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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 189 136 47 it is the complementary color RGB 66 119 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 189 136 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 189 136 47: RGB 194 136 42, RGB 211 154 61, RGB 228 172 80, RGB 245 190 99 and RGB 255 208 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 189 136 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 189 136 47: RGB 189 136 47, RGB 172 118 28, RGB 155 100 9, RGB 138 82 0 and RGB 121 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

Complementary color

CMYK 68 / 43 / 0 / 18

HEX #4277D0

RGB 66 119 208

HSL 217.61, 0.6%, 0.54%

LAB 50.58, 11.55, -51.21

 

CMYK 0 / 30 / 78 / 24

HEX #C2882A

RGB 194 136 42

HSL 37.11, 0.64%, 0.46%

LAB 61, 14.02, 55.91

 

CMYK 0 / 27 / 71 / 17

HEX #D39A3D

RGB 211 154 61

HSL 37.2, 0.63%, 0.53%

LAB 67.5, 12.46, 55.12

 

CMYK 0 / 25 / 65 / 11

HEX #E4AC50

RGB 228 172 80

HSL 37.3, 0.73%, 0.6%

LAB 73.92, 11.13, 53.99

 

CMYK 0 / 22 / 60 / 4

HEX #F5BE63

RGB 245 190 99

HSL 37.4, 0.88%, 0.67%

LAB 80.26, 9.97, 52.73

 

CMYK 0 / 18 / 54 / 0

HEX #FFD076

RGB 255 208 118

HSL 39.42, 1%, 0.73%

LAB 85.85, 6.14, 50.46

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 0 / 31 / 84 / 33

HEX #AC761C

RGB 172 118 28

HSL 37.5, 0.72%, 0.39%

LAB 53.83, 13.74, 53.58

 

CMYK 0 / 35 / 94 / 39

HEX #9B6409

RGB 155 100 9

HSL 37.4, 0.89%, 0.32%

LAB 47.11, 15.77, 52.64

 

CMYK 0 / 41 / 100 / 46

HEX #8A5200

RGB 138 82 0

HSL 35.65, 1%, 0.27%

LAB 40.31, 18.16, 49.18

 

CMYK 0 / 47 / 100 / 53

HEX #794000

RGB 121 64 0

HSL 31.74, 1%, 0.24%

LAB 33.42, 20.8, 43.6

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 0 / 16 / 75 / 27

HEX #BB9D2E

RGB 187 157 46

HSL 47.23, 0.61%, 0.46%

LAB 65.65, -0.37, 58.52

 

CMYK 0 / 4 / 75 / 27

HEX #BBB42E

RGB 187 180 46

HSL 57.02, 0.61%, 0.46%

LAB 71.83, -12.48, 64.32

 

CMYK 9 / 0 / 75 / 27

HEX #ABBB2E

RGB 171 187 46

HSL 66.81, 0.61%, 0.46%

LAB 72.49, -22.85, 64.47

 

CMYK 21 / 0 / 75 / 27

HEX #93BB2E

RGB 147 187 46

HSL 77.02, 0.61%, 0.46%

LAB 70.83, -32.72, 62.32

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 0 / 28 / 75 / 6

HEX #F0AD3C

RGB 240 173 60

HSL 37.67, 0.86%, 0.59%

LAB 75.29, 14.65, 64.36

 

CMYK 0 / 28 / 75 / 86

HEX #241A09

RGB 36 26 9

HSL 37.78, 0.6%, 0.09%

LAB 10.06, 2.34, 11.38

 

CMYK 0 / 28 / 75 / 66

HEX #573F16

RGB 87 63 22

HSL 37.85, 0.6%, 0.21%

LAB 28.48, 5.71, 28.34

 

CMYK 0 / 28 / 75 / 46

HEX #8A6322

RGB 138 99 34

HSL 37.5, 0.6%, 0.34%

LAB 44.86, 9.25, 41.35

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 61 / 0 / 75 / 27

HEX #48BB2E

RGB 72 187 46

HSL 108.94, 0.61%, 0.46%

LAB 67.36, -57.36, 57.77

 

CMYK 59 / 75 / 0 / 27

HEX #4D2EBB

RGB 77 46 187

HSL 253.19, 0.61%, 0.46%

LAB 32.08, 50.43, -69.01

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 75 / 0 / 29 / 27

HEX #2EBB85

RGB 46 187 133

HSL 157.02, 0.61%, 0.46%

LAB 67.88, -49.4, 17.04

 

CMYK 29 / 75 / 0 / 27

HEX #852EBB

RGB 133 46 187

HSL 277.02, 0.61%, 0.46%

LAB 38.77, 59.4, -57.79

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 61 / 0 / 75 / 27

HEX #48BB2E

RGB 72 187 46

HSL 108.94, 0.61%, 0.46%

LAB 67.36, -57.36, 57.77

 

CMYK 75 / 47 / 0 / 27

HEX #2E64BB

RGB 46 100 187

HSL 217.02, 0.61%, 0.46%

LAB 43.19, 12.99, -51.02

 

CMYK 14 / 75 / 0 / 27

HEX #A12EBB

RGB 161 46 187

HSL 288.94, 0.61%, 0.46%

LAB 42.94, 64.77, -50.85

 

CMYK 0 / 28 / 75 / 26

HEX #BD882F

RGB 189 136 47

HSL 37.61, 0.6%, 0.46%

LAB 60.46, 12.03, 53.18

 

CMYK 75 / 0 / 66 / 27

HEX #2EBB3F

RGB 46 187 63

HSL 127.23, 0.61%, 0.46%

LAB 66.89, -60.89, 50.61

 

CMYK 75 / 47 / 0 / 27

HEX #2E64BB

RGB 46 100 187

HSL 217.02, 0.61%, 0.46%

LAB 43.19, 12.99, -51.02

 

CMYK 0 / 75 / 9 / 27

HEX #BB2EAB

RGB 187 46 171

HSL 306.81, 0.61%, 0.46%

LAB 46.26, 67.57, -35.89

 

Description

Color code: RGB 189 136 47 | qconv.com Color code: RGB 189 136 47 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 136 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 136 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 75 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 75% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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