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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 196 228 it is the complementary color RGB 66 59 27. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 196 228. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 196 228: RGB 194 196 223, RGB 211 214 242, RGB 228 232 255, RGB 245 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 196 228. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 196 228: RGB 189 196 228, RGB 172 178 209, RGB 155 160 190, RGB 138 142 171 and RGB 121 124 152

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

Complementary color

CMYK 0 / 11 / 59 / 74

HEX #423B1B

RGB 66 59 27

HSL 49.23, 0.42%, 0.18%

LAB 24.84, -2.01, 20.75

 

CMYK 13 / 12 / 0 / 13

HEX #C2C4DF

RGB 194 196 223

HSL 235.86, 0.31%, 0.82%

LAB 79.77, 4.62, -13.65

 

CMYK 13 / 12 / 0 / 5

HEX #D3D6F2

RGB 211 214 242

HSL 234.19, 0.54%, 0.89%

LAB 86.18, 4.41, -14.04

 

CMYK 11 / 9 / 0 / 0

HEX #E4E8FF

RGB 228 232 255

HSL 231.11, 1%, 0.95%

LAB 92.32, 3.01, -11.56

 

CMYK 4 / 2 / 0 / 0

HEX #F5FAFF

RGB 245 250 255

HSL 210, 1%, 0.98%

LAB 98.03, -0.74, -2.97

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 18 / 15 / 0 / 18

HEX #ACB2D1

RGB 172 178 209

HSL 230.27, 0.29%, 0.75%

LAB 73.03, 4.32, -16.36

 

CMYK 18 / 16 / 0 / 25

HEX #9BA0BE

RGB 155 160 190

HSL 231.43, 0.21%, 0.68%

LAB 66.39, 4.56, -16.03

 

CMYK 19 / 17 / 0 / 33

HEX #8A8EAB

RGB 138 142 171

HSL 232.73, 0.16%, 0.61%

LAB 59.61, 4.83, -15.72

 

CMYK 20 / 18 / 0 / 40

HEX #797C98

RGB 121 124 152

HSL 234.19, 0.13%, 0.54%

LAB 52.67, 5.12, -15.42

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 17 / 17 / 0 / 11

HEX #BDBEE4

RGB 189 190 228

HSL 238.46, 0.42%, 0.82%

LAB 78.02, 7.32, -19.01

 

CMYK 14 / 17 / 0 / 11

HEX #C3BDE4

RGB 195 189 228

HSL 249.23, 0.42%, 0.82%

LAB 78.23, 9.76, -18.66

 

CMYK 11 / 17 / 0 / 11

HEX #CABDE4

RGB 202 189 228

HSL 260, 0.42%, 0.82%

LAB 78.78, 12.01, -17.76

 

CMYK 9 / 17 / 0 / 11

HEX #D0BDE4

RGB 208 189 228

HSL 269.23, 0.42%, 0.82%

LAB 79.27, 13.95, -16.97

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 17 / 13 / 0 / 91

HEX #141518

RGB 20 21 24

HSL 225, 0.09%, 0.09%

LAB 6.78, 0.32, -2.19

 

CMYK 17 / 15 / 0 / 71

HEX #3E404B

RGB 62 64 75

HSL 230.77, 0.09%, 0.27%

LAB 27.29, 1.85, -6.94

 

CMYK 17 / 14 / 0 / 51

HEX #686C7E

RGB 104 108 126

HSL 229.09, 0.1%, 0.45%

LAB 45.87, 2.53, -10.48

 

CMYK 17 / 14 / 0 / 31

HEX #9398B1

RGB 147 152 177

HSL 230, 0.16%, 0.64%

LAB 63.21, 3.5, -13.61

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 0 / 17 / 0 / 11

HEX #E4BDE3

RGB 228 189 227

HSL 301.54, 0.42%, 0.82%

LAB 80.98, 20.36, -13.7

 

CMYK 7 / 0 / 17 / 11

HEX #D4E4BD

RGB 212 228 189

HSL 84.62, 0.42%, 0.82%

LAB 88.52, -12.1, 17.26

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 0 / 17 / 14 / 11

HEX #E4BDC4

RGB 228 189 196

HSL 349.23, 0.42%, 0.82%

LAB 80.11, 15.03, 1.71

 

CMYK 14 / 0 / 17 / 11

HEX #C4E4BD

RGB 196 228 189

HSL 109.23, 0.42%, 0.82%

LAB 87.43, -17.65, 15.58

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 0 / 17 / 0 / 11

HEX #E4BDE3

RGB 228 189 227

HSL 301.54, 0.42%, 0.82%

LAB 80.98, 20.36, -13.7

 

CMYK 0 / 3 / 17 / 11

HEX #E4DDBD

RGB 228 221 189

HSL 49.23, 0.42%, 0.82%

LAB 87.91, -2.82, 16.58

 

CMYK 17 / 0 / 17 / 11

HEX #BDE4BE

RGB 189 228 190

HSL 121.54, 0.42%, 0.82%

LAB 87.01, -19.84, 14.39

 

CMYK 17 / 14 / 0 / 11

HEX #BDC4E4

RGB 189 196 228

HSL 229.23, 0.42%, 0.82%

LAB 79.56, 4.09, -16.69

 

CMYK 0 / 17 / 5 / 11

HEX #E4BDD8

RGB 228 189 216

HSL 318.46, 0.42%, 0.82%

LAB 80.65, 18.39, -8.27

 

CMYK 0 / 3 / 17 / 11

HEX #E4DDBD

RGB 228 221 189

HSL 49.23, 0.42%, 0.82%

LAB 87.91, -2.82, 16.58

 

CMYK 17 / 0 / 11 / 11

HEX #BDE4CA

RGB 189 228 202

HSL 140, 0.42%, 0.82%

LAB 87.28, -17.69, 8.49

 

Description

Color code: RGB 189 196 228 | qconv.com Color code: RGB 189 196 228 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 196 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 196 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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