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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 187 159 100 it is the complementary color RGB 68 96 155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 187 159 100. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 187 159 100: RGB 192 159 95, RGB 209 177 114, RGB 226 195 133, RGB 243 213 152 and RGB 255 231 171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 187 159 100. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 187 159 100: RGB 187 159 100, RGB 170 141 81, RGB 153 123 62, RGB 136 105 43 and RGB 119 87 24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

Complementary color

CMYK 56 / 38 / 0 / 39

HEX #44609B

RGB 68 96 155

HSL 220.69, 0.39%, 0.44%

LAB 41.15, 7.8, -35.34

 

CMYK 0 / 17 / 51 / 25

HEX #C09F5F

RGB 192 159 95

HSL 39.59, 0.43%, 0.56%

LAB 67.15, 4.04, 37.76

 

CMYK 0 / 15 / 45 / 18

HEX #D1B172

RGB 209 177 114

HSL 39.79, 0.51%, 0.63%

LAB 73.68, 3.28, 36.45

 

CMYK 0 / 14 / 41 / 11

HEX #E2C385

RGB 226 195 133

HSL 40, 0.62%, 0.7%

LAB 80.12, 2.63, 35.2

 

CMYK 0 / 12 / 37 / 5

HEX #F3D598

RGB 243 213 152

HSL 40.22, 0.79%, 0.77%

LAB 86.46, 2.07, 34.01

 

CMYK 0 / 9 / 33 / 0

HEX #FFE7AB

RGB 255 231 171

HSL 42.86, 1%, 0.84%

LAB 92.29, -0.31, 32.24

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 0 / 17 / 52 / 33

HEX #AA8D51

RGB 170 141 81

HSL 40.45, 0.35%, 0.49%

LAB 60.06, 3.21, 35.86

 

CMYK 0 / 20 / 59 / 40

HEX #997B3E

RGB 153 123 62

HSL 40.22, 0.42%, 0.42%

LAB 53.26, 4.16, 37.23

 

CMYK 0 / 23 / 68 / 47

HEX #88692B

RGB 136 105 43

HSL 40, 0.52%, 0.35%

LAB 46.33, 5.34, 38.54

 

CMYK 0 / 27 / 80 / 53

HEX #775718

RGB 119 87 24

HSL 39.79, 0.66%, 0.28%

LAB 39.25, 6.85, 39.49

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 0 / 8 / 47 / 27

HEX #BAAB63

RGB 186 171 99

HSL 49.66, 0.39%, 0.56%

LAB 69.8, -4.53, 38.86

 

CMYK 0 / 0 / 47 / 27

HEX #BABA63

RGB 186 186 99

HSL 60, 0.39%, 0.56%

LAB 73.84, -12.36, 43.81

 

CMYK 8 / 0 / 47 / 27

HEX #ABBA63

RGB 171 186 99

HSL 70.34, 0.39%, 0.56%

LAB 72.68, -18.45, 42.12

 

CMYK 16 / 0 / 47 / 27

HEX #9DBA63

RGB 157 186 99

HSL 80, 0.39%, 0.56%

LAB 71.68, -23.99, 40.68

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 0 / 15 / 47 / 7

HEX #EECA7F

RGB 238 202 127

HSL 40.54, 0.77%, 0.72%

LAB 82.89, 3.18, 42.02

 

CMYK 0 / 15 / 47 / 87

HEX #221D12

RGB 34 29 18

HSL 41.25, 0.31%, 0.1%

LAB 11.01, 0.27, 8.22

 

CMYK 0 / 15 / 47 / 67

HEX #55482D

RGB 85 72 45

HSL 40.5, 0.31%, 0.25%

LAB 31.24, 1.22, 18.22

 

CMYK 0 / 15 / 46 / 47

HEX #887449

RGB 136 116 73

HSL 40.95, 0.3%, 0.41%

LAB 49.75, 1.61, 26.59

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 41 / 0 / 47 / 27

HEX #6EBA63

RGB 110 186 99

HSL 112.41, 0.39%, 0.56%

LAB 68.99, -40.77, 36.75

 

CMYK 34 / 47 / 0 / 27

HEX #7A63BA

RGB 122 99 186

HSL 255.86, 0.39%, 0.56%

LAB 47.76, 29.12, -42.85

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 47 / 0 / 16 / 27

HEX #63BA9D

RGB 99 186 157

HSL 160, 0.39%, 0.56%

LAB 69.62, -33.24, 6.63

 

CMYK 16 / 47 / 0 / 27

HEX #9D63BA

RGB 157 99 186

HSL 280, 0.39%, 0.56%

LAB 51.42, 38.99, -36.82

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 41 / 0 / 47 / 27

HEX #6EBA63

RGB 110 186 99

HSL 112.41, 0.39%, 0.56%

LAB 68.99, -40.77, 36.75

 

CMYK 47 / 31 / 0 / 27

HEX #6380BA

RGB 99 128 186

HSL 220, 0.39%, 0.56%

LAB 53.64, 5.56, -33.7

 

CMYK 6 / 47 / 0 / 27

HEX #AE63BA

RGB 174 99 186

HSL 291.72, 0.39%, 0.56%

LAB 53.46, 43.97, -33.49

 

CMYK 0 / 15 / 47 / 27

HEX #BB9F64

RGB 187 159 100

HSL 40.69, 0.39%, 0.56%

LAB 66.73, 2.42, 34.52

 

CMYK 47 / 0 / 39 / 27

HEX #63BA71

RGB 99 186 113

HSL 129.66, 0.39%, 0.56%

LAB 68.72, -41.93, 29.09

 

CMYK 47 / 31 / 0 / 27

HEX #6380BA

RGB 99 128 186

HSL 220, 0.39%, 0.56%

LAB 53.64, 5.56, -33.7

 

CMYK 0 / 47 / 8 / 27

HEX #BA63AB

RGB 186 99 171

HSL 310.34, 0.39%, 0.56%

LAB 54.35, 44.84, -23.3

 

Description

Color code: RGB 187 159 100 | qconv.com Color code: RGB 187 159 100 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 187 red, 159 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
187 159 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 47 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 47% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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