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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 87 173 it is the complementary color RGB 61 168 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 87 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 194 87 173: RGB 199 87 168, RGB 216 105 187, RGB 233 123 206, RGB 250 141 225 and RGB 255 159 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 87 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 194 87 173: RGB 194 87 173, RGB 177 69 154, RGB 160 51 135, RGB 143 33 116 and RGB 126 15 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

Complementary color

CMYK 64 / 0 / 51 / 34

HEX #3DA852

RGB 61 168 82

HSL 131.78, 0.47%, 0.45%

LAB 61.31, -49.07, 35.38

 

CMYK 0 / 56 / 16 / 22

HEX #C757A8

RGB 199 87 168

HSL 316.61, 0.5%, 0.56%

LAB 53.8, 54.18, -22.25

 

CMYK 0 / 51 / 13 / 15

HEX #D869BB

RGB 216 105 187

HSL 315.68, 0.59%, 0.63%

LAB 60.15, 53.63, -23.26

 

CMYK 0 / 47 / 12 / 9

HEX #E97BCE

RGB 233 123 206

HSL 314.73, 0.71%, 0.7%

LAB 66.48, 52.98, -24.1

 

CMYK 0 / 44 / 10 / 2

HEX #FA8DE1

RGB 250 141 225

HSL 313.76, 0.92%, 0.77%

LAB 72.77, 52.27, -24.82

 

CMYK 0 / 38 / 4 / 0

HEX #FF9FF4

RGB 255 159 244

HSL 306.88, 1%, 0.81%

LAB 77.63, 47.88, -27.68

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 61 / 13 / 31

HEX #B1459A

RGB 177 69 154

HSL 312.78, 0.44%, 0.48%

LAB 46.89, 53.88, -24.92

 

CMYK 0 / 68 / 16 / 37

HEX #A03387

RGB 160 51 135

HSL 313.76, 0.52%, 0.41%

LAB 40.56, 53.88, -23.47

 

CMYK 0 / 77 / 19 / 44

HEX #8F2174

RGB 143 33 116

HSL 314.73, 0.63%, 0.35%

LAB 34.37, 53.22, -21.5

 

CMYK 0 / 88 / 23 / 51

HEX #7E0F61

RGB 126 15 97

HSL 315.68, 0.79%, 0.28%

LAB 28.49, 51.41, -18.71

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 56 / 20 / 24

HEX #C2569C

RGB 194 86 156

HSL 321.11, 0.47%, 0.55%

LAB 52.43, 51.36, -17.38

 

CMYK 0 / 56 / 29 / 24

HEX #C2568A

RGB 194 86 138

HSL 331.11, 0.47%, 0.55%

LAB 51.79, 48.84, -7.68

 

CMYK 0 / 56 / 38 / 24

HEX #C25678

RGB 194 86 120

HSL 341.11, 0.47%, 0.55%

LAB 51.25, 46.63, 2.25

 

CMYK 0 / 56 / 47 / 24

HEX #C25666

RGB 194 86 102

HSL 351.11, 0.47%, 0.55%

LAB 50.79, 44.72, 12.36

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 55 / 11 / 4

HEX #F56EDA

RGB 245 110 218

HSL 312, 0.87%, 0.7%

LAB 66.23, 64.43, -31.05

 

CMYK 0 / 56 / 10 / 84

HEX #291225

RGB 41 18 37

HSL 310.43, 0.39%, 0.12%

LAB 9.3, 15.37, -8.01

 

CMYK 0 / 55 / 11 / 64

HEX #5C2952

RGB 92 41 82

HSL 311.76, 0.38%, 0.26%

LAB 25.17, 29.4, -14.46

 

CMYK 0 / 55 / 10 / 44

HEX #8F4080

RGB 143 64 128

HSL 311.39, 0.38%, 0.41%

LAB 39.69, 41.99, -20.73

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 35 / 56 / 24

HEX #C27F56

RGB 194 127 86

HSL 22.78, 0.47%, 0.55%

LAB 59.27, 21.64, 32.79

 

CMYK 56 / 0 / 12 / 24

HEX #56C2AA

RGB 86 194 170

HSL 166.67, 0.47%, 0.55%

LAB 71.87, -36.86, 2.72

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 10 / 0 / 56 / 24

HEX #AEC256

RGB 174 194 86

HSL 71.11, 0.47%, 0.55%

LAB 74.98, -22.46, 51.13

 

CMYK 56 / 10 / 0 / 24

HEX #56AEC2

RGB 86 174 194

HSL 191.11, 0.47%, 0.55%

LAB 66.63, -20.68, -18.25

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 35 / 56 / 24

HEX #C27F56

RGB 194 127 86

HSL 22.78, 0.47%, 0.55%

LAB 59.27, 21.64, 32.79

 

CMYK 56 / 0 / 45 / 24

HEX #56C26A

RGB 86 194 106

HSL 131.11, 0.47%, 0.55%

LAB 70.6, -49.81, 35.03

 

CMYK 56 / 22 / 0 / 24

HEX #5698C2

RGB 86 152 194

HSL 203.33, 0.47%, 0.55%

LAB 60.19, -8.87, -28.12

 

CMYK 0 / 55 / 11 / 24

HEX #C257AD

RGB 194 87 173

HSL 311.78, 0.47%, 0.55%

LAB 53.28, 53.51, -26.02

 

CMYK 0 / 18 / 56 / 24

HEX #C2A056

RGB 194 160 86

HSL 41.11, 0.47%, 0.55%

LAB 67.49, 3.56, 42.82

 

CMYK 56 / 0 / 45 / 24

HEX #56C26A

RGB 86 194 106

HSL 131.11, 0.47%, 0.55%

LAB 70.6, -49.81, 35.03

 

CMYK 56 / 38 / 0 / 24

HEX #5678C2

RGB 86 120 194

HSL 221.11, 0.47%, 0.55%

LAB 51.04, 9.85, -42.42

 

Description

Color code: RGB 194 87 173 | qconv.com Color code: RGB 194 87 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 87 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 87 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 11 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 11% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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