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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190 166 141 it is the complementary color RGB 65 89 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190 166 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 190 166 141: RGB 195 166 136, RGB 212 184 155, RGB 229 202 174, RGB 246 220 193 and RGB 255 238 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190 166 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 190 166 141: RGB 190 166 141, RGB 173 148 122, RGB 156 130 103, RGB 139 112 84 and RGB 122 94 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

Complementary color

CMYK 43 / 22 / 0 / 55

HEX #415972

RGB 65 89 114

HSL 210.61, 0.27%, 0.35%

LAB 36.9, -1.91, -17.09

 

CMYK 0 / 15 / 30 / 24

HEX #C3A688

RGB 195 166 136

HSL 30.51, 0.33%, 0.65%

LAB 69.93, 6.12, 19.48

 

CMYK 0 / 13 / 27 / 17

HEX #D4B89B

RGB 212 184 155

HSL 30.53, 0.4%, 0.72%

LAB 76.46, 5.64, 18.44

 

CMYK 0 / 12 / 24 / 10

HEX #E5CAAE

RGB 229 202 174

HSL 30.55, 0.51%, 0.79%

LAB 82.89, 5.21, 17.46

 

CMYK 0 / 11 / 22 / 4

HEX #F6DCC1

RGB 246 220 193

HSL 30.57, 0.75%, 0.86%

LAB 89.22, 4.83, 16.54

 

CMYK 0 / 7 / 17 / 0

HEX #FFEED4

RGB 255 238 212

HSL 36.28, 1%, 0.92%

LAB 94.81, 1.63, 14.65

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 0 / 14 / 29 / 32

HEX #AD947A

RGB 173 148 122

HSL 30.59, 0.24%, 0.58%

LAB 62.9, 5.32, 17.21

 

CMYK 0 / 17 / 34 / 39

HEX #9C8267

RGB 156 130 103

HSL 30.57, 0.21%, 0.51%

LAB 56.1, 5.87, 18.35

 

CMYK 0 / 19 / 40 / 45

HEX #8B7054

RGB 139 112 84

HSL 30.55, 0.25%, 0.44%

LAB 49.15, 6.53, 19.59

 

CMYK 0 / 23 / 47 / 52

HEX #7A5E41

RGB 122 94 65

HSL 30.53, 0.3%, 0.37%

LAB 42.04, 7.34, 20.97

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 0 / 8 / 25 / 26

HEX #BDAD8D

RGB 189 173 141

HSL 40, 0.27%, 0.65%

LAB 71.3, 0.68, 18.55

 

CMYK 0 / 4 / 25 / 26

HEX #BDB58D

RGB 189 181 141

HSL 50, 0.27%, 0.65%

LAB 73.41, -3.59, 21.45

 

CMYK 0 / 0 / 25 / 26

HEX #BDBD8D

RGB 189 189 141

HSL 60, 0.27%, 0.65%

LAB 75.54, -7.79, 24.35

 

CMYK 4 / 0 / 25 / 26

HEX #B5BD8D

RGB 181 189 141

HSL 70, 0.27%, 0.65%

LAB 74.91, -10.85, 23.4

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 0 / 12 / 26 / 5

HEX #F1D3B3

RGB 241 211 179

HSL 30.97, 0.69%, 0.82%

LAB 86.28, 5.7, 19.7

 

CMYK 0 / 14 / 27 / 85

HEX #25201B

RGB 37 32 27

HSL 30, 0.16%, 0.13%

LAB 12.64, 1.32, 4.27

 

CMYK 0 / 13 / 26 / 65

HEX #584D41

RGB 88 77 65

HSL 31.3, 0.15%, 0.3%

LAB 33.49, 2.41, 8.8

 

CMYK 0 / 13 / 26 / 45

HEX #8B7967

RGB 139 121 103

HSL 30, 0.15%, 0.47%

LAB 52, 3.97, 12.43

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 17 / 0 / 25 / 26

HEX #9CBD8D

RGB 156 189 141

HSL 101.25, 0.27%, 0.65%

LAB 73.15, -20.1, 20.69

 

CMYK 23 / 25 / 0 / 26

HEX #928DBD

RGB 146 141 189

HSL 246.25, 0.27%, 0.65%

LAB 60.64, 12.23, -24.3

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 25 / 0 / 13 / 26

HEX #8DBDA5

RGB 141 189 165

HSL 150, 0.27%, 0.65%

LAB 72.74, -20.84, 7.02

 

CMYK 13 / 25 / 0 / 26

HEX #A58DBD

RGB 165 141 189

HSL 270, 0.27%, 0.65%

LAB 62.27, 18.34, -21.65

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 17 / 0 / 25 / 26

HEX #9CBD8D

RGB 156 189 141

HSL 101.25, 0.27%, 0.65%

LAB 73.15, -20.1, 20.69

 

CMYK 25 / 13 / 0 / 26

HEX #8DA5BD

RGB 141 165 189

HSL 210, 0.27%, 0.65%

LAB 66.71, -2.88, -15.09

 

CMYK 7 / 25 / 0 / 26

HEX #AF8DBD

RGB 175 141 189

HSL 282.5, 0.27%, 0.65%

LAB 63.21, 21.65, -20.14

 

CMYK 0 / 13 / 26 / 25

HEX #BEA68D

RGB 190 166 141

HSL 30.61, 0.27%, 0.65%

LAB 69.57, 4.85, 16.17

 

CMYK 25 / 0 / 25 / 26

HEX #8DBD8D

RGB 141 189 141

HSL 120, 0.27%, 0.65%

LAB 72.22, -25.34, 19.27

 

CMYK 25 / 13 / 0 / 26

HEX #8DA5BD

RGB 141 165 189

HSL 210, 0.27%, 0.65%

LAB 66.71, -2.88, -15.09

 

CMYK 0 / 25 / 0 / 26

HEX #BD8DBD

RGB 189 141 189

HSL 300, 0.27%, 0.65%

LAB 64.6, 26.34, -17.89

 

Description

Color code: RGB 190 166 141 | qconv.com Color code: RGB 190 166 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 166 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 166 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 26 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 26% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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