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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 190 191 it is the complementary color RGB 66 65 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 190 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 190 191: RGB 194 190 186, RGB 211 208 205, RGB 228 226 224, RGB 245 244 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 190 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 190 191: RGB 189 190 191, RGB 172 172 172, RGB 155 154 153, RGB 138 136 134 and RGB 121 118 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

Complementary color

CMYK 0 / 2 / 3 / 74

HEX #424140

RGB 66 65 64

HSL 30, 0.02%, 0.25%

LAB 27.6, 0.2, 0.75

 

CMYK 0 / 2 / 4 / 24

HEX #C2BEBA

RGB 194 190 186

HSL 30, 0.06%, 0.75%

LAB 77.19, 0.68, 2.5

 

CMYK 0 / 1 / 3 / 17

HEX #D3D0CD

RGB 211 208 205

HSL 30, 0.06%, 0.82%

LAB 83.64, 0.5, 1.84

 

CMYK 0 / 1 / 2 / 11

HEX #E4E2E0

RGB 228 226 224

HSL 30, 0.07%, 0.89%

LAB 89.98, 0.33, 1.2

 

CMYK 0 / 0 / 1 / 4

HEX #F5F4F3

RGB 245 244 243

HSL 30, 0.09%, 0.96%

LAB 96.24, 0.16, 0.59

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 0 / 0 / 0 / 33

HEX #ACACAC

RGB 172 172 172

HSL 0, 0%, 0.67%

LAB 70.35, 0, -0.01

 

CMYK 0 / 1 / 1 / 39

HEX #9B9A99

RGB 155 154 153

HSL 30, 0.01%, 0.6%

LAB 63.66, 0.17, 0.64

 

CMYK 0 / 1 / 3 / 46

HEX #8A8886

RGB 138 136 134

HSL 30, 0.02%, 0.53%

LAB 56.81, 0.36, 1.33

 

CMYK 0 / 2 / 5 / 53

HEX #797673

RGB 121 118 115

HSL 30, 0.03%, 0.46%

LAB 49.81, 0.56, 2.05

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 2 / 1 / 0 / 25

HEX #BDBEC0

RGB 189 190 192

HSL 220, 0.02%, 0.75%

LAB 76.95, 0.03, -1.14

 

CMYK 2 / 1 / 0 / 25

HEX #BDBEC0

RGB 189 190 192

HSL 220, 0.02%, 0.75%

LAB 76.95, 0.03, -1.14

 

CMYK 2 / 2 / 0 / 25

HEX #BDBDC0

RGB 189 189 192

HSL 240, 0.02%, 0.75%

LAB 76.69, 0.56, -1.52

 

CMYK 1 / 2 / 0 / 25

HEX #BEBDC0

RGB 190 189 192

HSL 260, 0.02%, 0.75%

LAB 76.77, 0.91, -1.4

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 1 / 0 / 0 / 5

HEX #EFF1F2

RGB 239 241 242

HSL 200, 0.1%, 0.94%

LAB 95.02, -0.48, -0.72

 

CMYK 0 / 0 / 0 / 85

HEX #262626

RGB 38 38 38

HSL 0, 0%, 0.15%

LAB 15.16, 0, -0

 

CMYK 1 / 0 / 0 / 65

HEX #585959

RGB 88 89 89

HSL 180, 0.01%, 0.35%

LAB 37.74, -0.4, -0.14

 

CMYK 1 / 1 / 0 / 45

HEX #8B8B8C

RGB 139 139 140

HSL 240, 0%, 0.55%

LAB 57.89, 0.2, -0.54

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 1 / 2 / 0 / 25

HEX #BFBDC0

RGB 191 189 192

HSL 280, 0.02%, 0.75%

LAB 76.85, 1.26, -1.27

 

CMYK 0 / 0 / 2 / 25

HEX #C0C0BD

RGB 192 192 189

HSL 60, 0.02%, 0.75%

LAB 77.63, -0.55, 1.5

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 0 / 2 / 1 / 25

HEX #C0BDBF

RGB 192 189 191

HSL 320, 0.02%, 0.75%

LAB 76.9, 1.42, -0.64

 

CMYK 1 / 0 / 2 / 25

HEX #BFC0BD

RGB 191 192 189

HSL 80, 0.02%, 0.75%

LAB 77.55, -0.89, 1.38

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 1 / 2 / 0 / 25

HEX #BFBDC0

RGB 191 189 192

HSL 280, 0.02%, 0.75%

LAB 76.85, 1.26, -1.27

 

CMYK 0 / 1 / 2 / 25

HEX #C0BFBD

RGB 192 191 189

HSL 40, 0.02%, 0.75%

LAB 77.37, -0.01, 1.12

 

CMYK 1 / 0 / 2 / 25

HEX #BEC0BD

RGB 190 192 189

HSL 100, 0.02%, 0.75%

LAB 77.47, -1.24, 1.26

 

CMYK 1 / 1 / 0 / 25

HEX #BDBEBF

RGB 189 190 191

HSL 210, 0.02%, 0.75%

LAB 76.93, -0.16, -0.63

 

CMYK 0 / 2 / 0 / 25

HEX #C0BDC0

RGB 192 189 192

HSL 300, 0.02%, 0.75%

LAB 76.93, 1.6, -1.15

 

CMYK 0 / 1 / 2 / 25

HEX #C0BFBD

RGB 192 191 189

HSL 40, 0.02%, 0.75%

LAB 77.37, -0.01, 1.12

 

CMYK 2 / 0 / 2 / 25

HEX #BDC0BD

RGB 189 192 189

HSL 120, 0.02%, 0.75%

LAB 77.4, -1.59, 1.14

 

Description

Color code: RGB 189 190 191 | qconv.com Color code: RGB 189 190 191 | qconv.com - big

With this color almost no shade stands out particularly. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 190 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 190 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 1 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 1% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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