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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 184 175 it is the complementary color RGB 65 71 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 184 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 184 175: RGB 195 184 170, RGB 212 202 189, RGB 229 220 208, RGB 246 238 227 and RGB 255 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 184 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 184 175: RGB 190 184 175, RGB 173 166 156, RGB 156 148 137, RGB 139 130 118 and RGB 122 112 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

Complementary color

CMYK 19 / 11 / 0 / 69

HEX #414750

RGB 65 71 80

HSL 216, 0.1%, 0.28%

LAB 29.93, -0.23, -6.21

 

CMYK 0 / 6 / 13 / 24

HEX #C3B8AA

RGB 195 184 170

HSL 33.6, 0.17%, 0.72%

LAB 75.32, 1.5, 8.5

 

CMYK 0 / 5 / 11 / 17

HEX #D4CABD

RGB 212 202 189

HSL 33.91, 0.21%, 0.79%

LAB 81.79, 1.26, 7.72

 

CMYK 0 / 4 / 9 / 10

HEX #E5DCD0

RGB 229 220 208

HSL 34.29, 0.29%, 0.86%

LAB 88.16, 1.04, 6.97

 

CMYK 0 / 3 / 8 / 4

HEX #F6EEE3

RGB 246 238 227

HSL 34.74, 0.51%, 0.93%

LAB 94.44, 0.83, 6.26

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF6

RGB 255 255 246

HSL 60, 1%, 0.98%

LAB 99.78, -1.54, 4.28

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 0 / 4 / 10 / 32

HEX #ADA69C

RGB 173 166 156

HSL 35.29, 0.09%, 0.65%

LAB 68.43, 0.74, 6.06

 

CMYK 0 / 5 / 12 / 39

HEX #9C9489

RGB 156 148 137

HSL 34.74, 0.09%, 0.57%

LAB 61.7, 0.98, 6.86

 

CMYK 0 / 6 / 15 / 45

HEX #8B8276

RGB 139 130 118

HSL 34.29, 0.08%, 0.5%

LAB 54.83, 1.24, 7.71

 

CMYK 0 / 8 / 19 / 52

HEX #7A7063

RGB 122 112 99

HSL 33.91, 0.1%, 0.43%

LAB 47.79, 1.55, 8.63

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 0 / 2 / 7 / 25

HEX #BEBBB0

RGB 190 187 176

HSL 47.14, 0.1%, 0.72%

LAB 75.84, -0.9, 5.93

 

CMYK 0 / 1 / 7 / 25

HEX #BEBDB0

RGB 190 189 176

HSL 55.71, 0.1%, 0.72%

LAB 76.36, -1.97, 6.68

 

CMYK 1 / 0 / 7 / 25

HEX #BDBEB0

RGB 189 190 176

HSL 64.29, 0.1%, 0.72%

LAB 76.55, -2.86, 6.94

 

CMYK 2 / 0 / 7 / 25

HEX #BABEB0

RGB 186 190 176

HSL 77.14, 0.1%, 0.72%

LAB 76.31, -3.93, 6.58

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 0 / 3 / 8 / 5

HEX #F1E9DE

RGB 241 233 222

HSL 34.74, 0.4%, 0.91%

LAB 92.69, 0.84, 6.29

 

CMYK 0 / 3 / 8 / 85

HEX #252422

RGB 37 36 34

HSL 40, 0.04%, 0.14%

LAB 14.23, -0.01, 1.5

 

CMYK 0 / 3 / 8 / 65

HEX #585551

RGB 88 85 81

HSL 34.29, 0.04%, 0.33%

LAB 36.3, 0.4, 2.76

 

CMYK 0 / 3 / 8 / 45

HEX #8B8780

RGB 139 135 128

HSL 38.18, 0.05%, 0.52%

LAB 56.46, 0.18, 4.28

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 6 / 0 / 7 / 25

HEX #B3BEB0

RGB 179 190 176

HSL 107.14, 0.1%, 0.72%

LAB 75.79, -6.41, 5.75

 

CMYK 6 / 7 / 0 / 25

HEX #B3B0BE

RGB 179 176 190

HSL 252.86, 0.1%, 0.72%

LAB 72.46, 3.75, -6.75

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB9

RGB 176 190 185

HSL 158.57, 0.1%, 0.72%

LAB 75.8, -5.77, 0.86

 

CMYK 3 / 7 / 0 / 25

HEX #B9B0BE

RGB 185 176 190

HSL 278.57, 0.1%, 0.72%

LAB 72.95, 5.81, -5.98

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 6 / 0 / 7 / 25

HEX #B3BEB0

RGB 179 190 176

HSL 107.14, 0.1%, 0.72%

LAB 75.79, -6.41, 5.75

 

CMYK 7 / 4 / 0 / 25

HEX #B0B6BE

RGB 176 182 190

HSL 214.29, 0.1%, 0.72%

LAB 73.81, -0.52, -4.79

 

CMYK 2 / 7 / 0 / 25

HEX #BBB0BE

RGB 187 176 190

HSL 287.14, 0.1%, 0.72%

LAB 73.11, 6.5, -5.72

 

CMYK 0 / 3 / 8 / 25

HEX #BEB8AF

RGB 190 184 175

HSL 36, 0.1%, 0.72%

LAB 75.03, 0.52, 5.31

 

CMYK 7 / 0 / 7 / 25

HEX #B0BEB1

RGB 176 190 177

HSL 124.29, 0.1%, 0.72%

LAB 75.6, -7.27, 4.9

 

CMYK 7 / 4 / 0 / 25

HEX #B0B6BE

RGB 176 182 190

HSL 214.29, 0.1%, 0.72%

LAB 73.81, -0.52, -4.79

 

CMYK 0 / 7 / 1 / 25

HEX #BEB0BD

RGB 190 176 189

HSL 304.29, 0.1%, 0.72%

LAB 73.33, 7.36, -4.81

 

Description

Color code: RGB 190 184 175 | qconv.com Color code: RGB 190 184 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 184 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 184 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 8 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 8% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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