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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 136 112 it is the complementary color RGB 62 119 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 136 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 193 136 112: RGB 198 136 107, RGB 215 154 126, RGB 232 172 145, RGB 249 190 164 and RGB 255 208 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 136 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 193 136 112: RGB 193 136 112, RGB 176 118 93, RGB 159 100 74, RGB 142 82 55 and RGB 125 64 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

Complementary color

CMYK 57 / 17 / 0 / 44

HEX #3E778F

RGB 62 119 143

HSL 197.78, 0.4%, 0.4%

LAB 47.24, -11.43, -18.76

 

CMYK 0 / 31 / 46 / 22

HEX #C6886B

RGB 198 136 107

HSL 19.12, 0.44%, 0.6%

LAB 62.23, 20.31, 25.12

NCS® S3030-Y60R

CMYK 0 / 28 / 41 / 16

HEX #D79A7E

RGB 215 154 126

HSL 18.88, 0.53%, 0.67%

LAB 68.8, 19.35, 23.74

 

CMYK 0 / 26 / 38 / 9

HEX #E8AC91

RGB 232 172 145

HSL 18.62, 0.65%, 0.74%

LAB 75.27, 18.52, 22.49

 

CMYK 0 / 24 / 34 / 2

HEX #F9BEA4

RGB 249 190 164

HSL 18.35, 0.88%, 0.81%

LAB 81.65, 17.77, 21.33

 

CMYK 0 / 18 / 28 / 0

HEX #FFD0B7

RGB 255 208 183

HSL 20.83, 1%, 0.86%

LAB 86.89, 13.01, 18.65

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 0 / 33 / 47 / 31

HEX #B0765D

RGB 176 118 93

HSL 18.07, 0.34%, 0.53%

LAB 55.05, 19.82, 23.01

 

CMYK 0 / 37 / 53 / 38

HEX #9F644A

RGB 159 100 74

HSL 18.35, 0.36%, 0.46%

LAB 48.23, 20.97, 24.62

 

CMYK 0 / 42 / 61 / 44

HEX #8E5237

RGB 142 82 55

HSL 18.62, 0.44%, 0.39%

LAB 41.31, 22.33, 26.44

 

CMYK 0 / 49 / 71 / 51

HEX #7D4024

RGB 125 64 36

HSL 18.88, 0.55%, 0.32%

LAB 34.3, 23.92, 28.52

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 0 / 23 / 42 / 24

HEX #C19470

RGB 193 148 112

HSL 26.67, 0.4%, 0.6%

LAB 64.71, 12.2, 25.55

 

CMYK 0 / 16 / 42 / 24

HEX #C1A270

RGB 193 162 112

HSL 37.04, 0.4%, 0.6%

LAB 68.28, 4.56, 30.24

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 0 / 2 / 42 / 24

HEX #C1BD70

RGB 193 189 112

HSL 57.04, 0.4%, 0.6%

LAB 75.39, -9.75, 39.34

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 0 / 30 / 42 / 4

HEX #F4AC8E

RGB 244 172 142

HSL 17.65, 0.82%, 0.76%

LAB 76.49, 22.84, 25.98

 

CMYK 0 / 30 / 43 / 84

HEX #281C17

RGB 40 28 23

HSL 17.65, 0.27%, 0.12%

LAB 11.58, 5, 5.75

 

CMYK 0 / 30 / 42 / 64

HEX #5B4035

RGB 91 64 53

HSL 17.37, 0.26%, 0.28%

LAB 29.78, 10.13, 11.38

 

CMYK 0 / 30 / 42 / 44

HEX #8E6452

RGB 142 100 82

HSL 18, 0.27%, 0.44%

LAB 46.28, 14.57, 16.96

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 20 / 0 / 42 / 24

HEX #9AC170

RGB 154 193 112

HSL 88.89, 0.4%, 0.6%

LAB 73.66, -27, 36.56

 

CMYK 42 / 37 / 0 / 24

HEX #7079C1

RGB 112 121 193

HSL 233.33, 0.4%, 0.6%

LAB 52.92, 15.18, -38.78

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 42 / 0 / 30 / 24

HEX #70C187

RGB 112 193 135

HSL 137.04, 0.4%, 0.6%

LAB 71.78, -37.46, 21.64

 

CMYK 30 / 42 / 0 / 24

HEX #8770C1

RGB 135 112 193

HSL 257.04, 0.4%, 0.6%

LAB 52.5, 26.86, -39.31

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 20 / 0 / 42 / 24

HEX #9AC170

RGB 154 193 112

HSL 88.89, 0.4%, 0.6%

LAB 73.66, -27, 36.56

 

CMYK 42 / 12 / 0 / 24

HEX #70AAC1

RGB 112 170 193

HSL 197.04, 0.4%, 0.6%

LAB 66.55, -12.84, -17.71

 

CMYK 22 / 42 / 0 / 24

HEX #9770C1

RGB 151 112 193

HSL 268.89, 0.4%, 0.6%

LAB 54.05, 31.49, -36.77

 

CMYK 0 / 30 / 42 / 24

HEX #C18870

RGB 193 136 112

HSL 17.78, 0.4%, 0.6%

LAB 61.75, 18.82, 21.59

 

CMYK 33 / 0 / 42 / 24

HEX #81C170

RGB 129 193 112

HSL 107.41, 0.4%, 0.6%

LAB 72.21, -35.88, 34.41

 

CMYK 42 / 12 / 0 / 24

HEX #70AAC1

RGB 112 170 193

HSL 197.04, 0.4%, 0.6%

LAB 66.55, -12.84, -17.71

 

CMYK 9 / 42 / 0 / 24

HEX #B070C1

RGB 176 112 193

HSL 287.41, 0.4%, 0.6%

LAB 56.75, 38.99, -32.34

 

Description

Color code: RGB 193 136 112 | qconv.com Color code: RGB 193 136 112 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 136 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 136 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 42 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 42% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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