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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188 110.2 27.6 it is the complementary color RGB 67 144.8 227.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188 110.2 27.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188 110.2 27.6 shade: RGB 193 110.2 22.6, RGB 210 128.2 41.6, RGB 227 146.2 60.6, RGB 244 164.2 79.6 and RGB 255 182.2 98.6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188 110.2 27.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188 110.2 27.6 shade: RGB 188 110.2 27.6, RGB 171 92.2 8.6, RGB 154 74.2 0, RGB 137 56.2 0 and RGB 120 38.2 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188 110.2 27.6 shade: RGB 186 109 28, RGB 186 67 28 and RGB 186 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188 110.2 27.6 shade: RGB 186 109 28, RGB 186 152 28, RGB 178 186 28, RGB 135 186 28 and RGB 92 186 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188 110.2 27.6 shade matches the following richer shades: RGB 186 109 28 and RGB 204 110 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188 110.2 27.6 shade: RGB 186 109 28, RGB 169 109 45, RGB 152 108 63, RGB 134 108 80 and RGB 117 107 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188 110.2 27.6 shade: RGB 186 28 33, RGB 186 65 28, RGB 186 107 28, RGB 186 149 28 and RGB 181 186 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188 110.2 27.6 shade: RGB 115 67 17, RGB 150 88 22, RGB 186 109 28, RGB 222 131 34 and RGB 227 151 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188 110.2 27.6 shade: RGB 188 110.2 27.6, RGB 75 186 28 and RGB 44 28 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188 110.2 27.6 shade: RGB 188 110.2 27.6, RGB 28 186 107 and RGB 107 28 186

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188 110.2 27.6 shade: RGB 188 110.2 27.6, RGB 75 186 28, RGB 28 107 186 and RGB 139 28 186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188 110.2 27.6 shade: RGB 188 110.2 27.6, RGB 28 186 28, RGB 28 107 186 and RGB 186 28 186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

Complementary color

CMYK 71 / 36 / 0 / 11

HEX #4390E3

RGB 67 144.8 227.4

HSL 210.9, 0.74%, 0.58%

LAB 58.93, 2.97, -48.83

 

CMYK 0 / 43 / 88 / 24

HEX #C16E16

RGB 193 110.2 22.6

HSL 30.85, 0.79%, 0.42%

LAB 54.65, 27.13, 57.1

 

CMYK 0 / 39 / 80 / 18

HEX #D28029

RGB 210 128.2 41.6

HSL 30.86, 0.67%, 0.49%

LAB 61.09, 25.17, 56.86

 

CMYK 0 / 36 / 73 / 11

HEX #E3923C

RGB 227 146.2 60.6

HSL 30.87, 0.75%, 0.56%

LAB 67.49, 23.43, 55.87

 

CMYK 0 / 33 / 67 / 4

HEX #F4A44F

RGB 244 164.2 79.6

HSL 30.88, 0.88%, 0.63%

LAB 73.82, 21.91, 54.57

 

CMYK 0 / 29 / 61 / 0

HEX #FFB662

RGB 255 182.2 98.6

HSL 32.07, 1%, 0.69%

LAB 79.44, 18.12, 52.24

 

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

CMYK 0 / 46 / 95 / 33

HEX #AB5C08

RGB 171 92.2 8.6

HSL 30.89, 0.9%, 0.35%

LAB 47.45, 27.26, 53.99

 

CMYK 0 / 52 / 100 / 40

HEX #9A4A00

RGB 154 74.2 0

HSL 28.91, 1%, 0.3%

LAB 40.89, 29.65, 50.74

 

CMYK 0 / 59 / 100 / 46

HEX #893800

RGB 137 56.2 0

HSL 24.61, 1%, 0.27%

LAB 34.33, 32.09, 45.49

 

CMYK 0 / 68 / 100 / 53

HEX #782600

RGB 120 38.2 0

HSL 19.1, 1%, 0.24%

LAB 27.82, 34.22, 39.45

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 0 / 64 / 85 / 27

HEX #BA431C

RGB 186 67 28

HSL 14.81, 0.74%, 0.42%

LAB 44.99, 46.25, 46.69

 

CMYK 0 / 85 / 85 / 27

HEX #BA1C1C

RGB 186 28 28

HSL 0, 0.74%, 0.42%

LAB 40.17, 59.56, 42.45

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 0 / 18 / 85 / 27

HEX #BA981C

RGB 186 152 28

HSL 47.09, 0.74%, 0.42%

LAB 64.14, 1.25, 62.95

 

CMYK 4 / 0 / 85 / 27

HEX #B2BA1C

RGB 178 186 28

HSL 63.04, 0.74%, 0.42%

LAB 72.67, -20.01, 69.76

 

CMYK 27 / 0 / 85 / 27

HEX #87BA1C

RGB 135 186 28

HSL 79.37, 0.74%, 0.42%

LAB 69.72, -37.74, 66.09

 

CMYK 51 / 0 / 85 / 27

HEX #5CBA1C

RGB 92 186 28

HSL 95.7, 0.74%, 0.42%

LAB 67.63, -52.65, 63.46

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 0 / 46 / 95 / 20

HEX #CC6E0B

RGB 204 110 11

HSL 30.78, 0.9%, 0.42%

LAB 56.1, 31.68, 61.69

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 0 / 36 / 73 / 34

HEX #A96D2D

RGB 169 109 45

HSL 30.97, 0.58%, 0.42%

LAB 51.34, 18.15, 44.09

 

CMYK 0 / 29 / 59 / 40

HEX #986C3F

RGB 152 108 63

HSL 30.34, 0.41%, 0.42%

LAB 49.2, 12.37, 31.85

 

CMYK 0 / 19 / 40 / 47

HEX #866C50

RGB 134 108 80

HSL 31.11, 0.25%, 0.42%

LAB 47.46, 6.19, 19.56

 

CMYK 0 / 9 / 17 / 54

HEX #756B61

RGB 117 107 97

HSL 30, 0.09%, 0.42%

LAB 45.85, 2.09, 7.02

 

CMYK 0 / 85 / 82 / 27

HEX #BA1C21

RGB 186 28 33

HSL 358.1, 0.74%, 0.42%

LAB 40.21, 59.69, 39.83

 

CMYK 0 / 65 / 85 / 27

HEX #BA411C

RGB 186 65 28

HSL 14.05, 0.74%, 0.42%

LAB 44.67, 47.13, 46.41

 

CMYK 0 / 42 / 85 / 27

HEX #BA6B1C

RGB 186 107 28

HSL 30, 0.74%, 0.42%

LAB 52.99, 26.02, 53.57

 

CMYK 0 / 20 / 85 / 27

HEX #BA951C

RGB 186 149 28

HSL 45.95, 0.74%, 0.42%

LAB 63.36, 2.88, 62.3

 

CMYK 3 / 0 / 85 / 27

HEX #B5BA1C

RGB 181 186 28

HSL 61.9, 0.74%, 0.42%

LAB 72.91, -18.72, 70.06

 

CMYK 0 / 42 / 85 / 55

HEX #734311

RGB 115 67 17

HSL 30.61, 0.74%, 0.26%

LAB 33.35, 16.68, 36.79

 

CMYK 0 / 41 / 85 / 41

HEX #965816

RGB 150 88 22

HSL 30.94, 0.74%, 0.34%

LAB 43.54, 20.66, 45.7

 

CMYK 0 / 41 / 85 / 27

HEX #BA6D1C

RGB 186 109 28

HSL 30.76, 0.74%, 0.42%

LAB 53.45, 24.92, 53.96

 

CMYK 0 / 41 / 85 / 13

HEX #DE8322

RGB 222 131 34

HSL 30.96, 0.74%, 0.5%

LAB 63.24, 28.49, 62.09

 

CMYK 0 / 33 / 70 / 11

HEX #E39745

RGB 227 151 69

HSL 31.14, 0.74%, 0.58%

LAB 68.67, 21.28, 53.33

 

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

CMYK 60 / 0 / 85 / 27

HEX #4BBA1C

RGB 75 186 28

HSL 102.15, 0.74%, 0.42%

LAB 67.05, -57.29, 62.72

 

CMYK 76 / 85 / 0 / 27

HEX #2C1CBA

RGB 44 28 186

HSL 246.08, 0.74%, 0.42%

LAB 26.48, 55.41, -77.76

 

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

CMYK 85 / 0 / 42 / 27

HEX #1CBA6B

RGB 28 186 107

HSL 150, 0.74%, 0.42%

LAB 66.84, -56.3, 29.43

 

CMYK 42 / 85 / 0 / 27

HEX #6B1CBA

RGB 107 28 186

HSL 270, 0.74%, 0.42%

LAB 32.92, 61.37, -66.9

 

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

CMYK 60 / 0 / 85 / 27

HEX #4BBA1C

RGB 75 186 28

HSL 102.15, 0.74%, 0.42%

LAB 67.05, -57.29, 62.72

 

CMYK 85 / 42 / 0 / 27

HEX #1C6BBA

RGB 28 107 186

HSL 210, 0.74%, 0.42%

LAB 44.67, 6.26, -48.08

 

CMYK 25 / 85 / 0 / 27

HEX #8B1CBA

RGB 139 28 186

HSL 282.15, 0.74%, 0.42%

LAB 37.6, 66, -59.07

 

CMYK 0 / 41 / 85 / 26

HEX #BC6E1B

RGB 188 110.2 27.6

HSL 30.9, 0.74%, 0.42%

LAB 53.99, 25.12, 54.67

 

CMYK 85 / 0 / 85 / 27

HEX #1CBA1C

RGB 28 186 28

HSL 120, 0.74%, 0.42%

LAB 66.1, -65.42, 61.5

 

CMYK 85 / 42 / 0 / 27

HEX #1C6BBA

RGB 28 107 186

HSL 210, 0.74%, 0.42%

LAB 44.67, 6.26, -48.08

 

CMYK 0 / 85 / 0 / 27

HEX #BA1CBA

RGB 186 28 186

HSL 300, 0.74%, 0.42%

LAB 45.38, 74.07, -46.13

 

Description

Color code: RGB 188 110.2 27.6 | qconv.com Color code: RGB 188 110.2 27.6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 110.2 green and 27.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 110.2 27.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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