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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 190.1 201 128 it is the complementary color RGB 64.9 54 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 190.1 201 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 190.1 201 128 shade: RGB 195.1 201 123, RGB 212.1 219 142, RGB 229.1 237 161, RGB 246.1 255 180 and RGB 255 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 190.1 201 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 190.1 201 128 shade: RGB 190.1 201 128, RGB 173.1 183 109, RGB 156.1 165 90, RGB 139.1 147 71 and RGB 122.1 129 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 190.1 201 128 shade: RGB 191 201 130, RGB 201 193 130, RGB 201 174 130, RGB 201 154 130 and RGB 201 135 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 190.1 201 128 shade: RGB 191 201 130, RGB 172 201 130, RGB 152 201 130, RGB 133 201 130 and RGB 130 201 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 190.1 201 128 shade matches the following richer shades: RGB 191 201 130, RGB 201 216 116, RGB 211 230 101 and RGB 221 245 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 190.1 201 128 shade: RGB 191 201 130, RGB 181 187 144, RGB 171 173 159, RGB 160 158 173 and RGB 150 144 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 190.1 201 128 shade: RGB 201 173 130, RGB 201 192 130, RGB 192 201 130, RGB 173 201 130 and RGB 154 201 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 190.1 201 128 shade: RGB 159 174 75, RGB 176 189 101, RGB 191 201 130, RGB 206 214 159 and RGB 220 226 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 190.1 201 128 shade: RGB 190.1 201 128, RGB 130 201 154 and RGB 182 130 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 190.1 201 128 shade: RGB 190.1 201 128, RGB 130 192 201 and RGB 201 130 192

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 190.1 201 128 shade: RGB 190.1 201 128, RGB 130 201 154, RGB 140 130 201 and RGB 201 130 178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 190.1 201 128 shade: RGB 190.1 201 128, RGB 130 201 175, RGB 140 130 201 and RGB 201 130 156

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

Complementary color

CMYK 49 / 57 / 0 / 50

HEX #40367F

RGB 64.9 54 127

HSL 248.96, 0.4%, 0.35%

LAB 27.55, 25.05, -39.94

 

CMYK 3 / 0 / 39 / 21

HEX #C3C97B

RGB 195.1 201 123

HSL 64.54, 0.42%, 0.64%

LAB 78.94, -13.84, 38.28

 

CMYK 3 / 0 / 35 / 14

HEX #D4DB8E

RGB 212.1 219 142

HSL 65.38, 0.52%, 0.71%

LAB 85.32, -14.09, 37.12

 

CMYK 3 / 0 / 32 / 7

HEX #E5EDA1

RGB 229.1 237 161

HSL 66.24, 0.68%, 0.78%

LAB 91.6, -14.29, 36.01

 

CMYK 3 / 0 / 29 / 0

HEX #F6FFB4

RGB 246.1 255 180

HSL 67.12, 1%, 0.85%

LAB 97.8, -14.47, 34.95

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

CMYK 5 / 0 / 40 / 28

HEX #ADB76D

RGB 173.1 183 109

HSL 68.03, 0.34%, 0.57%

LAB 72.14, -14.99, 36.43

 

CMYK 5 / 0 / 45 / 35

HEX #9CA55A

RGB 156.1 165 90

HSL 67.12, 0.29%, 0.5%

LAB 65.54, -14.72, 37.64

 

CMYK 5 / 0 / 52 / 42

HEX #8B9347

RGB 139.1 147 71

HSL 66.24, 0.35%, 0.43%

LAB 58.81, -14.36, 38.84

 

CMYK 5 / 0 / 60 / 49

HEX #7A8134

RGB 122.1 129 52

HSL 65.38, 0.43%, 0.35%

LAB 51.94, -13.87, 39.96

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

CMYK 0 / 4 / 35 / 21

HEX #C9C182

RGB 201 193 130

HSL 53.24, 0.4%, 0.65%

LAB 77.38, -6.6, 32.77

 

CMYK 0 / 13 / 35 / 21

HEX #C9AE82

RGB 201 174 130

HSL 37.18, 0.4%, 0.65%

LAB 72.43, 3.43, 26.21

 

CMYK 0 / 23 / 35 / 21

HEX #C99A82

RGB 201 154 130

HSL 20.28, 0.4%, 0.65%

LAB 67.38, 14.26, 19.37

 

CMYK 0 / 33 / 35 / 21

HEX #C98782

RGB 201 135 130

HSL 4.23, 0.4%, 0.65%

LAB 62.81, 24.67, 13.03

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

CMYK 14 / 0 / 35 / 21

HEX #ACC982

RGB 172 201 130

HSL 84.51, 0.4%, 0.65%

LAB 77.37, -21.85, 32.35

 

CMYK 24 / 0 / 35 / 21

HEX #98C982

RGB 152 201 130

HSL 101.41, 0.4%, 0.65%

LAB 76.11, -29.1, 30.44

 

CMYK 34 / 0 / 35 / 21

HEX #85C982

RGB 133 201 130

HSL 117.46, 0.4%, 0.65%

LAB 75.06, -35.52, 28.86

 

CMYK 35 / 0 / 27 / 21

HEX #82C992

RGB 130 201 146

HSL 133.52, 0.4%, 0.65%

LAB 75.2, -33.76, 20.61

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

CMYK 7 / 0 / 46 / 15

HEX #C9D874

RGB 201 216 116

HSL 69, 0.56%, 0.65%

LAB 83.33, -19.75, 47.32

 

CMYK 8 / 0 / 56 / 10

HEX #D3E665

RGB 211 230 101

HSL 68.84, 0.72%, 0.65%

LAB 87.67, -23.95, 59.53

 

CMYK 10 / 0 / 64 / 4

HEX #DDF557

RGB 221 245 87

HSL 69.11, 0.89%, 0.65%

LAB 92.29, -28.1, 70.54

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

CMYK 3 / 0 / 23 / 27

HEX #B5BB90

RGB 181 187 144

HSL 68.37, 0.24%, 0.65%

LAB 74.43, -9.37, 21.13

 

CMYK 1 / 0 / 8 / 32

HEX #ABAD9F

RGB 171 173 159

HSL 68.57, 0.08%, 0.65%

LAB 70.21, -3.26, 6.94

 

CMYK 8 / 9 / 0 / 32

HEX #A09EAD

RGB 160 158 173

HSL 248, 0.08%, 0.65%

LAB 65.71, 3.68, -7.52

 

CMYK 20 / 23 / 0 / 26

HEX #9690BC

RGB 150 144 188

HSL 248.18, 0.25%, 0.65%

LAB 61.71, 11.54, -22.06

 

CMYK 0 / 14 / 35 / 21

HEX #C9AD82

RGB 201 173 130

HSL 36.34, 0.4%, 0.65%

LAB 72.17, 3.96, 25.87

 

CMYK 0 / 4 / 35 / 21

HEX #C9C082

RGB 201 192 130

HSL 52.39, 0.4%, 0.65%

LAB 77.12, -6.08, 32.42

 

CMYK 4 / 0 / 35 / 21

HEX #C0C982

RGB 192 201 130

HSL 67.61, 0.4%, 0.65%

LAB 78.81, -14.23, 34.49

 

CMYK 14 / 0 / 35 / 21

HEX #ADC982

RGB 173 201 130

HSL 83.66, 0.4%, 0.65%

LAB 77.44, -21.48, 32.45

 

CMYK 23 / 0 / 35 / 21

HEX #9AC982

RGB 154 201 130

HSL 99.72, 0.4%, 0.65%

LAB 76.23, -28.4, 30.62

 

CMYK 9 / 0 / 57 / 32

HEX #9FAE4B

RGB 159 174 75

HSL 69.09, 0.4%, 0.49%

LAB 68.13, -19.56, 48.11

 

CMYK 7 / 0 / 47 / 26

HEX #B0BD65

RGB 176 189 101

HSL 68.86, 0.4%, 0.57%

LAB 73.91, -17.75, 42.72

 

CMYK 5 / 0 / 35 / 21

HEX #BFC982

RGB 191 201 130

HSL 68.45, 0.4%, 0.65%

LAB 78.73, -14.62, 34.37

 

CMYK 4 / 0 / 26 / 16

HEX #CED69F

RGB 206 214 159

HSL 68.73, 0.4%, 0.73%

LAB 83.82, -11.69, 26.33

 

CMYK 3 / 0 / 17 / 11

HEX #DCE2BC

RGB 220 226 188

HSL 69.47, 0.4%, 0.81%

LAB 88.56, -8.41, 17.92

 

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

CMYK 35 / 0 / 23 / 21

HEX #82C99A

RGB 130 201 154

HSL 140.28, 0.4%, 0.65%

LAB 75.36, -32.28, 16.57

 

CMYK 9 / 35 / 0 / 21

HEX #B682C9

RGB 182 130 201

HSL 283.94, 0.4%, 0.65%

LAB 61.76, 32.56, -29.05

 

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

CMYK 35 / 4 / 0 / 21

HEX #82C0C9

RGB 130 192 201

HSL 187.61, 0.4%, 0.65%

LAB 73.97, -17.55, -10.85

 

CMYK 0 / 35 / 4 / 21

HEX #C982C0

RGB 201 130 192

HSL 307.61, 0.4%, 0.65%

LAB 63.5, 36.91, -21.14

 

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

CMYK 35 / 0 / 23 / 21

HEX #82C99A

RGB 130 201 154

HSL 140.28, 0.4%, 0.65%

LAB 75.36, -32.28, 16.57

 

CMYK 30 / 35 / 0 / 21

HEX #8C82C9

RGB 140 130 201

HSL 248.45, 0.4%, 0.65%

LAB 57.81, 19.79, -35.51

 

CMYK 0 / 35 / 11 / 21

HEX #C982B2

RGB 201 130 178

HSL 319.44, 0.4%, 0.65%

LAB 63.01, 34.47, -13.96

 

CMYK 5 / 0 / 36 / 21

HEX #BEC980

RGB 190.1 201 128

HSL 68.96, 0.4%, 0.65%

LAB 78.63, -15.21, 35.26

 

CMYK 35 / 0 / 13 / 21

HEX #82C9AF

RGB 130 201 175

HSL 158.03, 0.4%, 0.65%

LAB 75.83, -28.03, 5.97

 

CMYK 30 / 35 / 0 / 21

HEX #8C82C9

RGB 140 130 201

HSL 248.45, 0.4%, 0.65%

LAB 57.81, 19.79, -35.51

 

CMYK 0 / 35 / 22 / 21

HEX #C9829C

RGB 201 130 156

HSL 338.03, 0.4%, 0.65%

LAB 62.32, 30.97, -2.47

 

Description

Color code: RGB 190.1 201 128 | qconv.com Color code: RGB 190.1 201 128 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190.1 red, 201 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190.1 201 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 36 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 36% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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