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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 216.8 183.4 it is the complementary color RGB 66 38.2 71.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 216.8 183.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 216.8 183.4 shade: RGB 194 216.8 178.4, RGB 211 234.8 197.4, RGB 228 252.8 216.4, RGB 245 255 235.4 and RGB 255 255 254.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 216.8 183.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 216.8 183.4 shade: RGB 189 216.8 183.4, RGB 172 198.8 164.4, RGB 155 180.8 145.4, RGB 138 162.8 126.4 and RGB 121 144.8 107.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 216.8 183.4 shade: RGB 188 216 182, RGB 197 216 182, RGB 206 216 182, RGB 215 216 182 and RGB 216 207 182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 216.8 183.4 shade: RGB 188 216 182, RGB 182 216 186, RGB 182 216 195, RGB 182 216 204 and RGB 182 216 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 216.8 183.4 shade matches the following richer shades: RGB 188 216 182, RGB 182 225 173, RGB 176 234 164, RGB 170 243 155 and RGB 164 252 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 216.8 183.4 shade: RGB 188 216 182, RGB 194 207 191, RGB 200 198 200, RGB 206 188 209 and RGB 212 179 218

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 216.8 183.4 shade: RGB 206 216 182, RGB 197 216 182, RGB 188 216 182, RGB 182 216 185 and RGB 182 216 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 216.8 183.4 shade: RGB 138 187 128, RGB 163 201 155, RGB 188 216 182, RGB 212 230 209 and RGB 237 245 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 216.8 183.4 shade: RGB 189 216.8 183.4, RGB 182 215 216 and RGB 216 182 202

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 216.8 183.4 shade: RGB 189 216.8 183.4, RGB 182 188 216 and RGB 216 182 188

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 216.8 183.4 shade: RGB 189 216.8 183.4, RGB 182 215 216, RGB 210 182 216 and RGB 216 183 182

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 216.8 183.4 shade: RGB 189 216.8 183.4, RGB 182 205 216, RGB 210 182 216 and RGB 216 193 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

Complementary color

CMYK 8 / 47 / 0 / 72

HEX #422647

RGB 66 38.2 71.6

HSL 289.94, 0.3%, 0.22%

LAB 20.12, 19.69, -15.6

 

CMYK 11 / 0 / 18 / 15

HEX #C2D8B2

RGB 194 216.8 178.4

HSL 95.63, 0.33%, 0.77%

LAB 84.08, -14.51, 16.4

 

CMYK 10 / 0 / 16 / 8

HEX #D3EAC5

RGB 211 234.8 197.4

HSL 98.18, 0.48%, 0.85%

LAB 90.41, -14.49, 15.54

 

CMYK 10 / 0 / 14 / 1

HEX #E4FCD8

RGB 228 252.8 216.4

HSL 100.88, 0.89%, 0.92%

LAB 96.66, -14.48, 14.73

 

CMYK 4 / 0 / 8 / 0

HEX #F5FFEB

RGB 245 255 235.4

HSL 90.61, 1%, 0.96%

LAB 98.81, -6.68, 8.22

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254.4

HSL 60, 1%, 1%

LAB 99.99, -0.1, 0.28

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

CMYK 13 / 0 / 17 / 22

HEX #ACC6A4

RGB 172 198.8 164.4

HSL 106.74, 0.23%, 0.71%

LAB 77.41, -15.48, 14.25

 

CMYK 14 / 0 / 20 / 29

HEX #9BB491

RGB 155 180.8 145.4

HSL 103.73, 0.19%, 0.64%

LAB 70.87, -15.55, 15.15

 

CMYK 15 / 0 / 22 / 36

HEX #8AA27E

RGB 138 162.8 126.4

HSL 100.88, 0.16%, 0.57%

LAB 64.2, -15.64, 16.11

 

CMYK 16 / 0 / 26 / 43

HEX #79906B

RGB 121 144.8 107.4

HSL 98.18, 0.15%, 0.49%

LAB 57.39, -15.73, 17.14

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 9 / 0 / 16 / 15

HEX #C5D8B6

RGB 197 216 182

HSL 93.53, 0.3%, 0.78%

LAB 84.15, -12.46, 14.64

 

CMYK 5 / 0 / 16 / 15

HEX #CED8B6

RGB 206 216 182

HSL 77.65, 0.3%, 0.78%

LAB 84.8, -9.27, 15.64

 

CMYK 0 / 0 / 16 / 15

HEX #D7D8B6

RGB 215 216 182

HSL 61.76, 0.3%, 0.78%

LAB 85.47, -6.03, 16.68

 

CMYK 0 / 4 / 16 / 15

HEX #D8CFB6

RGB 216 207 182

HSL 44.12, 0.3%, 0.78%

LAB 83.23, -1.02, 13.54

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 16 / 0 / 14 / 15

HEX #B6D8BA

RGB 182 216 186

HSL 127.06, 0.3%, 0.78%

LAB 83.23, -16.93, 11.08

 

CMYK 16 / 0 / 10 / 15

HEX #B6D8C3

RGB 182 216 195

HSL 142.94, 0.3%, 0.78%

LAB 83.44, -15.28, 6.61

 

CMYK 16 / 0 / 6 / 15

HEX #B6D8CC

RGB 182 216 204

HSL 158.82, 0.3%, 0.78%

LAB 83.66, -13.56, 2.16

 

CMYK 16 / 0 / 1 / 15

HEX #B6D8D5

RGB 182 216 213

HSL 174.71, 0.3%, 0.78%

LAB 83.89, -11.76, -2.28

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 19 / 0 / 23 / 12

HEX #B6E1AD

RGB 182 225 173

HSL 109.62, 0.46%, 0.78%

LAB 85.41, -23.61, 20.96

 

CMYK 25 / 0 / 30 / 8

HEX #B0EAA4

RGB 176 234 164

HSL 109.71, 0.63%, 0.78%

LAB 87.37, -31.36, 28.22

 

CMYK 30 / 0 / 36 / 5

HEX #AAF39B

RGB 170 243 155

HSL 109.77, 0.79%, 0.78%

LAB 89.4, -38.8, 35.43

 

CMYK 35 / 0 / 42 / 1

HEX #A4FC92

RGB 164 252 146

HSL 109.81, 0.95%, 0.78%

LAB 91.5, -45.93, 42.53

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 6 / 0 / 8 / 19

HEX #C2CFBF

RGB 194 207 191

HSL 108.75, 0.14%, 0.78%

LAB 81.76, -7.35, 6.43

 

CMYK 0 / 1 / 0 / 22

HEX #C8C6C8

RGB 200 198 200

HSL 300, 0.02%, 0.78%

LAB 80.09, 1.06, -0.76

 

CMYK 1 / 10 / 0 / 18

HEX #CEBCD1

RGB 206 188 209

HSL 291.43, 0.19%, 0.78%

LAB 78.28, 10.13, -8.22

 

CMYK 3 / 18 / 0 / 15

HEX #D4B3DA

RGB 212 179 218

HSL 290.77, 0.35%, 0.78%

LAB 76.86, 18.72, -15.17

 

CMYK 5 / 0 / 16 / 15

HEX #CED8B6

RGB 206 216 182

HSL 77.65, 0.3%, 0.78%

LAB 84.8, -9.27, 15.64

 

CMYK 9 / 0 / 16 / 15

HEX #C5D8B6

RGB 197 216 182

HSL 93.53, 0.3%, 0.78%

LAB 84.15, -12.46, 14.64

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 16 / 0 / 14 / 15

HEX #B6D8B9

RGB 182 216 185

HSL 125.29, 0.3%, 0.78%

LAB 83.21, -17.11, 11.58

 

CMYK 16 / 0 / 10 / 15

HEX #B6D8C2

RGB 182 216 194

HSL 141.18, 0.3%, 0.78%

LAB 83.42, -15.47, 7.11

 

CMYK 26 / 0 / 32 / 27

HEX #8ABB80

RGB 138 187 128

HSL 109.83, 0.3%, 0.62%

LAB 71.22, -27.56, 24.83

 

CMYK 19 / 0 / 23 / 21

HEX #A3C99B

RGB 163 201 155

HSL 109.57, 0.3%, 0.7%

LAB 77.24, -21.33, 18.93

 

CMYK 13 / 0 / 16 / 15

HEX #BCD8B6

RGB 188 216 182

HSL 109.41, 0.3%, 0.78%

LAB 83.54, -15.59, 13.68

 

CMYK 8 / 0 / 9 / 10

HEX #D4E6D1

RGB 212 230 209

HSL 111.43, 0.3%, 0.86%

LAB 89.48, -9.78, 8.19

 

CMYK 3 / 0 / 4 / 4

HEX #EDF5EC

RGB 237 245 236

HSL 113.33, 0.31%, 0.94%

LAB 95.73, -4.24, 3.4

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

CMYK 16 / 0 / 0 / 15

HEX #B6D7D8

RGB 182 215 216

HSL 181.76, 0.3%, 0.78%

LAB 83.71, -10.64, -4.15

 

CMYK 0 / 16 / 6 / 15

HEX #D8B6CA

RGB 216 182 202

HSL 324.71, 0.3%, 0.78%

LAB 77.47, 15.54, -5.53

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

CMYK 16 / 13 / 0 / 15

HEX #B6BCD8

RGB 182 188 216

HSL 229.41, 0.3%, 0.78%

LAB 76.6, 3.6, -14.72

 

CMYK 0 / 16 / 13 / 15

HEX #D8B6BC

RGB 216 182 188

HSL 349.41, 0.3%, 0.78%

LAB 77.09, 13.17, 1.51

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

CMYK 16 / 0 / 0 / 15

HEX #B6D7D8

RGB 182 215 216

HSL 181.76, 0.3%, 0.78%

LAB 83.71, -10.64, -4.15

 

CMYK 3 / 16 / 0 / 15

HEX #D2B6D8

RGB 210 182 216

HSL 289.41, 0.3%, 0.78%

LAB 77.35, 16.05, -13.37

 

CMYK 0 / 15 / 16 / 15

HEX #D8B7B6

RGB 216 183 182

HSL 1.76, 0.3%, 0.78%

LAB 77.19, 11.67, 4.91

 

CMYK 13 / 0 / 15 / 15

HEX #BDD8B7

RGB 189 216.8 183.4

HSL 109.94, 0.3%, 0.78%

LAB 83.85, -15.41, 13.39

 

CMYK 16 / 5 / 0 / 15

HEX #B6CDD8

RGB 182 205 216

HSL 199.41, 0.3%, 0.78%

LAB 81.05, -5.45, -8.07

 

CMYK 3 / 16 / 0 / 15

HEX #D2B6D8

RGB 210 182 216

HSL 289.41, 0.3%, 0.78%

LAB 77.35, 16.05, -13.37

 

CMYK 0 / 11 / 16 / 15

HEX #D8C1B6

RGB 216 193 182

HSL 19.41, 0.3%, 0.78%

LAB 79.68, 6.33, 8.49

 

Description

Color code: RGB 189 216.8 183.4 | qconv.com Color code: RGB 189 216.8 183.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 216.8 green and 183.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 216.8 183.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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