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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 74.2 9.6 it is the complementary color RGB 66 180.8 245.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 74.2 9.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 74.2 9.6 shade: RGB 194 74.2 4.6, RGB 211 92.2 23.6, RGB 228 110.2 42.6, RGB 245 128.2 61.6 and RGB 255 146.2 80.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 74.2 9.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 74.2 9.6 shade: RGB 189 74.2 9.6, RGB 172 56.2 0, RGB 155 38.2 0, RGB 138 20.2 0 and RGB 121 2.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 74.2 9.6 shade: RGB 189 74 10, RGB 189 26 10 and RGB 189 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 74.2 9.6 shade: RGB 189 74 10, RGB 189 123 10, RGB 189 171 10, RGB 159 189 10 and RGB 110 189 10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 74.2 9.6 shade matches the following richer shades: RGB 189 74 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 74.2 9.6 shade: RGB 189 74 10, RGB 173 79 26, RGB 157 83 42, RGB 141 88 58 and RGB 125 92 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 74.2 9.6 shade: RGB 189 10 43, RGB 189 25 10, RGB 189 73 10, RGB 189 120 10 and RGB 189 168 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 74.2 9.6 shade: RGB 111 44 6, RGB 150 59 8, RGB 189 74 10, RGB 228 90 12 and RGB 244 112 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 74.2 9.6 shade: RGB 189 74.2 9.6, RGB 90 189 10 and RGB 10 19 189

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 74.2 9.6 shade: RGB 189 74.2 9.6, RGB 10 189 73 and RGB 73 10 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 74.2 9.6 shade: RGB 189 74.2 9.6, RGB 90 189 10, RGB 10 126 189 and RGB 108 10 189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 74.2 9.6 shade: RGB 189 74.2 9.6, RGB 37 189 10, RGB 10 126 189 and RGB 162 10 189

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

Complementary color

CMYK 73 / 26 / 0 / 4

HEX #42B4F5

RGB 66 180.8 245.4

HSL 201.61, 0.9%, 0.61%

LAB 69.99, -11.36, -41.3

 

CMYK 0 / 62 / 98 / 24

HEX #C24A04

RGB 194 74.2 4.6

HSL 22.05, 0.95%, 0.39%

LAB 47.5, 45.52, 56.76

 

CMYK 0 / 56 / 89 / 17

HEX #D35C17

RGB 211 92.2 23.6

HSL 21.96, 0.8%, 0.46%

LAB 53.6, 43.68, 57.12

 

CMYK 0 / 52 / 81 / 11

HEX #E46E2A

RGB 228 110.2 42.6

HSL 21.88, 0.77%, 0.53%

LAB 59.76, 41.85, 56.16

 

CMYK 0 / 48 / 75 / 4

HEX #F5803D

RGB 245 128.2 61.6

HSL 21.79, 0.9%, 0.6%

LAB 65.94, 40.11, 54.59

 

CMYK 0 / 43 / 68 / 0

HEX #FF9250

RGB 255 146.2 80.6

HSL 22.57, 1%, 0.66%

LAB 71.19, 35.77, 51.58

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

CMYK 0 / 67 / 100 / 33

HEX #AC3800

RGB 172 56.2 0

HSL 19.6, 1%, 0.34%

LAB 40.6, 45.46, 52.22

 

CMYK 0 / 75 / 100 / 39

HEX #9B2600

RGB 155 38.2 0

HSL 14.79, 1%, 0.3%

LAB 34.74, 46.72, 47.51

 

CMYK 0 / 85 / 100 / 46

HEX #8A1400

RGB 138 20.2 0

HSL 8.78, 1%, 0.27%

LAB 29.19, 46.92, 42.1

 

CMYK 0 / 98 / 100 / 53

HEX #790200

RGB 121 2.2 0

HSL 1.09, 1%, 0.24%

LAB 24.04, 45.7, 36.06

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A0A

RGB 189 74 10

HSL 21.45, 0.9%, 0.39%

LAB 46.63, 43.82, 54.46

 

CMYK 0 / 86 / 95 / 26

HEX #BD1A0A

RGB 189 26 10

HSL 5.36, 0.9%, 0.39%

LAB 40.54, 60.52, 50.7

 

CMYK 0 / 95 / 95 / 26

HEX #BD0A0A

RGB 189 10 10

HSL 0, 0.9%, 0.39%

LAB 39.68, 63, 50.2

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A0A

RGB 189 74 10

HSL 21.45, 0.9%, 0.39%

LAB 46.63, 43.82, 54.46

 

CMYK 0 / 35 / 95 / 26

HEX #BD7B0A

RGB 189 123 10

HSL 37.88, 0.9%, 0.39%

LAB 57.08, 18.17, 61.62

 

CMYK 0 / 10 / 95 / 26

HEX #BDAB0A

RGB 189 171 10

HSL 53.97, 0.9%, 0.39%

LAB 69.45, -7.87, 70.69

 

CMYK 16 / 0 / 95 / 26

HEX #9FBD0A

RGB 159 189 10

HSL 70.06, 0.9%, 0.39%

LAB 72.09, -29.86, 71.66

 

CMYK 42 / 0 / 95 / 26

HEX #6EBD0A

RGB 110 189 10

HSL 86.48, 0.9%, 0.39%

LAB 69.28, -48.58, 68.25

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A0A

RGB 189 74 10

HSL 21.45, 0.9%, 0.39%

LAB 46.63, 43.82, 54.46

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A0A

RGB 189 74 10

HSL 21.45, 0.9%, 0.39%

LAB 46.63, 43.82, 54.46

 

CMYK 0 / 54 / 85 / 32

HEX #AD4F1A

RGB 173 79 26

HSL 21.63, 0.74%, 0.39%

LAB 45.01, 35.48, 46.73

 

CMYK 0 / 47 / 73 / 38

HEX #9D532A

RGB 157 83 42

HSL 21.39, 0.58%, 0.39%

LAB 43.54, 27.36, 36.83

 

CMYK 0 / 38 / 59 / 45

HEX #8D583A

RGB 141 88 58

HSL 21.69, 0.42%, 0.39%

LAB 42.68, 18.67, 26.37

 

CMYK 0 / 26 / 41 / 51

HEX #7D5C4A

RGB 125 92 74

HSL 21.18, 0.26%, 0.39%

LAB 42.01, 10.95, 15.63

 

CMYK 0 / 95 / 77 / 26

HEX #BD0A2B

RGB 189 10 43

HSL 348.94, 0.9%, 0.39%

LAB 39.93, 63.71, 33.99

 

CMYK 0 / 87 / 95 / 26

HEX #BD190A

RGB 189 25 10

HSL 5.03, 0.9%, 0.39%

LAB 40.47, 60.72, 50.66

 

CMYK 0 / 61 / 95 / 26

HEX #BD490A

RGB 189 73 10

HSL 21.12, 0.9%, 0.39%

LAB 46.45, 44.28, 54.34

 

CMYK 0 / 37 / 95 / 26

HEX #BD780A

RGB 189 120 10

HSL 36.87, 0.9%, 0.39%

LAB 56.36, 19.83, 61.11

 

CMYK 0 / 11 / 95 / 26

HEX #BDA80A

RGB 189 168 10

HSL 52.96, 0.9%, 0.39%

LAB 68.64, -6.29, 70.09

 

CMYK 0 / 60 / 95 / 56

HEX #6F2C06

RGB 111 44 6

HSL 21.71, 0.9%, 0.23%

LAB 27.28, 27.8, 35.88

 

CMYK 0 / 61 / 95 / 41

HEX #963B08

RGB 150 59 8

HSL 21.55, 0.9%, 0.31%

LAB 37.17, 36.04, 45.49

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A0A

RGB 189 74 10

HSL 21.45, 0.9%, 0.39%

LAB 46.63, 43.82, 54.46

 

CMYK 0 / 61 / 95 / 11

HEX #E45A0C

RGB 228 90 12

HSL 21.67, 0.9%, 0.47%

LAB 55.92, 50.81, 63.16

 

CMYK 0 / 54 / 84 / 4

HEX #F47026

RGB 244 112 38

HSL 21.55, 0.9%, 0.55%

LAB 62.48, 46.92, 61.28

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

CMYK 52 / 0 / 95 / 26

HEX #5ABD0A

RGB 90 189 10

HSL 93.18, 0.9%, 0.39%

LAB 68.45, -54.86, 67.24

 

CMYK 95 / 90 / 0 / 26

HEX #0A13BD

RGB 10 19 189

HSL 236.98, 0.9%, 0.39%

LAB 24.34, 58.53, -83.15

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

CMYK 95 / 0 / 61 / 26

HEX #0ABD49

RGB 10 189 73

HSL 141.12, 0.9%, 0.39%

LAB 67.23, -63.74, 46.55

 

CMYK 61 / 95 / 0 / 26

HEX #490ABD

RGB 73 10 189

HSL 261.12, 0.9%, 0.39%

LAB 27.59, 63.22, -77.62

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

CMYK 52 / 0 / 95 / 26

HEX #5ABD0A

RGB 90 189 10

HSL 93.18, 0.9%, 0.39%

LAB 68.45, -54.86, 67.24

 

CMYK 95 / 33 / 0 / 26

HEX #0A7EBD

RGB 10 126 189

HSL 201.12, 0.9%, 0.39%

LAB 50.29, -5.28, -40.89

 

CMYK 43 / 95 / 0 / 26

HEX #6C0ABD

RGB 108 10 189

HSL 272.85, 0.9%, 0.39%

LAB 31.99, 66.2, -70.21

 

CMYK 0 / 61 / 95 / 26

HEX #BD4A09

RGB 189 74.2 9.6

HSL 21.61, 0.9%, 0.39%

LAB 46.66, 43.72, 54.58

 

CMYK 80 / 0 / 95 / 26

HEX #25BD0A

RGB 37 189 10

HSL 110.95, 0.9%, 0.39%

LAB 67.13, -65.91, 65.61

 

CMYK 95 / 33 / 0 / 26

HEX #0A7EBD

RGB 10 126 189

HSL 201.12, 0.9%, 0.39%

LAB 50.29, -5.28, -40.89

 

CMYK 14 / 95 / 0 / 26

HEX #A20ABD

RGB 162 10 189

HSL 290.95, 0.9%, 0.39%

LAB 40.53, 73.22, -55.91

 

Description

Color code: RGB 189 74.2 9.6 | qconv.com Color code: RGB 189 74.2 9.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 74.2 green and 9.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 74.2 9.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 95 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 95% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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