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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 151 162 it is the complementary color RGB 67 104 93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 151 162. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 151 162 shade: RGB 193 151 157, RGB 210 169 176, RGB 227 187 195, RGB 244 205 214 and RGB 255 223 233

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 151 162. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 151 162 shade: RGB 188 151 162, RGB 171 133 143, RGB 154 115 124, RGB 137 97 105 and RGB 120 79 86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 151 162 shade: RGB 187 149 161, RGB 187 149 150 and RGB 187 149 149

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 151 162 shade: RGB 187 149 161, RGB 187 149 171, RGB 187 149 181, RGB 183 149 187 and RGB 173 149 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 151 162 shade matches the following richer shades: RGB 187 149 161, RGB 201 135 155, RGB 215 121 149, RGB 229 107 144 and RGB 243 93 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 151 162 shade: RGB 187 149 161, RGB 173 163 166, RGB 159 177 172, RGB 145 191 178 and RGB 131 205 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 151 162 shade: RGB 187 149 181, RGB 187 149 171, RGB 187 149 161, RGB 187 149 150 and RGB 187 158 149

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 151 162 shade: RGB 155 99 116, RGB 171 124 138, RGB 187 149 161, RGB 203 174 183 and RGB 220 200 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 151 162 shade: RGB 188 151 162, RGB 187 184 149 and RGB 149 176 187

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 151 162 shade: RGB 188 151 162, RGB 161 187 149 and RGB 149 161 187

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 151 162 shade: RGB 188 151 162, RGB 187 184 149, RGB 149 187 176 and RGB 149 153 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 151 162 shade: RGB 188 151 162, RGB 180 187 149, RGB 149 187 176 and RGB 157 149 187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

Complementary color

CMYK 36 / 0 / 11 / 59

HEX #43685D

RGB 67 104 93

HSL 162.16, 0.22%, 0.34%

LAB 41.03, -15.91, 2.01

 

CMYK 0 / 22 / 19 / 24

HEX #C1979D

RGB 193 151 157

HSL 351.43, 0.25%, 0.67%

LAB 66.45, 16.63, 2.88

 

CMYK 0 / 20 / 16 / 18

HEX #D2A9B0

RGB 210 169 176

HSL 349.76, 0.31%, 0.74%

LAB 73.03, 16.08, 2.1

 

CMYK 0 / 18 / 14 / 11

HEX #E3BBC3

RGB 227 187 195

HSL 348, 0.42%, 0.81%

LAB 79.51, 15.58, 1.36

 

CMYK 0 / 16 / 12 / 4

HEX #F4CDD6

RGB 244 205 214

HSL 346.15, 0.64%, 0.88%

LAB 85.88, 15.12, 0.66

 

CMYK 0 / 13 / 9 / 0

HEX #FFDFE9

RGB 255 223 233

HSL 341.25, 1%, 0.94%

LAB 91.65, 12.63, -0.82

 

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

CMYK 0 / 22 / 16 / 33

HEX #AB858F

RGB 171 133 143

HSL 344.21, 0.18%, 0.6%

LAB 59.36, 16.14, 0.23

 

CMYK 0 / 25 / 19 / 40

HEX #9A737C

RGB 154 115 124

HSL 346.15, 0.16%, 0.53%

LAB 52.49, 16.77, 1.05

 

CMYK 0 / 29 / 23 / 46

HEX #896169

RGB 137 97 105

HSL 348, 0.17%, 0.46%

LAB 45.48, 17.49, 1.94

 

CMYK 0 / 34 / 28 / 53

HEX #784F56

RGB 120 79 86

HSL 349.76, 0.21%, 0.39%

LAB 38.3, 18.32, 2.97

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 20 / 20 / 27

HEX #BB9596

RGB 187 149 150

HSL 358.42, 0.22%, 0.66%

LAB 65.17, 14.38, 4.89

 

CMYK 0 / 20 / 20 / 27

HEX #BB9595

RGB 187 149 149

HSL 0, 0.22%, 0.66%

LAB 65.14, 14.22, 5.41

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 20 / 9 / 27

HEX #BB95AB

RGB 187 149 171

HSL 325.26, 0.22%, 0.66%

LAB 65.75, 17.88, -6.07

 

CMYK 0 / 20 / 3 / 27

HEX #BB95B5

RGB 187 149 181

HSL 309.47, 0.22%, 0.66%

LAB 66.06, 19.69, -11.23

 

CMYK 2 / 20 / 0 / 27

HEX #B795BB

RGB 183 149 187

HSL 293.68, 0.22%, 0.66%

LAB 65.87, 19.46, -14.91

 

CMYK 7 / 20 / 0 / 27

HEX #AD95BB

RGB 173 149 187

HSL 277.89, 0.22%, 0.66%

LAB 64.94, 16.06, -16.41

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 33 / 23 / 21

HEX #C9879B

RGB 201 135 155

HSL 341.82, 0.38%, 0.66%

LAB 63.44, 28.09, -0.27

 

CMYK 0 / 44 / 31 / 16

HEX #D77995

RGB 215 121 149

HSL 342.13, 0.54%, 0.66%

LAB 61.91, 39.79, 1.13

 

CMYK 0 / 53 / 37 / 10

HEX #E56B90

RGB 229 107 144

HSL 341.8, 0.7%, 0.66%

LAB 60.95, 50.99, 2.85

 

CMYK 0 / 62 / 43 / 5

HEX #F35D8A

RGB 243 93 138

HSL 342, 0.86%, 0.66%

LAB 60.53, 61.15, 6

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 6 / 4 / 32

HEX #ADA3A6

RGB 173 163 166

HSL 342, 0.06%, 0.66%

LAB 67.9, 4.16, -0.26

 

CMYK 10 / 0 / 3 / 31

HEX #9FB1AC

RGB 159 177 172

HSL 163.33, 0.1%, 0.66%

LAB 70.73, -7.22, 0.42

 

CMYK 24 / 0 / 7 / 25

HEX #91BFB2

RGB 145 191 178

HSL 163.04, 0.26%, 0.66%

LAB 73.87, -17.9, 1.6

 

CMYK 36 / 0 / 11 / 20

HEX #83CDB7

RGB 131 205 183

HSL 162.16, 0.43%, 0.66%

LAB 77.23, -27.96, 3.68

 

CMYK 0 / 20 / 3 / 27

HEX #BB95B5

RGB 187 149 181

HSL 309.47, 0.22%, 0.66%

LAB 66.06, 19.69, -11.23

 

CMYK 0 / 20 / 9 / 27

HEX #BB95AB

RGB 187 149 171

HSL 325.26, 0.22%, 0.66%

LAB 65.75, 17.88, -6.07

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 20 / 20 / 27

HEX #BB9596

RGB 187 149 150

HSL 358.42, 0.22%, 0.66%

LAB 65.17, 14.38, 4.89

 

CMYK 0 / 16 / 20 / 27

HEX #BB9E95

RGB 187 158 149

HSL 14.21, 0.22%, 0.66%

LAB 67.42, 9.25, 8.67

 

CMYK 0 / 36 / 25 / 39

HEX #9B6374

RGB 155 99 116

HSL 341.79, 0.22%, 0.5%

LAB 48.45, 25.09, -0.09

 

CMYK 0 / 27 / 19 / 33

HEX #AB7C8A

RGB 171 124 138

HSL 342.13, 0.22%, 0.58%

LAB 56.99, 20.42, -0.35

 

CMYK 0 / 20 / 14 / 27

HEX #BB95A1

RGB 187 149 161

HSL 341.05, 0.22%, 0.66%

LAB 65.46, 16.16, -0.87

 

CMYK 0 / 14 / 10 / 20

HEX #CBAEB7

RGB 203 174 183

HSL 341.38, 0.22%, 0.74%

LAB 73.8, 11.98, -0.71

 

CMYK 0 / 9 / 6 / 14

HEX #DCC8CE

RGB 220 200 206

HSL 342, 0.22%, 0.82%

LAB 82.37, 8.02, -0.45

 

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

CMYK 0 / 2 / 20 / 27

HEX #BBB895

RGB 187 184 149

HSL 55.26, 0.22%, 0.66%

LAB 74.2, -4.78, 18.2

 

CMYK 20 / 6 / 0 / 27

HEX #95B0BB

RGB 149 176 187

HSL 197.37, 0.22%, 0.66%

LAB 70.2, -6.81, -8.7

 

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

CMYK 14 / 0 / 20 / 27

HEX #A1BB95

RGB 161 187 149

HSL 101.05, 0.22%, 0.66%

LAB 73.08, -15.97, 16.35

 

CMYK 20 / 14 / 0 / 27

HEX #95A1BB

RGB 149 161 187

HSL 221.05, 0.22%, 0.66%

LAB 66.11, 1.39, -14.82

 

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

CMYK 0 / 2 / 20 / 27

HEX #BBB895

RGB 187 184 149

HSL 55.26, 0.22%, 0.66%

LAB 74.2, -4.78, 18.2

 

CMYK 20 / 0 / 6 / 27

HEX #95BBB0

RGB 149 187 176

HSL 162.63, 0.22%, 0.66%

LAB 72.93, -14.99, 1.36

 

CMYK 20 / 18 / 0 / 27

HEX #9599BB

RGB 149 153 187

HSL 233.68, 0.22%, 0.66%

LAB 63.97, 5.87, -18.07

 

CMYK 0 / 20 / 14 / 26

HEX #BC97A2

RGB 188 151 162

HSL 342.16, 0.22%, 0.66%

LAB 66.08, 15.58, -0.51

 

CMYK 4 / 0 / 20 / 27

HEX #B4BB95

RGB 180 187 149

HSL 71.05, 0.22%, 0.66%

LAB 74.45, -9, 18.47

 

CMYK 20 / 0 / 6 / 27

HEX #95BBB0

RGB 149 187 176

HSL 162.63, 0.22%, 0.66%

LAB 72.93, -14.99, 1.36

 

CMYK 16 / 20 / 0 / 27

HEX #9D95BB

RGB 157 149 187

HSL 252.63, 0.22%, 0.66%

LAB 63.55, 10.73, -18.64

 

Description

Color code: RGB 188 151 162 | qconv.com Color code: RGB 188 151 162 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 151 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 151 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 14% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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