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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 173 153 it is the complementary color RGB 62 82 102. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 173 153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 173 153: RGB 198 173 148, RGB 215 191 167, RGB 232 209 186, RGB 249 227 205 and RGB 255 245 224

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 173 153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 173 153: RGB 193 173 153, RGB 176 155 134, RGB 159 137 115, RGB 142 119 96 and RGB 125 101 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

Complementary color

CMYK 39 / 20 / 0 / 60

HEX #3E5266

RGB 62 82 102

HSL 210, 0.24%, 0.32%

LAB 34.02, -2.08, -14.04

 

CMYK 0 / 13 / 25 / 22

HEX #C6AD94

RGB 198 173 148

HSL 30, 0.3%, 0.68%

LAB 72.25, 5.16, 16.18

 

CMYK 0 / 11 / 22 / 16

HEX #D7BFA7

RGB 215 191 167

HSL 30, 0.38%, 0.75%

LAB 78.75, 4.76, 15.22

 

CMYK 0 / 10 / 20 / 9

HEX #E8D1BA

RGB 232 209 186

HSL 30, 0.5%, 0.82%

LAB 85.15, 4.39, 14.32

 

CMYK 0 / 9 / 18 / 2

HEX #F9E3CD

RGB 249 227 205

HSL 30, 0.79%, 0.89%

LAB 91.45, 4.06, 13.47

 

CMYK 0 / 4 / 12 / 0

HEX #FFF5E0

RGB 255 245 224

HSL 40.65, 1%, 0.94%

LAB 96.8, -0.08, 11.29

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 0 / 12 / 24 / 31

HEX #B09B86

RGB 176 155 134

HSL 30, 0.21%, 0.61%

LAB 65.27, 4.37, 13.85

 

CMYK 0 / 14 / 28 / 38

HEX #9F8973

RGB 159 137 115

HSL 30, 0.19%, 0.54%

LAB 58.51, 4.82, 14.88

 

CMYK 0 / 16 / 32 / 44

HEX #8E7760

RGB 142 119 96

HSL 30, 0.19%, 0.47%

LAB 51.6, 5.35, 15.99

 

CMYK 0 / 19 / 38 / 51

HEX #7D654D

RGB 125 101 77

HSL 30, 0.24%, 0.4%

LAB 44.52, 5.99, 17.23

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 0 / 7 / 20 / 25

HEX #C0B399

RGB 192 179 153

HSL 40, 0.24%, 0.68%

LAB 73.38, 0.38, 14.96

 

CMYK 0 / 3 / 20 / 25

HEX #C0BA99

RGB 192 186 153

HSL 50.77, 0.24%, 0.68%

LAB 75.22, -3.34, 17.52

 

CMYK 0 / 0 / 20 / 25

HEX #C0C099

RGB 192 192 153

HSL 60, 0.24%, 0.68%

LAB 76.8, -6.49, 19.72

 

CMYK 3 / 0 / 20 / 25

HEX #BAC099

RGB 186 192 153

HSL 69.23, 0.24%, 0.68%

LAB 76.34, -8.74, 19

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 0 / 10 / 21 / 4

HEX #F4DBC1

RGB 244 219 193

HSL 30.59, 0.7%, 0.86%

LAB 88.8, 4.62, 15.93

 

CMYK 0 / 10 / 20 / 84

HEX #282420

RGB 40 36 32

HSL 30, 0.11%, 0.14%

LAB 14.5, 0.99, 3.35

 

CMYK 0 / 10 / 21 / 64

HEX #5B5248

RGB 91 82 72

HSL 31.58, 0.12%, 0.32%

LAB 35.45, 1.83, 7.21

 

CMYK 0 / 11 / 20 / 44

HEX #8E7F71

RGB 142 127 113

HSL 28.97, 0.11%, 0.5%

LAB 54.16, 3.32, 9.69

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 14 / 0 / 20 / 25

HEX #A5C099

RGB 165 192 153

HSL 101.54, 0.24%, 0.68%

LAB 74.82, -16.43, 16.67

 

CMYK 18 / 20 / 0 / 25

HEX #9D99C0

RGB 157 153 192

HSL 246.15, 0.24%, 0.68%

LAB 64.77, 9.59, -19.59

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 20 / 0 / 10 / 25

HEX #99C0AD

RGB 153 192 173

HSL 150.77, 0.24%, 0.68%

LAB 74.5, -16.87, 5.3

 

CMYK 10 / 20 / 0 / 25

HEX #AD99C0

RGB 173 153 192

HSL 270.77, 0.24%, 0.68%

LAB 66.11, 14.85, -17.42

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 14 / 0 / 20 / 25

HEX #A5C099

RGB 165 192 153

HSL 101.54, 0.24%, 0.68%

LAB 74.82, -16.43, 16.67

 

CMYK 20 / 10 / 0 / 25

HEX #99ADC0

RGB 153 173 192

HSL 209.23, 0.24%, 0.68%

LAB 69.8, -2.8, -12.02

 

CMYK 6 / 20 / 0 / 25

HEX #B599C0

RGB 181 153 192

HSL 283.08, 0.24%, 0.68%

LAB 66.83, 17.53, -16.26

 

CMYK 0 / 10 / 21 / 24

HEX #C1AD99

RGB 193 173 153

HSL 30, 0.24%, 0.68%

LAB 71.91, 3.98, 12.9

 

CMYK 20 / 0 / 20 / 25

HEX #99C099

RGB 153 192 153

HSL 120, 0.24%, 0.68%

LAB 74.04, -20.63, 15.46

 

CMYK 20 / 10 / 0 / 25

HEX #99ADC0

RGB 153 173 192

HSL 209.23, 0.24%, 0.68%

LAB 69.8, -2.8, -12.02

 

CMYK 0 / 20 / 0 / 25

HEX #C099C0

RGB 192 153 192

HSL 300, 0.24%, 0.68%

LAB 67.87, 21.27, -14.6

 

Description

Color code: RGB 193 173 153 | qconv.com Color code: RGB 193 173 153 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 173 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 173 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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