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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 186 85 211 it is the complementary color RGB 69 170 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 186 85 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 186 85 211: RGB 191 85 206, RGB 208 103 225, RGB 225 121 244, RGB 242 139 255 and RGB 255 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 186 85 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 186 85 211: RGB 186 85 211, RGB 169 67 192, RGB 152 49 173, RGB 135 31 154 and RGB 118 13 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

Complementary color

CMYK 59 / 0 / 74 / 33

HEX #45AA2C

RGB 69 170 44

HSL 108.1, 0.59%, 0.42%

LAB 61.82, -52.17, 52.93

 

CMYK 7 / 59 / 0 / 19

HEX #BF55CE

RGB 191 85 206

HSL 292.56, 0.55%, 0.57%

LAB 54.06, 59.37, -43.86

 

CMYK 8 / 54 / 0 / 12

HEX #D067E1

RGB 208 103 225

HSL 291.64, 0.67%, 0.64%

LAB 60.38, 58.89, -44.47

 

CMYK 8 / 50 / 0 / 4

HEX #E179F4

RGB 225 121 244

HSL 290.73, 0.85%, 0.72%

LAB 66.68, 58.28, -44.95

 

CMYK 5 / 45 / 0 / 0

HEX #F28BFF

RGB 242 139 255

HSL 293.28, 1%, 0.77%

LAB 72.6, 56.11, -41.54

 

CMYK 0 / 38 / 0 / 0

HEX #FF9DFF

RGB 255 157 255

HSL 300, 1%, 0.81%

LAB 77.63, 50.81, -33.61

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 12 / 65 / 0 / 25

HEX #A943C0

RGB 169 67 192

HSL 288.96, 0.5%, 0.51%

LAB 47.31, 59.35, -46.71

 

CMYK 12 / 72 / 0 / 32

HEX #9831AD

RGB 152 49 173

HSL 289.84, 0.56%, 0.44%

LAB 41.04, 59.22, -45.72

 

CMYK 12 / 80 / 0 / 40

HEX #871F9A

RGB 135 31 154

HSL 290.73, 0.66%, 0.36%

LAB 34.93, 58.34, -44.25

 

CMYK 13 / 90 / 0 / 47

HEX #760D87

RGB 118 13 135

HSL 291.64, 0.82%, 0.29%

LAB 29.13, 56.23, -42.03

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 2 / 60 / 0 / 17

HEX #CE54D3

RGB 206 84 211

HSL 297.64, 0.59%, 0.58%

LAB 56.25, 64.45, -43.1

 

CMYK 0 / 60 / 8 / 17

HEX #D354C2

RGB 211 84 194

HSL 308.03, 0.59%, 0.58%

LAB 56.17, 62.89, -33.47

 

CMYK 0 / 60 / 18 / 17

HEX #D354AD

RGB 211 84 173

HSL 317.95, 0.59%, 0.58%

LAB 55.28, 59.71, -22.72

 

CMYK 0 / 60 / 28 / 17

HEX #D35498

RGB 211 84 152

HSL 327.87, 0.59%, 0.58%

LAB 54.51, 56.85, -11.63

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 14 / 57 / 0 / 97

HEX #060307

RGB 6 3 7

HSL 285, 0.4%, 0.02%

LAB 1.08, 1.34, -1.24

 

CMYK 12 / 60 / 0 / 77

HEX #33173A

RGB 51 23 58

HSL 288, 0.43%, 0.16%

LAB 13.36, 20.84, -16.88

 

CMYK 12 / 60 / 0 / 57

HEX #602C6D

RGB 96 44 109

HSL 288, 0.42%, 0.3%

LAB 27.82, 34.56, -27.88

 

CMYK 12 / 60 / 0 / 37

HEX #8D40A0

RGB 141 64 160

HSL 288.13, 0.43%, 0.44%

LAB 41, 47.48, -38.11

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 0 / 60 / 60 / 17

HEX #D35454

RGB 211 84 84

HSL 0, 0.59%, 0.58%

LAB 52.76, 50.12, 26.15

 

CMYK 60 / 0 / 36 / 17

HEX #54D387

RGB 84 211 135

HSL 144.09, 0.59%, 0.58%

LAB 76.21, -52.07, 27.45

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 0 / 12 / 60 / 17

HEX #D3B954

RGB 211 185 84

HSL 47.72, 0.59%, 0.58%

LAB 75.57, -2.66, 53.52

 

CMYK 60 / 0 / 12 / 17

HEX #54D3B9

RGB 84 211 185

HSL 167.72, 0.59%, 0.58%

LAB 77.27, -41.23, 2.45

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 0 / 60 / 60 / 17

HEX #D35454

RGB 211 84 84

HSL 0, 0.59%, 0.58%

LAB 52.76, 50.12, 26.15

 

CMYK 48 / 0 / 60 / 17

HEX #6DD354

RGB 109 211 84

HSL 108.19, 0.59%, 0.58%

LAB 76.36, -53.2, 52.65

 

CMYK 60 / 0 / 0 / 17

HEX #54D3D3

RGB 84 211 211

HSL 180, 0.59%, 0.58%

LAB 77.98, -34.47, -10.46

 

CMYK 12 / 60 / 0 / 17

HEX #BA55D3

RGB 186 85 211

HSL 288.1, 0.59%, 0.58%

LAB 53.64, 59.07, -47.41

 

CMYK 0 / 42 / 60 / 17

HEX #D37A54

RGB 211 122 84

HSL 17.95, 0.59%, 0.58%

LAB 60.26, 31.13, 35.58

 

CMYK 48 / 0 / 60 / 17

HEX #6DD354

RGB 109 211 84

HSL 108.19, 0.59%, 0.58%

LAB 76.36, -53.2, 52.65

 

CMYK 60 / 18 / 0 / 17

HEX #54ADD3

RGB 84 173 211

HSL 197.95, 0.59%, 0.58%

LAB 66.88, -15.47, -27.27

 

Description

Color code: RGB 186 85 211 | qconv.com Color code: RGB 186 85 211 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as medium orchid.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 85 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 85 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 60 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 60% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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