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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 245 0 it is the complementary color RGB 65 10 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 245 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 245 0: RGB 195 245 0, RGB 212 255 14, RGB 229 255 33, RGB 246 255 52 and RGB 255 255 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 245 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 245 0: RGB 190 245 0, RGB 173 227 0, RGB 156 209 0, RGB 139 191 0 and RGB 122 173 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

Complementary color

CMYK 75 / 96 / 0 / 0

HEX #410AFF

RGB 65 10 255

HSL 253.47, 1%, 0.52%

LAB 35.12, 78.7, -103.09

 

CMYK 20 / 0 / 100 / 4

HEX #C3F500

RGB 195 245 0

HSL 72.24, 1%, 0.48%

LAB 90.28, -41.04, 87.52

 

CMYK 17 / 0 / 95 / 0

HEX #D4FF0E

RGB 212 255 14

HSL 70.71, 1%, 0.53%

LAB 94.12, -38.72, 89.87

 

CMYK 10 / 0 / 87 / 0

HEX #E5FF21

RGB 229 255 33

HSL 67.03, 1%, 0.56%

LAB 95.28, -31.71, 88.85

 

CMYK 4 / 0 / 80 / 0

HEX #F6FF34

RGB 246 255 52

HSL 62.66, 1%, 0.6%

LAB 96.56, -24.39, 86.45

 

CMYK 0 / 0 / 72 / 0

HEX #FFFF47

RGB 255 255 71

HSL 60, 1%, 0.64%

LAB 97.32, -20.07, 82

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 24 / 0 / 100 / 11

HEX #ADE300

RGB 173 227 0

HSL 74.27, 1%, 0.45%

LAB 83.87, -41.65, 82.07

 

CMYK 25 / 0 / 100 / 18

HEX #9CD100

RGB 156 209 0

HSL 75.22, 1%, 0.41%

LAB 77.68, -40.32, 76.91

 

CMYK 27 / 0 / 100 / 25

HEX #8BBF00

RGB 139 191 0

HSL 76.34, 1%, 0.37%

LAB 71.39, -38.98, 71.67

 

CMYK 29 / 0 / 100 / 32

HEX #7AAD00

RGB 122 173 0

HSL 77.69, 1%, 0.34%

LAB 64.98, -37.62, 66.34

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 39 / 0 / 100 / 4

HEX #96F400

RGB 150 244 0

HSL 83.11, 1%, 0.48%

LAB 87.58, -56.95, 84.39

 

CMYK 55 / 0 / 100 / 4

HEX #6EF400

RGB 110 244 0

HSL 92.95, 1%, 0.48%

LAB 86.01, -68.87, 82.5

 

CMYK 72 / 0 / 100 / 4

HEX #45F400

RGB 69 244 0

HSL 103.03, 1%, 0.48%

LAB 84.98, -77.54, 81.24

 

CMYK 89 / 0 / 100 / 4

HEX #1CF400

RGB 28 244 0

HSL 113.11, 1%, 0.48%

LAB 84.46, -82.19, 80.6

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 22 / 0 / 100 / 84

HEX #202900

RGB 32 41 0

HSL 73.17, 1%, 0.08%

LAB 14.92, -11.02, 21.54

 

CMYK 23 / 0 / 100 / 64

HEX #475C00

RGB 71 92 0

HSL 73.7, 1%, 0.18%

LAB 35.97, -20.33, 42.78

 

CMYK 22 / 0 / 100 / 44

HEX #6F8F00

RGB 111 143 0

HSL 73.43, 1%, 0.28%

LAB 55.1, -28.22, 58.5

 

CMYK 23 / 0 / 100 / 24

HEX #96C200

RGB 150 194 0

HSL 73.61, 1%, 0.38%

LAB 72.94, -35.98, 73.15

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 100 / 0 / 59 / 4

HEX #00F465

RGB 0 244 101

HSL 144.84, 1%, 0.48%

LAB 84.81, -77.18, 54.44

 

CMYK 18 / 100 / 0 / 4

HEX #C700F4

RGB 199 0 244

HSL 288.93, 1%, 0.48%

LAB 50.3, 88.54, -71.34

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 100 / 22 / 0 / 4

HEX #00BFF4

RGB 0 191 244

HSL 193.03, 1%, 0.48%

LAB 72.09, -21.45, -37.33

 

CMYK 0 / 100 / 22 / 4

HEX #F400BF

RGB 244 0 191

HSL 313.03, 1%, 0.48%

LAB 55.07, 88.26, -33.06

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 100 / 0 / 59 / 4

HEX #00F465

RGB 0 244 101

HSL 144.84, 1%, 0.48%

LAB 84.81, -77.18, 54.44

 

CMYK 78 / 100 / 0 / 4

HEX #3500F4

RGB 53 0 244

HSL 253.03, 1%, 0.48%

LAB 32.45, 77.19, -101.37

 

CMYK 0 / 100 / 42 / 4

HEX #F4008E

RGB 244 0 142

HSL 325.08, 1%, 0.48%

LAB 53.15, 83.34, -7.13

 

CMYK 22 / 0 / 100 / 4

HEX #BEF500

RGB 190 245 0

HSL 73.47, 1%, 0.48%

LAB 89.98, -42.97, 87.15

 

CMYK 100 / 0 / 28 / 4

HEX #00F4AF

RGB 0 244 175

HSL 163.03, 1%, 0.48%

LAB 85.9, -64.27, 19.84

 

CMYK 78 / 100 / 0 / 4

HEX #3500F4

RGB 53 0 244

HSL 253.03, 1%, 0.48%

LAB 32.45, 77.19, -101.37

 

CMYK 0 / 100 / 72 / 4

HEX #F40045

RGB 244 0 69

HSL 343.03, 1%, 0.48%

LAB 51.45, 78.82, 34.67

 

Description

Color code: RGB 190 245 0 | qconv.com Color code: RGB 190 245 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 245 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 245 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 100% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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