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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 18 90.8 240.4 it is the complementary color RGB 237 164.2 14.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 18 90.8 240.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 18 90.8 240.4 shade: RGB 23 90.8 235.4, RGB 40 108.8 254.4, RGB 57 126.8 255, RGB 74 144.8 255 and RGB 91 162.8 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 18 90.8 240.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 18 90.8 240.4 shade: RGB 18 90.8 240.4, RGB 1 72.8 221.4, RGB 0 54.8 202.4, RGB 0 36.8 183.4 and RGB 0 18.8 164.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 18 90.8 240.4 shade: RGB 20 92 240, RGB 20 33 240, RGB 67 20 240, RGB 126 20 240 and RGB 185 20 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 18 90.8 240.4 shade: RGB 20 92 240, RGB 20 33 240 and RGB 20 20 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 18 90.8 240.4 shade matches the following richer shades: RGB 20 92 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 18 90.8 240.4 shade: RGB 20 92 240, RGB 40 99 220, RGB 61 106 200, RGB 81 113 179 and RGB 101 120 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 18 90.8 240.4 shade: RGB 20 211 240, RGB 20 152 240, RGB 20 93 240, RGB 20 35 240 and RGB 64 20 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 18 90.8 240.4 shade: RGB 11 62 167, RGB 13 76 206, RGB 20 92 240, RGB 59 119 242 and RGB 98 146 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 18 90.8 240.4 shade: RGB 18 90.8 240.4, RGB 211 20 240 and RGB 181 240 20

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 18 90.8 240.4 shade: RGB 18 90.8 240.4, RGB 240 20 93 and RGB 93 240 20

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 18 90.8 240.4 shade: RGB 18 90.8 240.4, RGB 211 20 240, RGB 240 167 20 and RGB 49 240 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 18 90.8 240.4 shade: RGB 18 90.8 240.4, RGB 240 20 203, RGB 240 167 20 and RGB 20 240 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

Complementary color

CMYK 0 / 31 / 94 / 7

HEX #EDA40E

RGB 237 164.2 14.6

HSL 40.36, 0.88%, 0.49%

LAB 72.67, 16.87, 74.67

 

CMYK 90 / 61 / 0 / 8

HEX #175AEB

RGB 23 90.8 235.4

HSL 220.85, 0.84%, 0.51%

LAB 43.73, 35.57, -77.89

 

CMYK 84 / 57 / 0 / 0

HEX #286CFE

RGB 40 108.8 254.4

HSL 220.75, 0.99%, 0.58%

LAB 50.13, 32.2, -78.03

 

CMYK 78 / 50 / 0 / 0

HEX #397EFF

RGB 57 126.8 255

HSL 218.85, 1%, 0.61%

LAB 55.3, 22.59, -69.95

 

CMYK 71 / 43 / 0 / 0

HEX #4A90FF

RGB 74 144.8 255

HSL 216.53, 1%, 0.65%

LAB 60.66, 13.62, -61.28

 

CMYK 64 / 36 / 0 / 0

HEX #5BA2FF

RGB 91 162.8 255

HSL 213.73, 1%, 0.68%

LAB 66.19, 5.57, -52.45

 

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

CMYK 100 / 67 / 0 / 13

HEX #0148DD

RGB 1 72.8 221.4

HSL 220.45, 0.99%, 0.44%

LAB 37.82, 41.11, -79.66

 

CMYK 100 / 73 / 0 / 21

HEX #0036CA

RGB 0 54.8 202.4

HSL 223.75, 1%, 0.4%

LAB 31.8, 45.25, -78.63

 

CMYK 100 / 80 / 0 / 28

HEX #0024B7

RGB 0 36.8 183.4

HSL 227.96, 1%, 0.36%

LAB 26, 48.91, -77.05

 

CMYK 100 / 89 / 0 / 36

HEX #0012A4

RGB 0 18.8 164.4

HSL 233.14, 1%, 0.32%

LAB 20.65, 51.28, -74.53

 

CMYK 92 / 62 / 0 / 6

HEX #145CF0

RGB 20 92 240

HSL 220.36, 0.88%, 0.51%

LAB 44.37, 36.41, -79.43

 

CMYK 92 / 86 / 0 / 6

HEX #1421F0

RGB 20 33 240

HSL 236.45, 0.88%, 0.51%

LAB 32.98, 68.15, -98.27

 

CMYK 72 / 92 / 0 / 6

HEX #4314F0

RGB 67 20 240

HSL 252.82, 0.88%, 0.51%

LAB 33.95, 73.37, -96.59

 

CMYK 48 / 92 / 0 / 6

HEX #7E14F0

RGB 126 20 240

HSL 268.91, 0.88%, 0.51%

LAB 39.96, 77.36, -86.44

 

CMYK 23 / 92 / 0 / 6

HEX #B914F0

RGB 185 20 240

HSL 285, 0.88%, 0.51%

LAB 48.39, 84.16, -72.29

 

CMYK 92 / 62 / 0 / 6

HEX #145CF0

RGB 20 92 240

HSL 220.36, 0.88%, 0.51%

LAB 44.37, 36.41, -79.43

 

CMYK 92 / 86 / 0 / 6

HEX #1421F0

RGB 20 33 240

HSL 236.45, 0.88%, 0.51%

LAB 32.98, 68.15, -98.27

 

CMYK 92 / 92 / 0 / 6

HEX #1414F0

RGB 20 20 240

HSL 240, 0.88%, 0.51%

LAB 31.67, 72.13, -100.45

 

CMYK 92 / 62 / 0 / 6

HEX #145CF0

RGB 20 92 240

HSL 220.36, 0.88%, 0.51%

LAB 44.37, 36.41, -79.43

 

CMYK 92 / 62 / 0 / 6

HEX #145CF0

RGB 20 92 240

HSL 220.36, 0.88%, 0.51%

LAB 44.37, 36.41, -79.43

 

CMYK 82 / 55 / 0 / 14

HEX #2863DC

RGB 40 99 220

HSL 220.33, 0.72%, 0.51%

LAB 45, 25.55, -67.07

 

CMYK 70 / 47 / 0 / 22

HEX #3D6AC8

RGB 61 106 200

HSL 220.58, 0.56%, 0.51%

LAB 46.27, 16.06, -53.55

 

CMYK 55 / 37 / 0 / 30

HEX #5171B3

RGB 81 113 179

HSL 220.41, 0.39%, 0.51%

LAB 48.03, 8.13, -38.56

 

CMYK 36 / 25 / 0 / 38

HEX #65789F

RGB 101 120 159

HSL 220.34, 0.23%, 0.51%

LAB 50.34, 3, -23.21

 

CMYK 92 / 12 / 0 / 6

HEX #14D3F0

RGB 20 211 240

HSL 187.91, 0.88%, 0.51%

LAB 77.89, -32.18, -26.23

 

CMYK 92 / 37 / 0 / 6

HEX #1498F0

RGB 20 152 240

HSL 204, 0.88%, 0.51%

LAB 60.69, -0.89, -53.06

 

CMYK 92 / 61 / 0 / 6

HEX #145DF0

RGB 20 93 240

HSL 220.09, 0.88%, 0.51%

LAB 44.62, 35.78, -79.02

 

CMYK 92 / 85 / 0 / 6

HEX #1423F0

RGB 20 35 240

HSL 235.91, 0.88%, 0.51%

LAB 33.23, 67.4, -97.85

 

CMYK 73 / 92 / 0 / 6

HEX #4014F0

RGB 64 20 240

HSL 252, 0.88%, 0.51%

LAB 33.74, 73.25, -96.95

 

CMYK 93 / 63 / 0 / 35

HEX #0B3EA7

RGB 11 62 167

HSL 220.38, 0.88%, 0.35%

LAB 30.17, 27.48, -60.35

 

CMYK 94 / 63 / 0 / 19

HEX #0D4CCE

RGB 13 76 206

HSL 220.41, 0.88%, 0.43%

LAB 37.32, 33.55, -71.62

 

CMYK 92 / 62 / 0 / 6

HEX #145CF0

RGB 20 92 240

HSL 220.36, 0.88%, 0.51%

LAB 44.37, 36.41, -79.43

 

CMYK 76 / 51 / 0 / 5

HEX #3B77F2

RGB 59 119 242

HSL 220.33, 0.88%, 0.59%

LAB 52.44, 22.91, -67.37

 

CMYK 60 / 40 / 0 / 4

HEX #6292F5

RGB 98 146 245

HSL 220.41, 0.88%, 0.67%

LAB 61.44, 13.33, -54.5

 

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

CMYK 12 / 92 / 0 / 6

HEX #D314F0

RGB 211 20 240

HSL 292.09, 0.88%, 0.51%

LAB 52.55, 87.88, -65.35

 

CMYK 25 / 0 / 92 / 6

HEX #B5F014

RGB 181 240 20

HSL 76.09, 0.88%, 0.51%

LAB 88.06, -44, 83.68

 

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

CMYK 0 / 92 / 61 / 6

HEX #F0145D

RGB 240 20 93

HSL 340.09, 0.88%, 0.51%

LAB 51.63, 77.36, 20.26

 

CMYK 61 / 0 / 92 / 6

HEX #5DF014

RGB 93 240 20

HSL 100.09, 0.88%, 0.51%

LAB 84.33, -71.35, 79.09

 

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

CMYK 12 / 92 / 0 / 6

HEX #D314F0

RGB 211 20 240

HSL 292.09, 0.88%, 0.51%

LAB 52.55, 87.88, -65.35

 

CMYK 0 / 30 / 92 / 6

HEX #F0A714

RGB 240 167 20

HSL 40.09, 0.88%, 0.51%

LAB 73.68, 16.74, 74.69

 

CMYK 80 / 0 / 92 / 6

HEX #31F014

RGB 49 240 20

HSL 112.09, 0.88%, 0.51%

LAB 83.45, -78.86, 78.01

 

CMYK 93 / 62 / 0 / 6

HEX #125AF0

RGB 18 90.8 240.4

HSL 220.36, 0.88%, 0.51%

LAB 44.08, 37.25, -80.13

 

CMYK 0 / 92 / 15 / 6

HEX #F014CB

RGB 240 20 203

HSL 310.09, 0.88%, 0.51%

LAB 55.42, 87.45, -39.48

 

CMYK 0 / 30 / 92 / 6

HEX #F0A714

RGB 240 167 20

HSL 40.09, 0.88%, 0.51%

LAB 73.68, 16.74, 74.69

 

CMYK 92 / 0 / 76 / 6

HEX #14F039

RGB 20 240 57

HSL 130.09, 0.88%, 0.51%

LAB 83.32, -79.58, 69.6

 

Description

Color code: RGB 18 90.8 240.4 | qconv.com Color code: RGB 18 90.8 240.4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 90.8 green and 240.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 90.8 240.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 62 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 62% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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