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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 198.4 179.4 it is the complementary color RGB 66 56.6 75.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 198.4 179.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 189 198.4 179.4 shade: RGB 194 198.4 174.4, RGB 211 216.4 193.4, RGB 228 234.4 212.4, RGB 245 252.4 231.4 and RGB 255 255 250.4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 198.4 179.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 189 198.4 179.4 shade: RGB 189 198.4 179.4, RGB 172 180.4 160.4, RGB 155 162.4 141.4, RGB 138 144.4 122.4 and RGB 121 126.4 103.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 189 198.4 179.4 shade: RGB 189 198 179, RGB 194 198 179, RGB 198 197 179, RGB 198 192 179 and RGB 198 187 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 189 198.4 179.4 shade: RGB 189 198 179, RGB 184 198 179, RGB 179 198 180, RGB 179 198 185 and RGB 179 198 190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 189 198.4 179.4 shade matches the following richer shades: RGB 189 198 179, RGB 189 209 169, RGB 189 219 158, RGB 189 230 147 and RGB 189 241 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 189 198.4 179.4 shade: RGB 189 198 179, RGB 189 187 190, RGB 189 177 201, RGB 188 166 212 and RGB 188 155 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 189 198.4 179.4 shade: RGB 198 197 179, RGB 194 198 179, RGB 189 198 179, RGB 184 198 179 and RGB 179 198 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 189 198.4 179.4 shade: RGB 148 162 132, RGB 168 180 156, RGB 189 198 179, RGB 209 216 203 and RGB 230 233 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 189 198.4 179.4 shade: RGB 189 198.4 179.4, RGB 179 198 192 and RGB 198 179 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 189 198.4 179.4 shade: RGB 189 198.4 179.4, RGB 179 189 198 and RGB 198 179 189

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 189 198.4 179.4 shade: RGB 189 198.4 179.4, RGB 179 198 192, RGB 188 179 198 and RGB 198 179 185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 189 198.4 179.4 shade: RGB 189 198.4 179.4, RGB 179 198 198, RGB 188 179 198 and RGB 198 179 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

Complementary color

CMYK 13 / 25 / 0 / 70

HEX #42384B

RGB 66 56.6 75.6

HSL 269.68, 0.14%, 0.26%

LAB 25.45, 8.46, -10.09

 

CMYK 2 / 0 / 12 / 22

HEX #C2C6AE

RGB 194 198.4 174.4

HSL 71, 0.17%, 0.73%

LAB 79.11, -5.74, 11.51

 

CMYK 2 / 0 / 11 / 15

HEX #D3D8C1

RGB 211 216.4 193.4

HSL 74.09, 0.23%, 0.8%

LAB 85.52, -5.85, 10.7

 

CMYK 3 / 0 / 9 / 8

HEX #E4EAD4

RGB 228 234.4 212.4

HSL 77.45, 0.35%, 0.88%

LAB 91.84, -5.95, 9.94

 

CMYK 3 / 0 / 8 / 1

HEX #F5FCE7

RGB 245 252.4 231.4

HSL 81.14, 0.8%, 0.95%

LAB 98.06, -6.05, 9.2

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250.4

HSL 60, 1%, 0.99%

LAB 99.89, -0.79, 2.18

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

CMYK 5 / 0 / 11 / 29

HEX #ACB4A0

RGB 172 180.4 160.4

HSL 85.2, 0.12%, 0.67%

LAB 72.31, -6.61, 9.19

 

CMYK 5 / 0 / 13 / 36

HEX #9BA28D

RGB 155 162.4 141.4

HSL 81.14, 0.1%, 0.6%

LAB 65.66, -6.53, 10.02

 

CMYK 4 / 0 / 15 / 43

HEX #8A907A

RGB 138 144.4 122.4

HSL 77.45, 0.09%, 0.52%

LAB 58.87, -6.45, 10.9

 

CMYK 4 / 0 / 18 / 50

HEX #797E67

RGB 121 126.4 103.4

HSL 74.09, 0.1%, 0.45%

LAB 51.92, -6.36, 11.85

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 2 / 0 / 10 / 22

HEX #C2C6B3

RGB 194 198 179

HSL 72.63, 0.14%, 0.74%

LAB 79.11, -4.76, 9.04

 

CMYK 0 / 1 / 10 / 22

HEX #C6C5B3

RGB 198 197 179

HSL 56.84, 0.14%, 0.74%

LAB 79.15, -2.8, 9.15

 

CMYK 0 / 3 / 10 / 22

HEX #C6C0B3

RGB 198 192 179

HSL 41.05, 0.14%, 0.74%

LAB 77.85, -0.17, 7.29

 

CMYK 0 / 6 / 10 / 22

HEX #C6BBB3

RGB 198 187 179

HSL 25.26, 0.14%, 0.74%

LAB 76.56, 2.49, 5.43

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 7 / 0 / 10 / 22

HEX #B8C6B3

RGB 184 198 179

HSL 104.21, 0.14%, 0.74%

LAB 78.36, -8.3, 7.88

 

CMYK 10 / 0 / 9 / 22

HEX #B3C6B4

RGB 179 198 180

HSL 123.16, 0.14%, 0.74%

LAB 78.03, -9.86, 6.82

 

CMYK 10 / 0 / 7 / 22

HEX #B3C6B9

RGB 179 198 185

HSL 138.95, 0.14%, 0.74%

LAB 78.15, -8.94, 4.3

 

CMYK 10 / 0 / 4 / 22

HEX #B3C6BE

RGB 179 198 190

HSL 154.74, 0.14%, 0.74%

LAB 78.28, -7.99, 1.79

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 10 / 0 / 19 / 18

HEX #BDD1A9

RGB 189 209 169

HSL 90, 0.3%, 0.74%

LAB 81.45, -13.87, 17.62

 

CMYK 14 / 0 / 28 / 14

HEX #BDDB9E

RGB 189 219 158

HSL 89.51, 0.46%, 0.74%

LAB 83.94, -20.56, 26.81

 

CMYK 18 / 0 / 36 / 10

HEX #BDE693

RGB 189 230 147

HSL 89.64, 0.62%, 0.74%

LAB 86.76, -27.42, 36.18

 

CMYK 22 / 0 / 43 / 5

HEX #BDF189

RGB 189 241 137

HSL 90, 0.79%, 0.74%

LAB 89.64, -33.82, 44.82

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 1 / 2 / 0 / 25

HEX #BDBBBE

RGB 189 187 190

HSL 280, 0.02%, 0.74%

LAB 76.12, 1.26, -1.27

 

CMYK 6 / 12 / 0 / 21

HEX #BDB1C9

RGB 189 177 201

HSL 270, 0.18%, 0.74%

LAB 73.86, 8.78, -10.61

 

CMYK 11 / 22 / 0 / 17

HEX #BCA6D4

RGB 188 166 212

HSL 268.7, 0.35%, 0.74%

LAB 71.36, 16.74, -20.41

 

CMYK 15 / 30 / 0 / 13

HEX #BC9BDE

RGB 188 155 222

HSL 269.55, 0.5%, 0.74%

LAB 69.05, 24.97, -29.45

 

CMYK 0 / 1 / 10 / 22

HEX #C6C5B3

RGB 198 197 179

HSL 56.84, 0.14%, 0.74%

LAB 79.15, -2.8, 9.15

 

CMYK 2 / 0 / 10 / 22

HEX #C2C6B3

RGB 194 198 179

HSL 72.63, 0.14%, 0.74%

LAB 79.11, -4.76, 9.04

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 7 / 0 / 10 / 22

HEX #B8C6B3

RGB 184 198 179

HSL 104.21, 0.14%, 0.74%

LAB 78.36, -8.3, 7.88

 

CMYK 10 / 0 / 9 / 22

HEX #B3C6B4

RGB 179 198 180

HSL 123.16, 0.14%, 0.74%

LAB 78.03, -9.86, 6.82

 

CMYK 9 / 0 / 19 / 36

HEX #94A284

RGB 148 162 132

HSL 88, 0.14%, 0.58%

LAB 64.81, -10.54, 13.96

 

CMYK 7 / 0 / 13 / 29

HEX #A8B49C

RGB 168 180 156

HSL 90, 0.14%, 0.66%

LAB 71.8, -8.61, 10.83

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198 179

HSL 88.42, 0.14%, 0.74%

LAB 78.73, -6.54, 8.45

 

CMYK 3 / 0 / 6 / 15

HEX #D1D8CB

RGB 209 216 203

HSL 92.31, 0.14%, 0.82%

LAB 85.49, -4.7, 5.57

 

CMYK 1 / 0 / 3 / 9

HEX #E6E9E2

RGB 230 233 226

HSL 85.71, 0.14%, 0.9%

LAB 91.95, -2.24, 3.03

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

CMYK 10 / 0 / 3 / 22

HEX #B3C6C0

RGB 179 198 192

HSL 161.05, 0.14%, 0.74%

LAB 78.33, -7.61, 0.79

 

CMYK 0 / 10 / 1 / 22

HEX #C6B3C4

RGB 198 179 196

HSL 306.32, 0.14%, 0.74%

LAB 74.97, 9.82, -6.14

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

CMYK 10 / 5 / 0 / 22

HEX #B3BDC6

RGB 179 189 198

HSL 208.42, 0.14%, 0.74%

LAB 76.1, -1.66, -5.72

 

CMYK 0 / 10 / 5 / 22

HEX #C6B3BD

RGB 198 179 189

HSL 328.42, 0.14%, 0.74%

LAB 74.77, 8.54, -2.61

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

CMYK 10 / 0 / 3 / 22

HEX #B3C6C0

RGB 179 198 192

HSL 161.05, 0.14%, 0.74%

LAB 78.33, -7.61, 0.79

 

CMYK 5 / 10 / 0 / 22

HEX #BCB3C6

RGB 188 179 198

HSL 268.42, 0.14%, 0.74%

LAB 74.2, 6.76, -8.48

 

CMYK 0 / 10 / 7 / 22

HEX #C6B3B9

RGB 198 179 185

HSL 341.05, 0.14%, 0.74%

LAB 74.67, 7.83, -0.59

 

CMYK 5 / 0 / 10 / 22

HEX #BDC6B3

RGB 189 198.4 179.4

HSL 89.68, 0.14%, 0.74%

LAB 78.85, -6.68, 8.4

 

CMYK 10 / 0 / 0 / 22

HEX #B3C6C6

RGB 179 198 198

HSL 180, 0.14%, 0.74%

LAB 78.49, -6.43, -2.21

 

CMYK 5 / 10 / 0 / 22

HEX #BCB3C6

RGB 188 179 198

HSL 268.42, 0.14%, 0.74%

LAB 74.2, 6.76, -8.48

 

CMYK 0 / 10 / 9 / 22

HEX #C6B3B4

RGB 198 179 180

HSL 356.84, 0.14%, 0.74%

LAB 74.53, 6.96, 1.95

 

Description

Color code: RGB 189 198.4 179.4 | qconv.com Color code: RGB 189 198.4 179.4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 198.4 green and 179.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 198.4 179.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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