, 0.73%, 0.44%

LAB 28.79, 51.08, -78.67

 

CMYK 0 / 85 / 37 / 24

HEX #C21E7B

RGB 194 30 123

HSL 325.98, 0.73%, 0.44%

LAB 43.99, 67.21, -10.31

 

Description

Color code: RGB 195 184 30 | qconv.com Color code: RGB 195 184 30 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 184 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 184 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 85 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 85% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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