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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 188.1 198.8 101 it is the complementary color RGB 66.9 56.2 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 188.1 198.8 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 188.1 198.8 101 shade: RGB 193.1 198.8 96, RGB 210.1 216.8 115, RGB 227.1 234.8 134, RGB 244.1 252.8 153 and RGB 255 255 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 188.1 198.8 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 188.1 198.8 101 shade: RGB 188.1 198.8 101, RGB 171.1 180.8 82, RGB 154.1 162.8 63, RGB 137.1 144.8 44 and RGB 120.1 126.8 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 188.1 198.8 101 shade: RGB 189 200 101, RGB 200 184 101, RGB 200 157 101, RGB 200 131 101 and RGB 200 104 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 188.1 198.8 101 shade: RGB 189 200 101, RGB 162 200 101, RGB 136 200 101, RGB 109 200 101 and RGB 101 200 120

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 188.1 198.8 101 shade matches the following richer shades: RGB 189 200 101, RGB 202 217 84, RGB 215 233 67 and RGB 228 250 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 188.1 198.8 101 shade: RGB 189 200 101, RGB 176 183 118, RGB 162 166 135, RGB 149 149 152 and RGB 136 132 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 188.1 198.8 101 shade: RGB 200 157 101, RGB 200 183 101, RGB 190 200 101, RGB 164 200 101 and RGB 137 200 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 188.1 198.8 101 shade: RGB 149 161 58, RGB 176 189 71, RGB 189 200 101, RGB 202 211 132 and RGB 215 221 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 188.1 198.8 101 shade: RGB 188.1 198.8 101, RGB 101 200 131 and RGB 170 101 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 188.1 198.8 101 shade: RGB 188.1 198.8 101, RGB 101 190 200 and RGB 200 101 190

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 188.1 198.8 101 shade: RGB 188.1 198.8 101, RGB 101 200 131, RGB 111 101 200 and RGB 200 101 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 188.1 198.8 101 shade: RGB 188.1 198.8 101, RGB 101 200 160, RGB 111 101 200 and RGB 200 101 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

Complementary color

CMYK 57 / 64 / 0 / 40

HEX #42389A

RGB 66.9 56.2 154

HSL 246.56, 0.47%, 0.41%

LAB 30.33, 32.87, -52.11

 

CMYK 3 / 0 / 52 / 22

HEX #C1C660

RGB 193.1 198.8 96

HSL 63.33, 0.48%, 0.58%

LAB 77.85, -16.24, 50.16

 

CMYK 3 / 0 / 47 / 15

HEX #D2D873

RGB 210.1 216.8 115

HSL 63.95, 0.57%, 0.65%

LAB 84.21, -16.66, 49.03

 

CMYK 3 / 0 / 43 / 8

HEX #E3EA86

RGB 227.1 234.8 134

HSL 64.58, 0.71%, 0.72%

LAB 90.49, -17.01, 47.88

 

CMYK 3 / 0 / 39 / 1

HEX #F4FC99

RGB 244.1 252.8 153

HSL 65.23, 0.96%, 0.8%

LAB 96.69, -17.29, 46.75

 

CMYK 0 / 0 / 33 / 0

HEX #FFFFAC

RGB 255 255 172

HSL 60, 1%, 0.84%

LAB 98.34, -12.15, 39.74

 

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

CMYK 5 / 0 / 55 / 29

HEX #ABB452

RGB 171.1 180.8 82

HSL 65.89, 0.4%, 0.52%

LAB 71.04, -17.39, 48.4

 

CMYK 5 / 0 / 61 / 36

HEX #9AA23F

RGB 154.1 162.8 63

HSL 65.23, 0.44%, 0.44%

LAB 64.45, -16.87, 49.38

 

CMYK 5 / 0 / 70 / 43

HEX #89902C

RGB 137.1 144.8 44

HSL 64.58, 0.53%, 0.37%

LAB 57.75, -16.18, 50.04

 

CMYK 5 / 0 / 80 / 50

HEX #787E19

RGB 120.1 126.8 25

HSL 63.95, 0.67%, 0.3%

LAB 50.92, -15.27, 49.97

 

CMYK 5 / 0 / 50 / 22

HEX #BDC865

RGB 189 200 101

HSL 66.67, 0.47%, 0.59%

LAB 77.91, -18.05, 47.79

 

CMYK 0 / 8 / 50 / 22

HEX #C8B865

RGB 200 184 101

HSL 50.3, 0.47%, 0.59%

LAB 74.51, -5.37, 43.9

 

CMYK 0 / 22 / 50 / 22

HEX #C89D65

RGB 200 157 101

HSL 33.94, 0.47%, 0.59%

LAB 67.53, 9.04, 35.26

 

CMYK 0 / 35 / 50 / 22

HEX #C88365

RGB 200 131 101

HSL 18.18, 0.47%, 0.59%

LAB 61.18, 23.26, 27.11

 

CMYK 0 / 48 / 50 / 22

HEX #C86865

RGB 200 104 101

HSL 1.82, 0.47%, 0.59%

LAB 55.2, 37.74, 19.15

 

CMYK 5 / 0 / 50 / 22

HEX #BDC865

RGB 189 200 101

HSL 66.67, 0.47%, 0.59%

LAB 77.91, -18.05, 47.79

 

CMYK 19 / 0 / 50 / 22

HEX #A2C865

RGB 162 200 101

HSL 83.03, 0.47%, 0.59%

LAB 76.03, -28.63, 45.07

 

CMYK 32 / 0 / 50 / 22

HEX #88C865

RGB 136 200 101

HSL 98.79, 0.47%, 0.59%

LAB 74.5, -38.1, 42.86

 

CMYK 46 / 0 / 50 / 22

HEX #6DC865

RGB 109 200 101

HSL 115.15, 0.47%, 0.59%

LAB 73.22, -46.76, 41

 

CMYK 50 / 0 / 40 / 22

HEX #65C878

RGB 101 200 120

HSL 131.52, 0.47%, 0.59%

LAB 73.17, -46.18, 31.3

 

CMYK 5 / 0 / 50 / 22

HEX #BDC865

RGB 189 200 101

HSL 66.67, 0.47%, 0.59%

LAB 77.91, -18.05, 47.79

 

CMYK 7 / 0 / 61 / 15

HEX #CAD954

RGB 202 217 84

HSL 66.77, 0.64%, 0.59%

LAB 83.35, -22.54, 61.86

 

CMYK 8 / 0 / 71 / 9

HEX #D7E943

RGB 215 233 67

HSL 66.51, 0.79%, 0.59%

LAB 88.51, -25.95, 73.86

 

CMYK 9 / 0 / 80 / 2

HEX #E4FA33

RGB 228 250 51

HSL 66.63, 0.95%, 0.59%

LAB 93.93, -29.33, 83.91

 

CMYK 5 / 0 / 50 / 22

HEX #BDC865

RGB 189 200 101

HSL 66.67, 0.47%, 0.59%

LAB 77.91, -18.05, 47.79

 

CMYK 4 / 0 / 36 / 28

HEX #B0B776

RGB 176 183 118

HSL 66.46, 0.31%, 0.59%

LAB 72.5, -12.77, 32.27

 

CMYK 2 / 0 / 19 / 35

HEX #A2A687

RGB 162 166 135

HSL 67.74, 0.15%, 0.59%

LAB 67.05, -6.89, 15.6

 

CMYK 2 / 2 / 0 / 40

HEX #959598

RGB 149 149 152

HSL 240, 0.01%, 0.59%

LAB 61.78, 0.59, -1.58

 

CMYK 20 / 22 / 0 / 34

HEX #8884A9

RGB 136 132 169

HSL 246.49, 0.18%, 0.59%

LAB 56.68, 9.46, -19.03

 

CMYK 0 / 22 / 50 / 22

HEX #C89D65

RGB 200 157 101

HSL 33.94, 0.47%, 0.59%

LAB 67.53, 9.04, 35.26

 

CMYK 0 / 9 / 50 / 22

HEX #C8B765

RGB 200 183 101

HSL 49.7, 0.47%, 0.59%

LAB 74.24, -4.85, 43.58

 

CMYK 5 / 0 / 50 / 22

HEX #BEC865

RGB 190 200 101

HSL 66.06, 0.47%, 0.59%

LAB 77.99, -17.64, 47.89

 

CMYK 18 / 0 / 50 / 22

HEX #A4C865

RGB 164 200 101

HSL 81.82, 0.47%, 0.59%

LAB 76.16, -27.87, 45.25

 

CMYK 32 / 0 / 50 / 22

HEX #89C865

RGB 137 200 101

HSL 98.18, 0.47%, 0.59%

LAB 74.55, -37.75, 42.93

 

CMYK 7 / 0 / 64 / 37

HEX #95A13A

RGB 149 161 58

HSL 66.99, 0.47%, 0.43%

LAB 63.5, -18.48, 50.43

 

CMYK 7 / 0 / 62 / 26

HEX #B0BD47

RGB 176 189 71

HSL 66.61, 0.47%, 0.51%

LAB 73.6, -20.33, 56.27

 

CMYK 5 / 0 / 50 / 22

HEX #BDC865

RGB 189 200 101

HSL 66.67, 0.47%, 0.59%

LAB 77.91, -18.05, 47.79

 

CMYK 4 / 0 / 37 / 17

HEX #CAD384

RGB 202 211 132

HSL 66.84, 0.47%, 0.67%

LAB 82.28, -15.15, 38.1

 

CMYK 3 / 0 / 27 / 13

HEX #D7DDA2

RGB 215 221 162

HSL 66.1, 0.46%, 0.75%

LAB 86.39, -11.46, 28.37

 

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

CMYK 50 / 0 / 35 / 22

HEX #65C883

RGB 101 200 131

HSL 138.18, 0.47%, 0.59%

LAB 73.36, -44.29, 25.82

 

CMYK 15 / 50 / 0 / 22

HEX #AA65C8

RGB 170 101 200

HSL 281.82, 0.47%, 0.59%

LAB 54.05, 44.64, -40.62

 

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

CMYK 50 / 5 / 0 / 22

HEX #65BEC8

RGB 101 190 200

HSL 186.06, 0.47%, 0.59%

LAB 72.07, -23.96, -13.29

 

CMYK 0 / 50 / 5 / 22

HEX #C865BE

RGB 200 101 190

HSL 306.06, 0.47%, 0.59%

LAB 57.37, 51.34, -29.44

 

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

CMYK 50 / 0 / 35 / 22

HEX #65C883

RGB 101 200 131

HSL 138.18, 0.47%, 0.59%

LAB 73.36, -44.29, 25.82

 

CMYK 45 / 50 / 0 / 22

HEX #6F65C8

RGB 111 101 200

HSL 246.06, 0.47%, 0.59%

LAB 48.08, 29.08, -50.48

 

CMYK 0 / 50 / 15 / 22

HEX #C865AA

RGB 200 101 170

HSL 318.18, 0.47%, 0.59%

LAB 56.57, 48.03, -19.15

 

CMYK 5 / 0 / 49 / 22

HEX #BCC665

RGB 188.1 198.8 101

HSL 66.56, 0.47%, 0.59%

LAB 77.52, -17.81, 47.3

 

CMYK 50 / 0 / 20 / 22

HEX #65C8A0

RGB 101 200 160

HSL 155.76, 0.47%, 0.59%

LAB 73.94, -38.52, 11.18

 

CMYK 45 / 50 / 0 / 22

HEX #6F65C8

RGB 111 101 200

HSL 246.06, 0.47%, 0.59%

LAB 48.08, 29.08, -50.48

 

CMYK 0 / 50 / 30 / 22

HEX #C8658D

RGB 200 101 141

HSL 335.76, 0.47%, 0.59%

LAB 55.59, 43.82, -3.72

 

Description

Color code: RGB 188.1 198.8 101 | qconv.com Color code: RGB 188.1 198.8 101 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188.1 red, 198.8 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188.1 198.8 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 49 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 49% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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