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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 191.1 90.8 59 it is the complementary color RGB 63.9 164.2 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 191.1 90.8 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 191.1 90.8 59 shade: RGB 196.1 90.8 54, RGB 213.1 108.8 73, RGB 230.1 126.8 92, RGB 247.1 144.8 111 and RGB 255 162.8 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 191.1 90.8 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 191.1 90.8 59 shade: RGB 191.1 90.8 59, RGB 174.1 72.8 40, RGB 157.1 54.8 21, RGB 140.1 36.8 2 and RGB 123.1 18.8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 191.1 90.8 59 shade: RGB 191 91 59 and RGB 191 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 191.1 90.8 59 shade: RGB 191 91 59, RGB 191 126 59, RGB 191 162 59, RGB 185 191 59 and RGB 149 191 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 191.1 90.8 59 shade matches the following richer shades: RGB 191 91 59, RGB 211 80 39 and RGB 232 70 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 191.1 90.8 59 shade: RGB 191 91 59, RGB 171 101 79, RGB 151 112 99, RGB 131 122 119 and RGB 110 133 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 191.1 90.8 59 shade: RGB 191 59 98, RGB 191 59 63, RGB 191 90 59, RGB 191 125 59 and RGB 191 160 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 191.1 90.8 59 shade: RGB 128 61 39, RGB 160 76 49, RGB 191 91 59, RGB 204 116 88 and RGB 213 142 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 191.1 90.8 59 shade: RGB 191.1 90.8 59, RGB 134 191 59 and RGB 59 81 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 191.1 90.8 59 shade: RGB 191.1 90.8 59, RGB 59 191 90 and RGB 90 59 191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 191.1 90.8 59 shade: RGB 191.1 90.8 59, RGB 134 191 59, RGB 59 160 191 and RGB 116 59 191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 191.1 90.8 59 shade: RGB 191.1 90.8 59, RGB 94 191 59, RGB 59 160 191 and RGB 156 59 191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

Complementary color

CMYK 67 / 16 / 0 / 23

HEX #3FA4C4

RGB 63.9 164.2 196

HSL 194.44, 0.53%, 0.51%

LAB 63.09, -18.92, -24.83

 

CMYK 0 / 54 / 72 / 23

HEX #C45A36

RGB 196.1 90.8 54

HSL 15.54, 0.57%, 0.49%

LAB 51.23, 39.65, 40.59

 

CMYK 0 / 49 / 66 / 16

HEX #D56C49

RGB 213.1 108.8 73

HSL 15.33, 0.63%, 0.56%

LAB 57.59, 38.13, 38.39

 

CMYK 0 / 45 / 60 / 10

HEX #E67E5C

RGB 230.1 126.8 92

HSL 15.12, 0.73%, 0.63%

LAB 63.95, 36.71, 36.37

 

CMYK 0 / 41 / 55 / 3

HEX #F7906F

RGB 247.1 144.8 111

HSL 14.9, 0.9%, 0.7%

LAB 70.27, 35.41, 34.54

 

CMYK 0 / 36 / 49 / 0

HEX #FFA282

RGB 255 162.8 130

HSL 15.74, 1%, 0.75%

LAB 75.45, 30.73, 31.25

 

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

CMYK 0 / 58 / 77 / 32

HEX #AE4828

RGB 174.1 72.8 40

HSL 14.68, 0.63%, 0.42%

LAB 44.09, 39.51, 39.27

 

CMYK 0 / 65 / 87 / 38

HEX #9D3615

RGB 157.1 54.8 21

HSL 14.9, 0.76%, 0.35%

LAB 37.74, 41.02, 41.56

 

CMYK 0 / 74 / 99 / 45

HEX #8C2402

RGB 140.1 36.8 2

HSL 15.12, 0.97%, 0.28%

LAB 31.58, 42.22, 43.24

 

CMYK 0 / 85 / 100 / 52

HEX #7B1200

RGB 123.1 18.8 0

HSL 9.16, 1%, 0.24%

LAB 25.79, 42.67, 37.9

 

CMYK 0 / 52 / 69 / 25

HEX #BF5B3B

RGB 191 91 59

HSL 14.55, 0.53%, 0.49%

LAB 50.54, 37.83, 36.92

 

CMYK 0 / 69 / 69 / 25

HEX #BF3B3B

RGB 191 59 59

HSL 0, 0.53%, 0.49%

LAB 44.97, 52.52, 30.37

 

CMYK 0 / 52 / 69 / 25

HEX #BF5B3B

RGB 191 91 59

HSL 14.55, 0.53%, 0.49%

LAB 50.54, 37.83, 36.92

 

CMYK 0 / 34 / 69 / 25

HEX #BF7E3B

RGB 191 126 59

HSL 30.45, 0.53%, 0.49%

LAB 58.33, 19.03, 45.64

 

CMYK 0 / 15 / 69 / 25

HEX #BFA23B

RGB 191 162 59

HSL 46.82, 0.53%, 0.49%

LAB 67.45, -0.66, 55.27

 

CMYK 3 / 0 / 69 / 25

HEX #B9BF3B

RGB 185 191 59

HSL 62.73, 0.53%, 0.49%

LAB 74.76, -18.29, 62.48

 

CMYK 22 / 0 / 69 / 25

HEX #95BF3B

RGB 149 191 59

HSL 79.09, 0.53%, 0.49%

LAB 72.21, -33.04, 59.08

 

CMYK 0 / 52 / 69 / 25

HEX #BF5B3B

RGB 191 91 59

HSL 14.55, 0.53%, 0.49%

LAB 50.54, 37.83, 36.92

 

CMYK 0 / 62 / 82 / 17

HEX #D35027

RGB 211 80 39

HSL 14.3, 0.69%, 0.49%

LAB 51.53, 49.71, 49.17

 

CMYK 0 / 70 / 92 / 9

HEX #E84612

RGB 232 70 18

HSL 14.58, 0.86%, 0.49%

LAB 53.58, 60.44, 60.49

 

CMYK 0 / 52 / 69 / 25

HEX #BF5B3B

RGB 191 91 59

HSL 14.55, 0.53%, 0.49%

LAB 50.54, 37.83, 36.92

 

CMYK 0 / 41 / 54 / 33

HEX #AB654F

RGB 171 101 79

HSL 14.35, 0.37%, 0.49%

LAB 50.13, 25.89, 24.49

 

CMYK 0 / 26 / 34 / 41

HEX #977063

RGB 151 112 99

HSL 15, 0.21%, 0.49%

LAB 50.77, 13.56, 13.25

 

CMYK 0 / 7 / 9 / 49

HEX #837A77

RGB 131 122 119

HSL 15, 0.05%, 0.49%

LAB 51.92, 2.87, 2.87

 

CMYK 21 / 5 / 0 / 45

HEX #6E858C

RGB 110 133 140

HSL 194, 0.12%, 0.49%

LAB 54.01, -6.61, -6.51

 

CMYK 0 / 69 / 49 / 25

HEX #BF3B62

RGB 191 59 98

HSL 342.27, 0.53%, 0.49%

LAB 45.75, 55.27, 7.64

 

CMYK 0 / 69 / 67 / 25

HEX #BF3B3F

RGB 191 59 63

HSL 358.18, 0.53%, 0.49%

LAB 45.03, 52.74, 28.07

 

CMYK 0 / 53 / 69 / 25

HEX #BF5A3B

RGB 191 90 59

HSL 14.09, 0.53%, 0.49%

LAB 50.34, 38.34, 36.69

 

CMYK 0 / 35 / 69 / 25

HEX #BF7D3B

RGB 191 125 59

HSL 30, 0.53%, 0.49%

LAB 58.09, 19.58, 45.37

 

CMYK 0 / 16 / 69 / 25

HEX #BFA03B

RGB 191 160 59

HSL 45.91, 0.53%, 0.49%

LAB 66.93, 0.42, 54.73

 

CMYK 0 / 52 / 70 / 50

HEX #803D27

RGB 128 61 39

HSL 14.83, 0.53%, 0.33%

LAB 34.13, 27.1, 26.7

 

CMYK 0 / 53 / 69 / 37

HEX #A04C31

RGB 160 76 49

HSL 14.59, 0.53%, 0.41%

LAB 42.56, 32.78, 32.02

 

CMYK 0 / 52 / 69 / 25

HEX #BF5B3B

RGB 191 91 59

HSL 14.55, 0.53%, 0.49%

LAB 50.54, 37.83, 36.92

 

CMYK 0 / 43 / 57 / 20

HEX #CC7458

RGB 204 116 88

HSL 14.48, 0.53%, 0.57%

LAB 58.07, 31.84, 30.44

 

CMYK 0 / 33 / 44 / 16

HEX #D58E77

RGB 213 142 119

HSL 14.68, 0.53%, 0.65%

LAB 65.61, 24.3, 23.27

 

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

CMYK 30 / 0 / 69 / 25

HEX #86BF3B

RGB 134 191 59

HSL 85.91, 0.53%, 0.49%

LAB 71.31, -38.77, 57.88

 

CMYK 69 / 58 / 0 / 25

HEX #3B51BF

RGB 59 81 191

HSL 230, 0.53%, 0.49%

LAB 38.86, 28.54, -60.32

 

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

CMYK 69 / 0 / 53 / 25

HEX #3BBF5A

RGB 59 191 90

HSL 134.09, 0.53%, 0.49%

LAB 68.7, -56.8, 40.47

 

CMYK 53 / 69 / 0 / 25

HEX #5A3BBF

RGB 90 59 191

HSL 254.09, 0.53%, 0.49%

LAB 36.11, 46.71, -64.71

 

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

CMYK 30 / 0 / 69 / 25

HEX #86BF3B

RGB 134 191 59

HSL 85.91, 0.53%, 0.49%

LAB 71.31, -38.77, 57.88

 

CMYK 69 / 16 / 0 / 25

HEX #3BA0BF

RGB 59 160 191

HSL 194.09, 0.53%, 0.49%

LAB 61.51, -19.04, -24.47

 

CMYK 39 / 69 / 0 / 25

HEX #743BBF

RGB 116 59 191

HSL 265.91, 0.53%, 0.49%

LAB 38.9, 51.39, -60.03

 

CMYK 0 / 52 / 69 / 25

HEX #BF5A3B

RGB 191.1 90.8 59

HSL 14.44, 0.53%, 0.49%

LAB 50.51, 37.97, 36.9

 

CMYK 51 / 0 / 69 / 25

HEX #5EBF3B

RGB 94 191 59

HSL 104.09, 0.53%, 0.49%

LAB 69.44, -52.08, 55.35

 

CMYK 69 / 16 / 0 / 25

HEX #3BA0BF

RGB 59 160 191

HSL 194.09, 0.53%, 0.49%

LAB 61.51, -19.04, -24.47

 

CMYK 18 / 69 / 0 / 25

HEX #9C3BBF

RGB 156 59 191

HSL 284.09, 0.53%, 0.49%

LAB 44.17, 59.62, -51.26

 

Description

Color code: RGB 191.1 90.8 59 | qconv.com Color code: RGB 191.1 90.8 59 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191.1 red, 90.8 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191.1 90.8 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 69 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 69% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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