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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 138 115 it is the complementary color RGB 60 117 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 138 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 195 138 115: RGB 200 138 110, RGB 217 156 129, RGB 234 174 148, RGB 251 192 167 and RGB 255 210 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 138 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 195 138 115: RGB 195 138 115, RGB 178 120 96, RGB 161 102 77, RGB 144 84 58 and RGB 127 66 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

Complementary color

CMYK 57 / 16 / 0 / 45

HEX #3C758C

RGB 60 117 140

HSL 197.25, 0.4%, 0.39%

LAB 46.41, -11.69, -18.25

 

CMYK 0 / 31 / 45 / 22

HEX #C88A6E

RGB 200 138 110

HSL 18.67, 0.45%, 0.61%

LAB 63, 20.33, 24.51

 

CMYK 0 / 28 / 41 / 15

HEX #D99C81

RGB 217 156 129

HSL 18.41, 0.54%, 0.68%

LAB 69.55, 19.4, 23.15

 

CMYK 0 / 26 / 37 / 8

HEX #EAAE94

RGB 234 174 148

HSL 18.14, 0.67%, 0.75%

LAB 76.01, 18.58, 21.92

 

CMYK 0 / 24 / 33 / 2

HEX #FBC0A7

RGB 251 192 167

HSL 17.86, 0.91%, 0.82%

LAB 82.38, 17.84, 20.78

 

CMYK 0 / 18 / 27 / 0

HEX #FFD2BA

RGB 255 210 186

HSL 20.87, 1%, 0.86%

LAB 87.44, 12.36, 17.83

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 0 / 33 / 46 / 30

HEX #B27860

RGB 178 120 96

HSL 17.56, 0.35%, 0.54%

LAB 55.83, 19.84, 22.38

 

CMYK 0 / 37 / 52 / 37

HEX #A1664D

RGB 161 102 77

HSL 17.86, 0.35%, 0.47%

LAB 49.03, 20.97, 23.96

 

CMYK 0 / 42 / 60 / 44

HEX #90543A

RGB 144 84 58

HSL 18.14, 0.43%, 0.4%

LAB 42.12, 22.29, 25.75

 

CMYK 0 / 48 / 69 / 50

HEX #7F4227

RGB 127 66 39

HSL 18.41, 0.53%, 0.33%

LAB 35.11, 23.84, 27.8

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 0 / 23 / 41 / 24

HEX #C39773

RGB 195 151 115

HSL 27, 0.4%, 0.61%

LAB 65.73, 11.71, 25.29

 

CMYK 0 / 16 / 41 / 24

HEX #C3A473

RGB 195 164 115

HSL 36.75, 0.4%, 0.61%

LAB 69.03, 4.63, 29.65

 

CMYK 0 / 9 / 41 / 24

HEX #C3B273

RGB 195 178 115

HSL 47.25, 0.4%, 0.61%

LAB 72.68, -2.86, 34.38

 

CMYK 0 / 2 / 41 / 24

HEX #C3BF73

RGB 195 191 115

HSL 57, 0.4%, 0.61%

LAB 76.13, -9.65, 38.78

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 0 / 29 / 41 / 4

HEX #F6AE91

RGB 246 174 145

HSL 17.23, 0.85%, 0.77%

LAB 77.23, 22.88, 25.4

 

CMYK 0 / 29 / 40 / 84

HEX #2A1E19

RGB 42 30 25

HSL 17.65, 0.25%, 0.13%

LAB 12.55, 4.94, 5.68

 

CMYK 0 / 29 / 41 / 64

HEX #5D4237

RGB 93 66 55

HSL 17.37, 0.26%, 0.29%

LAB 30.64, 10.06, 11.3

 

CMYK 0 / 29 / 41 / 44

HEX #906655

RGB 144 102 85

HSL 17.29, 0.26%, 0.45%

LAB 47.09, 14.62, 16.32

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 20 / 0 / 41 / 24

HEX #9CC373

RGB 156 195 115

HSL 89.25, 0.4%, 0.61%

LAB 74.4, -26.84, 36

 

CMYK 41 / 36 / 0 / 24

HEX #737DC3

RGB 115 125 195

HSL 232.5, 0.4%, 0.61%

LAB 54.29, 14.15, -37.74

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 41 / 0 / 29 / 24

HEX #73C38A

RGB 115 195 138

HSL 137.25, 0.4%, 0.61%

LAB 72.57, -36.95, 21.14

 

CMYK 29 / 41 / 0 / 24

HEX #8A73C3

RGB 138 115 195

HSL 257.25, 0.4%, 0.61%

LAB 53.61, 26.46, -38.7

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 20 / 0 / 41 / 24

HEX #9CC373

RGB 156 195 115

HSL 89.25, 0.4%, 0.61%

LAB 74.4, -26.84, 36

 

CMYK 41 / 12 / 0 / 24

HEX #73ACC3

RGB 115 172 195

HSL 197.25, 0.4%, 0.61%

LAB 67.34, -12.6, -17.6

 

CMYK 21 / 41 / 0 / 24

HEX #9A73C3

RGB 154 115 195

HSL 269.25, 0.4%, 0.61%

LAB 55.15, 31.13, -36.17

 

CMYK 0 / 29 / 41 / 24

HEX #C38A73

RGB 195 138 115

HSL 17.25, 0.4%, 0.61%

LAB 62.52, 18.86, 20.98

 

CMYK 32 / 0 / 41 / 24

HEX #85C373

RGB 133 195 115

HSL 106.5, 0.4%, 0.61%

LAB 73.06, -35.02, 34

 

CMYK 41 / 12 / 0 / 24

HEX #73ACC3

RGB 115 172 195

HSL 197.25, 0.4%, 0.61%

LAB 67.34, -12.6, -17.6

 

CMYK 9 / 41 / 0 / 24

HEX #B273C3

RGB 178 115 195

HSL 287.25, 0.4%, 0.61%

LAB 57.72, 38.36, -31.96

 

Description

Color code: RGB 195 138 115 | qconv.com Color code: RGB 195 138 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 138 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 138 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 41 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 41% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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